Apple manual Working with 720p24 Dvcpro HD Video, 720p60 Dvcpro HD Recorded at 23.98 fps

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Working with 720p24 DVCPRO HD Video

There are several methods for recording 720p24 DVCPRO HD footage, depending on the camcorder you use.

720p60 DVCPRO HD Recorded at 23.98 fps

Duplicate frames are recorded and can be removed during capture (Panasonic Varicam), during P2 card ingest (Panasonic AG-HVX200), or after capture using the DVCPRO HD Frame Rate Converter. This format is also referred to as 720p24.

For more information, see “Removing Duplicate Frames During Capture” on page 47 and “Setting Log and Transfer Import Preferences” on page 93.

Note: The Panasonic Varicam camcorder can record 720p60 video with a frame rate setting of 24 fps, but this format is not supported by Final Cut Pro. For more information, see “Setting System Frequency on a Panasonic Varicam Camcorder” on page 45.

720p50 DVCPRO HD Recorded at 24 fps

Duplicate frames are recorded and can be removed during P2 card ingest with the Log and Transfer window or using the DVCPRO HD Frame Rate Converter. For more information, see “Setting Log and Transfer Import Preferences” on page 93.

Note: This format is only available using the Panasonic AG-HVX200E camcorder (PAL).

720pN24 DVCPRO HD (Native 24p)

DVCPRO HD 24 fps footage is recorded natively to a Panasonic P2 card and can be ingested using the Log and Transfer window. For more information, see “Panasonic AG-HVX200 Camcorder Compatibility” on page 105.

Note: This format is only available using the Panasonic AG-HVX200 camcorder (NTSC).

