Apple 6 manual Archiving to a Disk Image, To create a disk image of a card

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Archiving to a Disk Image

The Archive to Disk Image command produces a readable, writable disk image that is easily stored on other hard disks or disc media and can be easily opened to access the archived content.

To create a disk image of a card:

1In the Browse area, make sure the Hierarchical List View button is selected.

2Select the card whose contents you want to archive.

3Do one of the following:

åControl-click the card icon, then choose Archive to Disk Image from the shortcut menu.

åChoose Archive to Disk Image from the Action pop-up menu in the upper-right corner of the Browse area.

4Enter a name for the disk image file. By default, the name of the volume is used.

Important: The name you enter here is the name of the disk image (.dmg) file, not the name of the disk image contained within it.

To rename a mounted volume of an archived disk image:

1In the Log and Transfer window, select a volume and then choose Archive to Disk Image from the Action pop-up menu in the Browse area.

A new disk image (.dmg) file is created on the desktop.

2Switch to the Finder (press Command-Tab or click the Finder icon in the Dock).

3Double-click the new disk image you just created to mount it on the desktop.

4Select the mounted volume on the desktop, then press Enter to select the volume name.

5Enter a new name for the mounted volume, then press Enter.

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Chapter 4 Using the Log and Transfer Window

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Contents Final Cut Pro Apple Inc Copyright 2008 Apple Inc. All rights reserved Contents Choosing an IMX Easy Setup Using the Log and Transfer WindowAdding Volumes and Folders to the Browse Area Working with IMXWorking with Panasonic P2 Cards Recording Footage with a P2 CamcorderMounting P2 Cards, Disk Images, and Folders 109 Working with Avchd130 Setting Up a Sony Video Disk Unit 115 Working with AVC-Intra115 116About High Definition and Broadcast Formats Overview of High Definition Video FormatsFilm-Compatible HD Formats NTSC-Compatible HD FormatsPAL-Compatible HD Formats Format Frame dimensions Frame rate Scanning method About the Apple ProRes 422 CodecAbout the Apple Intermediate Codec About HDV DV footage, making the switch to HDV is simpleWhat Is ProHD? HDV Formats Supported by Final Cut Pro Fps FormatsAbout Mpeg Compression Standard Definition Recording with an HDV CamcorderSpatial Intraframe Compression Temporal Interframe CompressionMore About Long-GOP Video Transcoding HDV to Other Apple CodecsNative HDV Editing Workflow Working with HDV in Final Cut ProSteps for Native HDV Editing Log your footage and capture it to your scratch diskConnecting an HDV Device to Your Computer Choosing an Easy SetupTo choose an Easy Setup To connect your HDV camcorder or VTR to your computerTo open the Log and Capture window Logging and Capturing Native HDV FootageAbout the Log and Capture Window Preview Area Video Preview Area Transport ControlsShuttle Control Marking ControlsClip Settings Tab Logging TabCapture Settings Tab Log and Capture ButtonsCapturing Footage with Start/Stop Indicators Recapturing HDV Footage Using an HDV Camcorder to Capture or Output DV Footage Improving HDV Rendering by Using the Apple ProRes 422 CodecEditing HDV Footage About Long-GOP Editing and RenderingTo choose the render file format in an HDV sequence Rendering and Conforming Long-GOP MPEG-2 MediaRendering HDV Using the Print to Video Command to Output HDV Conforming While Rendering in the TimelineTo output your HDV sequence to tape Transcoded HDV Editing Workflow Steps for Transcoded HDV EditingTo choose an Easy Setup for transcoding HDV Capturing and Transcoding HDV VideoCapturing Footage with Scene Breaks Editing Video Using Transcoded HDV Footage Outputting HDV to Tape or Exporting to a QuickTime MovieExporting HDV for DVD Studio Pro To export your sequence to a QuickTime movieUsing the Canon XL H1 HDV Camcorder To change the FREERUN-PS setting on the camcorderUsing the Sony HVR-V1 HDV Camcorder HDV Format Specifications Data Rate Format Native frame size Data rateTimecode Video CompressionAudio Page 2Working with Dvcpro HD About Dvcpro HDDvcpro HD Formats Supported by Final Cut Pro Fps-Based FormatsDvcpro HD Frame Rates 1080pA24 Dvcpro HD720p60 Dvcpro HD 720p24Setting System Frequency on a Panasonic Varicam Camcorder 720p50 Dvcpro HD720pN Dvcpro HD Native Frame Rate Recording 720p Dvcpro HD Variable Frame Rate RecordingWorking with Dvcpro HD in Final Cut Pro Connecting a Dvcpro HD Device to Your ComputerTo set up your computer for Dvcpro HD capture and output Removing Duplicate Frames During Capture Choosing a Dvcpro HD Easy SetupLogging and Capturing Your Dvcpro HD Footage About Timecode for 720p50 and 720p60 Formats About Device Control for 720p50 and 720p60 DevicesEditing Dvcpro HD Footage Choosing Timecode Display Options for 720p60 Dvcpro HD MediaTo display clip time for a 720p30 or 720p24 clip Outputting Your Dvcpro HD SequenceTo set the timecode display for 720p60 video Choosing an Intended Playback Rate Using the Dvcpro HD Frame Rate ConverterOutputting Sequence Timecode Using Dvcpro HD How a Frame Rate Converter Works What Is a Frame Rate