Apple manual Working with AVC-Intra, 115, 116, Working with Sony Xdcam Formats, 130

Page 6

Chapter 7

115

Working with AVC-Intra

 

115

About AVC-Intra

 

115

AVC-Intra Formats Supported by Final Cut Pro

 

116

Working with AVC-Intra in Final Cut Pro

 

116

Restrictions When Working with AVC-Intra

 

116

Restrictions During Preview

 

116

Choosing an AVC-Intra Destination Codec

 

117

AVC-Intra Format Specifications

Chapter 8

119

Working with Sony XDCAM Formats

119About XDCAM, XDCAM HD, and XDCAM EX

120XDCAM Formats Supported in Final Cut Pro

120XDCAM HD Formats Supported in Final Cut Pro

121XDCAM EX Formats Supported in Final Cut Pro

122Working with XDCAM, XDCAM HD, and XDCAM EX in Final Cut Pro

122Installing Sony XDCAM Software

123Connecting an XDCAM, XDCAM HD, or XDCAM EX Device to Your Computer

124Ingesting XDCAM, XDCAM HD, or XDCAM EX Media

124Choosing an Easy Setup and Editing XDCAM Media in Final Cut Pro

125Choosing an Easy Setup and Editing XDCAM HD or XDCAM EX Media in Final Cut Pro

125Rendering and Conforming XDCAM HD or XDCAM EX Media

125Exporting Sequences to XDCAM, XDCAM HD, or XDCAM EX Media

126XDCAM, XDCAM HD, and XDCAM EX Format Specifications

Chapter 9

129

Working with Sony Video Disk Units

 

129

About Sony Video Disk Units

 

130

Importing Footage from a Sony Video Disk Unit

 

130

Setting Up a Sony Video Disk Unit

 

