Apple 6 manual Specified Avchd frame rates are

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Frame Dimensions, Number of Lines, and Resolution

AVCHD supports three HD video resolutions:

å1920 x 1080: This format is sometimes called Full HD because it contains the full 1920 horizontal pixels of the 1080-line HD format.

å1440 x 1080: This is a horizontally subsampled image with 1080 lines.

å1280 x 720: This is a full-resolution 720p format.

SD NTSC- and PAL-compatible formats are also defined in the AVCHD specification:

å720 x 480 at 60i

å720 x 576 at 50i

Important: The SD AVCHD formats are not supported by Final Cut Pro.

Frame Rate

The specified AVCHD frame rates are:

åNTSC-compatible frame rate: 29.97 fps (1080i60, 720p60)

åPAL-compatible frame rate: 25 fps (1080i50, 720p50)

åFilm-compatible frame rate: 23.98 fps (1080p24, 720p24)

Scanning Method

AVCHD can record either interlaced or progressive scan images:

å1080 lines: Interlaced (1080i) or progressive (1080p)

å720 lines: Progressive

Color Recording Method

The AVCHD color sample ratio is 4:2:0, with 8 bits per sample.

Data Rate

The amount of storage space required by AVCHD footage depends on the quality setting chosen on the camcorder. Most camcorders support several quality levels, although these quality levels have different names and bit rates on different camcorders. When variable bit rate (VBR) encoding is used, complex and rapidly changing video requires more data, shortening recording time. Therefore, stated variable bit rates are an average.