Converter?How Dvcpro HD Variable Frame Rate Recording Works Recording Variable Frame Rates with Dvcpro HD 720p Original Media File Requirements About the Dvcpro HD Frame Rate ConverterAbout Native Variable Frame Rate Recording About the Frame Rate Converter Options Timecode and Audio RestrictionsWhy Is There an Option to Convert 59.94 fps to 59.94 fps? Remove Duplicate FramesMake Self-Contained File Import Result Into Final Cut ProWorking with 1080pA24 Dvcpro HD Video Using the Frame Rate ConverterWorking with 24p Dvcpro HD Shoot with advanced pull-down 23.98 fps at 29.97 fps Working with 720p24 Dvcpro HD Video 720p60 Dvcpro HD Recorded at 23.98 fps720p50 Dvcpro HD Recorded at 24 fps 720pN24 Dvcpro HD Native 24pDvcpro HD Format Specifications 1080i50 Format Recorded data rate Mbps Captured data rate MB/sec Video Compression Page 3Working with IMX About IMXAbout MXF Working with IMX in Final Cut ProIMX Formats Supported by Final Cut Pro Choosing an IMX Easy Setup Transferring IMX Footage to Your ComputerImporting MXF-Wrapped IMX Media Files into Your Project Editing IMX Clips into a SequenceIMX Format Specifications Data Rate and Video Compression Page 4Using the Log and Transfer Window About File-Based Media About the Log and Transfer WindowChoose File Log and Transfer or press Command-Shift-8 To open the Log and Transfer windowFile-Based Media Terminology Using the Log and Transfer Window Sample File-Based Media Workflow Using the Log and Transfer Window Using the Browse Area Using Folders with Valid File-Based Media Folder StructureTo unmount a volume, do one of the following Mounting Media DevicesAdd Folder button Column headings Mounted volume Controls in the Browse AreaUsing the Log and Transfer Window Adding Volumes and Folders to the Browse Area Selecting Clips in the Browse AreaUsing the Preview Area Deleting Clips Directly from Storage MediaTransport Controls in the Preview Area Restrictions During PreviewTo enter previously logged data from the autofill cache Using the Logging AreaUsing Autofill Cache Logging Information Incrementing Logging Fields Setting Audio and Video Clip Import SettingsTo apply import settings to multiple clips Using the Transfer Queue Adding Clips to the Transfer Queue for IngestFilenaming and Clip Naming During Ingest Pausing and Stopping IngestOrganizing Clips in the Transfer Queue Choosing Reel Names and Understanding Volume Names Reingesting Clip MediaWorking with Spanned Clips Viewing Spanned Clips in the Browse Area Archiving File-Based Media from Cards Archiving to a FolderTo create a disk image of a card To rename a mounted volume of an archived disk imageArchiving to a Disk Image Setting Log and Transfer Import Preferences Log and Transfer Plug-in Transcode SettingsRemove Advanced Pulldown and Duplicate Frames Clear Logging Autofill CachePage 5Working with Panasonic P2 Cards About Panasonic P2 Cards and Media FilesWorking with Panasonic P2 Cards and Final Cut Pro Recording Footage with a P2 CamcorderTo mount a P2 memory card using a P2 card reader Mounting P2 Cards, Disk Images, and FoldersMounting P2 Cards Using a PowerBook PC Card Cardbus Slot Unmounting P2 Cards Mounting P2 Cards Using a Panasonic AG-HVX200 CamcorderUsing Folders with Valid P2 Card Folder Structure Deleting P2 Clips Directly in the Log and Transfer Window Working with Spanned Clips Press the Menu button Capturing over FireWire as if a P2 Card Were a Tape in a VTR 104 Panasonic AG-HVX200 Camcorder Compatibility Panasonic AG-HVX200 NtscPanasonic AG-HVX200E PAL Format Duplicate Timecode Frame rate Frame patternPanasonic P2 Card Format Specifications Page About Avchd Avchd Formats Supported by Final Cut ProTransferring Avchd Footage Restrictions When Working with AvchdWorking with Avchd in Final Cut Pro Choosing an Avchd Destination Codec Avchd Format Specifications Specified Avchd frame rates are Sony Camcorder Avchd Quality Levels Panasonic Camcorder Avchd Quality LevelsAbout AVC-Intra AVC-Intra Formats Supported by Final Cut ProChoosing an AVC-Intra Destination Codec Restrictions When Working with AVC-IntraWorking with AVC-Intra in Final Cut Pro AVC-Intra Format Specifications Data rate Frame dimensions Color sample ratio 8Working with Sony Xdcam Formats About XDCAM, Xdcam HD, and Xdcam EXXdcam HD VBR Easy Setups Xdcam HD CBR Easy SetupsXdcam Formats Supported in Final Cut Pro Xdcam HD Formats Supported in Final Cut ProXdcam HD422 CBR Easy Setups Xdcam EX Formats Supported in Final Cut ProInstalling Sony Xdcam Software Working with XDCAM, Xdcam HD, and Xdcam EX in Final Cut ProTo mount Xdcam or Xdcam HD media on your computer desktop Connecting an Xdcam or Xdcam HD DeckTo enable the PC Remote mode on a Sony PDW-1500 Xdcam deck Ingesting XDCAM, Xdcam HD, or Xdcam EX Media To assign four mono audio outputs to your sequence Rendering and Conforming Xdcam HD or Xdcam EX MediaExporting Sequences to XDCAM, Xdcam HD, or Xdcam EX Media XDCAM, Xdcam HD, and Xdcam EX Format Specifications Frame Color 128 9Working with Sony Video Disk Units About Sony Video Disk UnitsSetting Up a Sony Video Disk Unit To unmount a FireWire hard drive from the desktopImporting Footage from a Sony Video Disk Unit Importing DV Media from a Sony Video Disk UnitTo transfer media from a Sony Video Disk Unit
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6 specifications