130

Importing DV Media from a Sony Video Disk Unit

6

Contents

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Contents Final Cut Pro Apple Inc Copyright 2008 Apple Inc. All rights reserved Contents Adding Volumes and Folders to the Browse Area Choosing an IMX Easy SetupUsing the Log and Transfer Window Working with IMXMounting P2 Cards, Disk Images, and Folders Working with Panasonic P2 CardsRecording Footage with a P2 Camcorder 109 Working with Avchd115 130 Setting Up a Sony Video Disk Unit115 Working with AVC-Intra 116About High Definition and Broadcast Formats Overview of High Definition Video FormatsNTSC-Compatible HD Formats PAL-Compatible HD FormatsFilm-Compatible HD Formats Format Frame dimensions Frame rate Scanning method About the Apple ProRes 422 CodecAbout the Apple Intermediate Codec DV footage, making the switch to HDV is simple What Is ProHD?About HDV HDV Formats Supported by Final Cut Pro Fps FormatsSpatial Intraframe Compression About Mpeg CompressionStandard Definition Recording with an HDV Camcorder Temporal Interframe CompressionMore About Long-GOP Video Transcoding HDV to Other Apple CodecsNative HDV Editing Workflow Working with HDV in Final Cut ProSteps for Native HDV Editing Log your footage and capture it to your scratch diskTo choose an Easy Setup Connecting an HDV Device to Your ComputerChoosing an Easy Setup To connect your HDV camcorder or VTR to your computerLogging and Capturing Native HDV Footage About the Log and Capture WindowTo open the Log and Capture window Preview Area Video Preview Area Transport ControlsShuttle Control Marking ControlsClip Settings Tab Logging TabCapture Settings Tab Log and Capture ButtonsCapturing Footage with Start/Stop Indicators Recapturing HDV Footage Editing HDV Footage Using an HDV Camcorder to Capture or Output DV FootageImproving HDV Rendering by Using the Apple ProRes 422 Codec About Long-GOP Editing and RenderingRendering and Conforming Long-GOP MPEG-2 Media Rendering HDVTo choose the render file format in an HDV sequence Using the Print to Video Command to Output HDV Conforming While Rendering in the TimelineTo output your HDV sequence to tape Transcoded HDV Editing Workflow Steps for Transcoded HDV EditingTo choose an Easy Setup for transcoding HDV Capturing and Transcoding HDV VideoCapturing Footage with Scene Breaks Editing Video Using Transcoded HDV Footage Outputting HDV to Tape or Exporting to a QuickTime MovieExporting HDV for DVD Studio Pro To export your sequence to a QuickTime movieUsing the Canon XL H1 HDV Camcorder To change the FREERUN-PS setting on the camcorderUsing the Sony HVR-V1 HDV Camcorder HDV Format Specifications Data Rate Format Native frame size Data rateVideo Compression AudioTimecode Page 2Working with Dvcpro HD About Dvcpro HDDvcpro HD Formats Supported by Final Cut Pro Fps-Based FormatsDvcpro HD Frame Rates 1080pA24 Dvcpro HD720p60 Dvcpro HD 720p24720pN Dvcpro HD Native Frame Rate Recording Setting System Frequency on a Panasonic Varicam Camcorder720p50 Dvcpro HD 720p Dvcpro HD Variable Frame Rate RecordingConnecting a Dvcpro HD Device to Your Computer To set up your computer for Dvcpro HD capture and outputWorking with Dvcpro HD in Final Cut Pro Choosing a Dvcpro HD Easy Setup Logging and Capturing Your Dvcpro HD FootageRemoving Duplicate Frames During Capture About Timecode for 720p50 and 720p60 Formats About Device Control for 720p50 and 720p60 DevicesEditing Dvcpro HD Footage Choosing Timecode Display Options for 720p60 Dvcpro HD MediaOutputting Your Dvcpro HD Sequence To set the timecode display for 720p60 videoTo display clip time for a 720p30 or 720p24 clip Using the Dvcpro HD Frame Rate Converter Outputting Sequence Timecode Using Dvcpro HDChoosing an Intended Playback Rate What Is a Frame Rate Converter? How Dvcpro HD Variable Frame Rate Recording WorksHow a Frame Rate Converter Works Recording Variable Frame Rates with Dvcpro HD 720p About the Dvcpro HD Frame Rate Converter About Native Variable Frame Rate RecordingOriginal Media File Requirements About the Frame Rate Converter Options Timecode and Audio RestrictionsMake Self-Contained File Why Is There an Option to Convert 59.94 fps to 59.94 fps?Remove Duplicate Frames Import Result Into Final Cut ProUsing the Frame Rate Converter Working with 24p Dvcpro HDWorking with 1080pA24 Dvcpro HD Video Shoot with advanced pull-down 23.98 fps at 29.97 fps 720p50 Dvcpro HD Recorded at 24 fps Working with 720p24 Dvcpro HD Video720p60 Dvcpro HD Recorded at 23.98 fps 720pN24 Dvcpro HD Native 24pDvcpro HD Format Specifications 1080i50 Format Recorded data rate Mbps Captured data rate MB/sec Video Compression Page 3Working with IMX About IMXWorking with IMX in Final Cut Pro IMX Formats Supported by Final Cut ProAbout MXF Importing MXF-Wrapped IMX Media Files into Your Project Choosing an IMX Easy SetupTransferring IMX Footage to Your Computer Editing IMX Clips into a SequenceIMX Format Specifications Data Rate and Video Compression Page 4Using the Log and Transfer Window About File-Based Media About the Log and Transfer WindowChoose File Log and Transfer or press Command-Shift-8 To open the Log and Transfer windowFile-Based Media Terminology Using the Log and Transfer Window Sample File-Based Media Workflow Using the Log and Transfer Window To unmount a volume, do one of the following Using the Browse AreaUsing Folders with Valid File-Based Media Folder Structure Mounting Media DevicesAdd Folder button Column headings Mounted volume Controls in the Browse AreaUsing the Log and Transfer Window Adding Volumes and Folders to the Browse Area Selecting Clips in the Browse AreaUsing the Preview Area Deleting Clips Directly from Storage MediaTransport Controls in the Preview Area Restrictions During PreviewUsing the Logging Area Using Autofill Cache Logging InformationTo enter previously logged data from the autofill cache Setting Audio and Video Clip Import Settings To apply import settings to multiple clipsIncrementing Logging Fields Using the Transfer Queue Adding Clips to the Transfer Queue for IngestPausing and Stopping Ingest Organizing Clips in the Transfer QueueFilenaming and Clip Naming During Ingest Choosing Reel Names and Understanding Volume Names Reingesting Clip MediaWorking with Spanned Clips Viewing Spanned Clips in the Browse Area Archiving File-Based Media from Cards Archiving to a FolderTo rename a mounted volume of an archived disk image Archiving to a Disk ImageTo create a disk image of a card Remove Advanced Pulldown and Duplicate Frames Setting Log and Transfer Import PreferencesLog and Transfer Plug-in Transcode Settings Clear Logging Autofill CachePage 5Working with Panasonic P2 Cards About Panasonic P2 Cards and Media FilesWorking with Panasonic P2 Cards and Final Cut Pro Recording Footage with a P2 CamcorderTo mount a P2 memory card using a P2 card reader Mounting P2 Cards, Disk Images, and FoldersMounting P2 Cards Using a PowerBook PC Card Cardbus Slot Mounting P2 Cards Using a Panasonic AG-HVX200 Camcorder Using Folders with Valid P2 Card Folder StructureUnmounting P2 Cards Deleting P2 Clips Directly in the Log and Transfer Window Working with Spanned Clips Press the Menu button Capturing over FireWire as if a P2 Card Were a Tape in a VTR 104 Panasonic AG-HVX200 Camcorder Compatibility Panasonic AG-HVX200 NtscPanasonic AG-HVX200E PAL Format Duplicate Timecode Frame rate Frame patternPanasonic P2 Card Format Specifications Page About Avchd Avchd Formats Supported by Final Cut ProRestrictions When Working with Avchd Working with Avchd in Final Cut ProTransferring Avchd Footage Choosing an Avchd Destination Codec Avchd Format Specifications Specified Avchd frame rates are Sony Camcorder Avchd Quality Levels Panasonic Camcorder Avchd Quality LevelsAbout AVC-Intra AVC-Intra Formats Supported by Final Cut ProRestrictions When Working with AVC-Intra Working with AVC-Intra in Final Cut ProChoosing an AVC-Intra Destination Codec AVC-Intra Format Specifications Data rate Frame dimensions Color sample ratio 8Working with Sony Xdcam Formats About XDCAM, Xdcam HD, and Xdcam EXXdcam Formats Supported in Final Cut Pro Xdcam HD VBR Easy SetupsXdcam HD CBR Easy Setups Xdcam HD Formats Supported in Final Cut ProXdcam HD422 CBR Easy Setups Xdcam EX Formats Supported in Final Cut ProInstalling Sony Xdcam Software Working with XDCAM, Xdcam HD, and Xdcam EX in Final Cut ProConnecting an Xdcam or Xdcam HD Deck To enable the PC Remote mode on a Sony PDW-1500 Xdcam deckTo mount Xdcam or Xdcam HD media on your computer desktop Ingesting XDCAM, Xdcam HD, or Xdcam EX Media Rendering and Conforming Xdcam HD or Xdcam EX Media Exporting Sequences to XDCAM, Xdcam HD, or Xdcam EX MediaTo assign four mono audio outputs to your sequence XDCAM, Xdcam HD, and Xdcam EX Format Specifications Frame Color 128 9Working with Sony Video Disk Units About Sony Video Disk UnitsImporting Footage from a Sony Video Disk Unit Setting Up a Sony Video Disk UnitTo unmount a FireWire hard drive from the desktop Importing DV Media from a Sony Video Disk UnitTo transfer media from a Sony Video Disk Unit
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6 specifications