Chapter 6 Working with AVCHD

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Contents Final Cut Pro Apple Inc Copyright 2008 Apple Inc. All rights reserved Contents Using the Log and Transfer Window Choosing an IMX Easy SetupAdding Volumes and Folders to the Browse Area Working with IMXRecording Footage with a P2 Camcorder Working with Panasonic P2 CardsMounting P2 Cards, Disk Images, and Folders 109 Working with Avchd115 Working with AVC-Intra 130 Setting Up a Sony Video Disk Unit115 116Overview of High Definition Video Formats About High Definition and Broadcast FormatsFilm-Compatible HD Formats NTSC-Compatible HD FormatsPAL-Compatible HD Formats About the Apple ProRes 422 Codec Format Frame dimensions Frame rate Scanning methodAbout the Apple Intermediate Codec About HDV DV footage, making the switch to HDV is simpleWhat Is ProHD? Fps Formats HDV Formats Supported by Final Cut ProStandard Definition Recording with an HDV Camcorder About Mpeg CompressionSpatial Intraframe Compression Temporal Interframe CompressionTranscoding HDV to Other Apple Codecs More About Long-GOP VideoWorking with HDV in Final Cut Pro Native HDV Editing WorkflowLog your footage and capture it to your scratch disk Steps for Native HDV EditingChoosing an Easy Setup Connecting an HDV Device to Your ComputerTo choose an Easy Setup To connect your HDV camcorder or VTR to your computerTo open the Log and Capture window Logging and Capturing Native HDV FootageAbout the Log and Capture Window Preview Area Transport Controls Video Preview AreaMarking Controls Shuttle ControlLogging Tab Clip Settings TabLog and Capture Buttons Capture Settings TabCapturing Footage with Start/Stop Indicators Recapturing HDV Footage Improving HDV Rendering by Using the Apple ProRes 422 Codec Using an HDV Camcorder to Capture or Output DV FootageEditing HDV Footage About Long-GOP Editing and RenderingTo choose the render file format in an HDV sequence Rendering and Conforming Long-GOP MPEG-2 MediaRendering HDV Conforming While Rendering in the Timeline Using the Print to Video Command to Output HDVTo output your HDV sequence to tape Steps for Transcoded HDV Editing Transcoded HDV Editing WorkflowCapturing and Transcoding HDV Video To choose an Easy Setup for transcoding HDVCapturing Footage with Scene Breaks Outputting HDV to Tape or Exporting to a QuickTime Movie Editing Video Using Transcoded HDV FootageTo export your sequence to a QuickTime movie Exporting HDV for DVD Studio ProTo change the FREERUN-PS setting on the camcorder Using the Canon XL H1 HDV CamcorderUsing the Sony HVR-V1 HDV Camcorder HDV Format Specifications Format Native frame size Data rate Data RateTimecode Video CompressionAudio Page About Dvcpro HD 2Working with Dvcpro HDFps-Based Formats Dvcpro HD Formats Supported by Final Cut Pro1080pA24 Dvcpro HD Dvcpro HD Frame Rates720p24 720p60 Dvcpro HD720p50 Dvcpro HD Setting System Frequency on a Panasonic Varicam Camcorder720pN Dvcpro HD Native Frame Rate Recording 720p Dvcpro HD Variable Frame Rate RecordingWorking with Dvcpro HD in Final Cut Pro Connecting a Dvcpro HD Device to Your ComputerTo set up your computer for Dvcpro HD capture and output Removing Duplicate Frames During Capture Choosing a Dvcpro HD Easy SetupLogging and Capturing Your Dvcpro HD Footage About Device Control for 720p50 and 720p60 Devices About Timecode for 720p50 and 720p60 FormatsChoosing Timecode Display Options for 720p60 Dvcpro HD Media Editing Dvcpro HD FootageTo display clip time for a 720p30 or 720p24 clip Outputting Your Dvcpro HD SequenceTo set the timecode display for 720p60 video Choosing an Intended Playback Rate Using the Dvcpro HD Frame Rate ConverterOutputting Sequence Timecode Using Dvcpro HD How a Frame Rate Converter Works What Is a Frame Rate Converter?How Dvcpro HD Variable Frame Rate Recording Works Recording Variable Frame Rates with Dvcpro HD 720p Original Media File Requirements About the Dvcpro HD Frame Rate ConverterAbout Native Variable Frame Rate Recording Timecode and Audio Restrictions About the Frame Rate Converter OptionsRemove Duplicate Frames Why Is There an Option to Convert 59.94 fps to 59.94 fps?Make Self-Contained File Import Result Into Final Cut ProWorking with 1080pA24 Dvcpro HD Video Using the Frame Rate ConverterWorking with 24p Dvcpro HD Shoot with advanced pull-down 23.98 fps at 29.97 fps 720p60 Dvcpro HD Recorded at 23.98 fps Working with 720p24 Dvcpro HD Video720p50 Dvcpro HD Recorded at 24 fps 720pN24 Dvcpro HD Native 24pDvcpro HD Format Specifications 1080i50 Format Recorded data rate Mbps Captured data rate MB/sec Video Compression Page About IMX 3Working with IMXAbout MXF Working with IMX in Final Cut ProIMX Formats Supported by Final Cut Pro Transferring IMX Footage to Your Computer Choosing an IMX Easy SetupImporting MXF-Wrapped IMX Media Files into Your Project Editing IMX Clips into a SequenceIMX Format Specifications Data Rate and Video Compression Page 4Using the Log and Transfer Window About the Log and Transfer Window About File-Based MediaTo open the Log and Transfer window Choose File Log and Transfer or press Command-Shift-8File-Based Media Terminology Using the Log and Transfer Window Sample File-Based Media Workflow Using the Log and Transfer Window Using Folders with Valid File-Based Media Folder Structure Using the Browse AreaTo unmount a volume, do one of the following Mounting Media DevicesControls in the Browse Area Add Folder button Column headings Mounted volumeUsing the Log and Transfer Window Selecting Clips in the Browse Area Adding Volumes and Folders to the Browse AreaDeleting Clips Directly from Storage Media Using the Preview AreaRestrictions During Preview Transport Controls in the Preview AreaTo enter previously logged data from the autofill cache Using the Logging AreaUsing Autofill Cache Logging Information Incrementing Logging Fields Setting Audio and Video Clip Import SettingsTo apply import settings to multiple clips Adding Clips to the Transfer Queue for Ingest Using the Transfer QueueFilenaming and Clip Naming During Ingest Pausing and Stopping IngestOrganizing Clips in the Transfer Queue Reingesting Clip Media Choosing Reel Names and Understanding Volume NamesWorking with Spanned Clips Viewing Spanned Clips in the Browse Area Archiving to a Folder Archiving File-Based Media from CardsTo create a disk image of a card To rename a mounted volume of an archived disk imageArchiving to a Disk Image Log and Transfer Plug-in Transcode Settings Setting Log and Transfer Import PreferencesRemove Advanced Pulldown and Duplicate Frames Clear Logging Autofill CachePage About Panasonic P2 Cards and Media Files 5Working with Panasonic P2 CardsRecording Footage with a P2 Camcorder Working with Panasonic P2 Cards and Final Cut ProMounting P2 Cards, Disk Images, and Folders To mount a P2 memory card using a P2 card readerMounting P2 Cards Using a PowerBook PC Card Cardbus Slot Unmounting P2 Cards Mounting P2 Cards Using a Panasonic AG-HVX200 CamcorderUsing Folders with Valid P2 Card Folder Structure Deleting P2 Clips Directly in the Log and Transfer Window Working with Spanned Clips Press the Menu button Capturing over FireWire as if a P2 Card Were a Tape in a VTR 104 Panasonic AG-HVX200 Ntsc Panasonic AG-HVX200 Camcorder CompatibilityFormat Duplicate Timecode Frame rate Frame pattern Panasonic AG-HVX200E PALPanasonic P2 Card Format Specifications Page Avchd Formats Supported by Final Cut Pro About AvchdTransferring Avchd Footage Restrictions When Working with AvchdWorking with Avchd in Final Cut Pro Choosing an Avchd Destination Codec Avchd Format Specifications Specified Avchd frame rates are Panasonic Camcorder Avchd Quality Levels Sony Camcorder Avchd Quality LevelsAVC-Intra Formats Supported by Final Cut Pro About AVC-IntraChoosing an AVC-Intra Destination Codec Restrictions When Working with AVC-IntraWorking with AVC-Intra in Final Cut Pro AVC-Intra Format Specifications Data rate Frame dimensions Color sample ratio About XDCAM, Xdcam HD, and Xdcam EX 8Working with Sony Xdcam FormatsXdcam HD CBR Easy Setups Xdcam HD VBR Easy SetupsXdcam Formats Supported in Final Cut Pro Xdcam HD Formats Supported in Final Cut ProXdcam EX Formats Supported in Final Cut Pro Xdcam HD422 CBR Easy SetupsWorking with XDCAM, Xdcam HD, and Xdcam EX in Final Cut Pro Installing Sony Xdcam SoftwareTo mount Xdcam or Xdcam HD media on your computer desktop Connecting an Xdcam or Xdcam HD DeckTo enable the PC Remote mode on a Sony PDW-1500 Xdcam deck Ingesting XDCAM, Xdcam HD, or Xdcam EX Media To assign four mono audio outputs to your sequence Rendering and Conforming Xdcam HD or Xdcam EX MediaExporting Sequences to XDCAM, Xdcam HD, or Xdcam EX Media XDCAM, Xdcam HD, and Xdcam EX Format Specifications Frame Color 128 About Sony Video Disk Units 9Working with Sony Video Disk UnitsTo unmount a FireWire hard drive from the desktop Setting Up a Sony Video Disk UnitImporting Footage from a Sony Video Disk Unit Importing DV Media from a Sony Video Disk UnitTo transfer media from a Sony Video Disk Unit
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6 specifications