The Apple iPhone 6, released in September 2014, marked a significant evolution in Apple's smartphone lineup. This model introduced a larger screen and a sleeker design, setting the stage for future devices in the iPhone series.

One of the most notable features of the iPhone 6 was its display. With a 4.7-inch Retina HD screen, the iPhone 6 offered a resolution of 1334 x 750 pixels, delivering vibrant colors and sharp images. This screen size was a departure from previous models, appealing to users who favored larger displays for better viewing experiences, whether for gaming, watching videos, or browsing the web.

The design of the iPhone 6 was another highlight. It featured a slim, curved aluminum body that not only made it more aesthetically pleasing but also improved its ergonomics. Weighing just 129 grams, the phone was light yet robust. The placement of volume buttons, the power button, and the headphone jack was thoughtfully designed to enhance usability.

Under the hood, the iPhone 6 was powered by the A8 chip, a 64-bit dual-core processor that offered impressive performance and energy efficiency. Coupled with the M8 motion coprocessor, the device could effectively handle demanding apps and services while optimizing battery life, providing users with a smooth experience throughout the day.

The camera capabilities of the iPhone 6 were also advanced for its time. It featured an 8-megapixel rear camera with optical image stabilization and a f/2.2 aperture, allowing for clearer low-light photography. The front-facing camera was improved as well, offering a 1.2-megapixel resolution and support for 720p HD video, making it great for selfies and video calls.

Connectivity options included LTE support, enabling faster download speeds, and Wi-Fi calling, which allowed users to make calls over Wi-Fi networks, enhancing communication in areas with poor cellular coverage. The iPhone 6 also introduced the Apple Pay feature, allowing users to make secure transactions using their devices.

In terms of software, the iPhone 6 originally came with iOS 8, which boasted new features such as HealthKit and HomeKit, further integrating technology into daily life. Regular software updates ensured that users could enjoy the latest features and security enhancements well into the device's lifecycle.

Overall, the iPhone 6 distinguished itself with a combination of innovative design, powerful performance, and a user-friendly experience, solidifying Apple's position in the smartphone market and paving the way for future iterations in the iPhone lineup.