The Apple iPhone 6, released in September 2014, marked a significant evolution in Apple's smartphone lineup. This model introduced a larger screen and a sleeker design, setting the stage for future devices in the iPhone series.

One of the most notable features of the iPhone 6 was its display. With a 4.7-inch Retina HD screen, the iPhone 6 offered a resolution of 1334 x 750 pixels, delivering vibrant colors and sharp images. This screen size was a departure from previous models, appealing to users who favored larger displays for better viewing experiences, whether for gaming, watching videos, or browsing the web.

The design of the iPhone 6 was another highlight. It featured a slim, curved aluminum body that not only made it more aesthetically pleasing but also improved its ergonomics. Weighing just 129 grams, the phone was light yet robust. The placement of volume buttons, the power button, and the headphone jack was thoughtfully designed to enhance usability.

Under the hood, the iPhone 6 was powered by the A8 chip, a 64-bit dual-core processor that offered impressive performance and energy efficiency. Coupled with the M8 motion coprocessor, the device could effectively handle demanding apps and services while optimizing battery life, providing users with a smooth experience throughout the day.

The camera capabilities of the iPhone 6 were also advanced for its time. It featured an 8-megapixel rear camera with optical image stabilization and a f/2.2 aperture, allowing for clearer low-light photography. The front-facing camera was improved as well, offering a 1.2-megapixel resolution and support for 720p HD video, making it great for selfies and video calls.

Connectivity options included LTE support, enabling faster download speeds, and Wi-Fi calling, which allowed users to make calls over Wi-Fi networks, enhancing communication in areas with poor cellular coverage. The iPhone 6 also introduced the Apple Pay feature, allowing users to make secure transactions using their devices.

In terms of software, the iPhone 6 originally came with iOS 8, which boasted new features such as HealthKit and HomeKit, further integrating technology into daily life. Regular software updates ensured that users could enjoy the latest features and security enhancements well into the device's lifecycle.

Overall, the iPhone 6 distinguished itself with a combination of innovative design, powerful performance, and a user-friendly experience, solidifying Apple's position in the smartphone market and paving the way for future iterations in the iPhone lineup.
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