Chapter 2 Working with DVCPRO HD

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Contents Final Cut Pro Apple Inc Copyright 2008 Apple Inc. All rights reserved Contents Working with IMX Choosing an IMX Easy SetupUsing the Log and Transfer Window Adding Volumes and Folders to the Browse Area109 Working with Avchd Working with Panasonic P2 CardsRecording Footage with a P2 Camcorder Mounting P2 Cards, Disk Images, and Folders116 130 Setting Up a Sony Video Disk Unit115 Working with AVC-Intra 115Overview of High Definition Video Formats About High Definition and Broadcast FormatsFilm-Compatible HD Formats NTSC-Compatible HD FormatsPAL-Compatible HD Formats About the Apple ProRes 422 Codec Format Frame dimensions Frame rate Scanning methodAbout the Apple Intermediate Codec About HDV DV footage, making the switch to HDV is simpleWhat Is ProHD? Fps Formats HDV Formats Supported by Final Cut ProTemporal Interframe Compression About Mpeg CompressionStandard Definition Recording with an HDV Camcorder Spatial Intraframe CompressionTranscoding HDV to Other Apple Codecs More About Long-GOP VideoWorking with HDV in Final Cut Pro Native HDV Editing WorkflowLog your footage and capture it to your scratch disk Steps for Native HDV EditingTo connect your HDV camcorder or VTR to your computer Connecting an HDV Device to Your ComputerChoosing an Easy Setup To choose an Easy SetupTo open the Log and Capture window Logging and Capturing Native HDV FootageAbout the Log and Capture Window Preview Area Transport Controls Video Preview AreaMarking Controls Shuttle ControlLogging Tab Clip Settings TabLog and Capture Buttons Capture Settings TabCapturing Footage with Start/Stop Indicators Recapturing HDV Footage About Long-GOP Editing and Rendering Using an HDV Camcorder to Capture or Output DV FootageImproving HDV Rendering by Using the Apple ProRes 422 Codec Editing HDV FootageTo choose the render file format in an HDV sequence Rendering and Conforming Long-GOP MPEG-2 MediaRendering HDV Conforming While Rendering in the Timeline Using the Print to Video Command to Output HDVTo output your HDV sequence to tape Steps for Transcoded HDV Editing Transcoded HDV Editing WorkflowCapturing and Transcoding HDV Video To choose an Easy Setup for transcoding HDVCapturing Footage with Scene Breaks Outputting HDV to Tape or Exporting to a QuickTime Movie Editing Video Using Transcoded HDV FootageTo export your sequence to a QuickTime movie Exporting HDV for DVD Studio ProTo change the FREERUN-PS setting on the camcorder Using the Canon XL H1 HDV CamcorderUsing the Sony HVR-V1 HDV Camcorder HDV Format Specifications Format Native frame size Data rate Data RateTimecode Video CompressionAudio Page About Dvcpro HD 2Working with Dvcpro HDFps-Based Formats Dvcpro HD Formats Supported by Final Cut Pro1080pA24 Dvcpro HD Dvcpro HD Frame Rates720p24 720p60 Dvcpro HD720p Dvcpro HD Variable Frame Rate Recording Setting System Frequency on a Panasonic Varicam Camcorder720p50 Dvcpro HD 720pN Dvcpro HD Native Frame Rate RecordingWorking with Dvcpro HD in Final Cut Pro Connecting a Dvcpro HD Device to Your ComputerTo set up your computer for Dvcpro HD capture and output Removing Duplicate Frames During Capture Choosing a Dvcpro HD Easy SetupLogging and Capturing Your Dvcpro HD Footage About Device Control for 720p50 and 720p60 Devices About Timecode for 720p50 and 720p60 FormatsChoosing Timecode Display Options for 720p60 Dvcpro HD Media Editing Dvcpro HD FootageTo display clip time for a 720p30 or 720p24 clip Outputting Your Dvcpro HD SequenceTo set the timecode display for 720p60 video Choosing an Intended Playback Rate Using the Dvcpro HD Frame Rate ConverterOutputting Sequence Timecode Using Dvcpro HD How a Frame Rate Converter Works What Is a Frame Rate Converter?How Dvcpro HD Variable Frame Rate Recording Works Recording Variable Frame Rates with Dvcpro HD 720p Original Media File Requirements About the Dvcpro HD Frame Rate ConverterAbout Native Variable Frame Rate Recording Timecode and Audio Restrictions About the Frame Rate Converter OptionsImport Result Into Final Cut Pro Why Is There an Option to Convert 59.94 fps to 59.94 fps?Remove Duplicate Frames Make Self-Contained FileWorking with 1080pA24 Dvcpro HD Video Using the Frame Rate ConverterWorking with 24p Dvcpro HD Shoot with advanced pull-down 23.98 fps at 29.97 fps 720pN24 Dvcpro HD Native 24p Working with 720p24 Dvcpro HD Video720p60 Dvcpro HD Recorded at 23.98 fps 720p50 Dvcpro HD Recorded at 24 fpsDvcpro HD Format Specifications 1080i50 Format Recorded data rate Mbps Captured data rate MB/sec Video Compression Page About IMX 3Working with IMXAbout MXF Working with IMX in Final Cut ProIMX Formats Supported by Final Cut Pro Editing IMX Clips into a Sequence Choosing an IMX Easy SetupTransferring IMX Footage to Your Computer Importing MXF-Wrapped IMX Media Files into Your ProjectIMX Format Specifications Data Rate and Video Compression Page 4Using the Log and