The Apple iPhone 6, released in September 2014, marked a significant evolution in Apple's smartphone lineup. This model introduced a larger screen and a sleeker design, setting the stage for future devices in the iPhone series.

One of the most notable features of the iPhone 6 was its display. With a 4.7-inch Retina HD screen, the iPhone 6 offered a resolution of 1334 x 750 pixels, delivering vibrant colors and sharp images. This screen size was a departure from previous models, appealing to users who favored larger displays for better viewing experiences, whether for gaming, watching videos, or browsing the web.

The design of the iPhone 6 was another highlight. It featured a slim, curved aluminum body that not only made it more aesthetically pleasing but also improved its ergonomics. Weighing just 129 grams, the phone was light yet robust. The placement of volume buttons, the power button, and the headphone jack was thoughtfully designed to enhance usability.

Under the hood, the iPhone 6 was powered by the A8 chip, a 64-bit dual-core processor that offered impressive performance and energy efficiency. Coupled with the M8 motion coprocessor, the device could effectively handle demanding apps and services while optimizing battery life, providing users with a smooth experience throughout the day.

The camera capabilities of the iPhone 6 were also advanced for its time. It featured an 8-megapixel rear camera with optical image stabilization and a f/2.2 aperture, allowing for clearer low-light photography. The front-facing camera was improved as well, offering a 1.2-megapixel resolution and support for 720p HD video, making it great for selfies and video calls.

Connectivity options included LTE support, enabling faster download speeds, and Wi-Fi calling, which allowed users to make calls over Wi-Fi networks, enhancing communication in areas with poor cellular coverage. The iPhone 6 also introduced the Apple Pay feature, allowing users to make secure transactions using their devices.

In terms of software, the iPhone 6 originally came with iOS 8, which boasted new features such as HealthKit and HomeKit, further integrating technology into daily life. Regular software updates ensured that users could enjoy the latest features and security enhancements well into the device's lifecycle.

Overall, the iPhone 6 distinguished itself with a combination of innovative design, powerful performance, and a user-friendly experience, solidifying Apple's position in the smartphone market and paving the way for future iterations in the iPhone lineup.