Transfer Window About the Log and Transfer Window About File-Based MediaTo open the Log and Transfer window Choose File Log and Transfer or press Command-Shift-8File-Based Media Terminology Using the Log and Transfer Window Sample File-Based Media Workflow Using the Log and Transfer Window Mounting Media Devices Using the Browse AreaUsing Folders with Valid File-Based Media Folder Structure To unmount a volume, do one of the followingControls in the Browse Area Add Folder button Column headings Mounted volumeUsing the Log and Transfer Window Selecting Clips in the Browse Area Adding Volumes and Folders to the Browse AreaDeleting Clips Directly from Storage Media Using the Preview AreaRestrictions During Preview Transport Controls in the Preview AreaTo enter previously logged data from the autofill cache Using the Logging AreaUsing Autofill Cache Logging Information Incrementing Logging Fields Setting Audio and Video Clip Import SettingsTo apply import settings to multiple clips Adding Clips to the Transfer Queue for Ingest Using the Transfer QueueFilenaming and Clip Naming During Ingest Pausing and Stopping IngestOrganizing Clips in the Transfer Queue Reingesting Clip Media Choosing Reel Names and Understanding Volume NamesWorking with Spanned Clips Viewing Spanned Clips in the Browse Area Archiving to a Folder Archiving File-Based Media from CardsTo create a disk image of a card To rename a mounted volume of an archived disk imageArchiving to a Disk Image Clear Logging Autofill Cache Setting Log and Transfer Import PreferencesLog and Transfer Plug-in Transcode Settings Remove Advanced Pulldown and Duplicate FramesPage About Panasonic P2 Cards and Media Files 5Working with Panasonic P2 CardsRecording Footage with a P2 Camcorder Working with Panasonic P2 Cards and Final Cut ProMounting P2 Cards, Disk Images, and Folders To mount a P2 memory card using a P2 card readerMounting P2 Cards Using a PowerBook PC Card Cardbus Slot Unmounting P2 Cards Mounting P2 Cards Using a Panasonic AG-HVX200 CamcorderUsing Folders with Valid P2 Card Folder Structure Deleting P2 Clips Directly in the Log and Transfer Window Working with Spanned Clips Press the Menu button Capturing over FireWire as if a P2 Card Were a Tape in a VTR 104 Panasonic AG-HVX200 Ntsc Panasonic AG-HVX200 Camcorder CompatibilityFormat Duplicate Timecode Frame rate Frame pattern Panasonic AG-HVX200E PALPanasonic P2 Card Format Specifications Page Avchd Formats Supported by Final Cut Pro About AvchdTransferring Avchd Footage Restrictions When Working with AvchdWorking with Avchd in Final Cut Pro Choosing an Avchd Destination Codec Avchd Format Specifications Specified Avchd frame rates are Panasonic Camcorder Avchd Quality Levels Sony Camcorder Avchd Quality LevelsAVC-Intra Formats Supported by Final Cut Pro About AVC-IntraChoosing an AVC-Intra Destination Codec Restrictions When Working with AVC-IntraWorking with AVC-Intra in Final Cut Pro AVC-Intra Format Specifications Data rate Frame dimensions Color sample ratio About XDCAM, Xdcam HD, and Xdcam EX 8Working with Sony Xdcam FormatsXdcam HD Formats Supported in Final Cut Pro Xdcam HD VBR Easy SetupsXdcam HD CBR Easy Setups Xdcam Formats Supported in Final Cut ProXdcam EX Formats Supported in Final Cut Pro Xdcam HD422 CBR Easy SetupsWorking with XDCAM, Xdcam HD, and Xdcam EX in Final Cut Pro Installing Sony Xdcam SoftwareTo mount Xdcam or Xdcam HD media on your computer desktop Connecting an Xdcam or Xdcam HD DeckTo enable the PC Remote mode on a Sony PDW-1500 Xdcam deck Ingesting XDCAM, Xdcam HD, or Xdcam EX Media To assign four mono audio outputs to your sequence Rendering and Conforming Xdcam HD or Xdcam EX MediaExporting Sequences to XDCAM, Xdcam HD, or Xdcam EX Media XDCAM, Xdcam HD, and Xdcam EX Format Specifications Frame Color 128 About Sony Video Disk Units 9Working with Sony Video Disk UnitsImporting DV Media from a Sony Video Disk Unit Setting Up a Sony Video Disk UnitTo unmount a FireWire hard drive from the desktop Importing Footage from a Sony Video Disk UnitTo transfer media from a Sony Video Disk Unit
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6 specifications

The Apple iPhone 6, released in September 2014, marked a significant evolution in Apple's smartphone lineup. This model introduced a larger screen and a sleeker design, setting the stage for future devices in the iPhone series.

One of the most notable features of the iPhone 6 was its display. With a 4.7-inch Retina HD screen, the iPhone 6 offered a resolution of 1334 x 750 pixels, delivering vibrant colors and sharp images. This screen size was a departure from previous models, appealing to users who favored larger displays for better viewing experiences, whether for gaming, watching videos, or browsing the web.

The design of the iPhone 6 was another highlight. It featured a slim, curved aluminum body that not only made it more aesthetically pleasing but also improved its ergonomics. Weighing just 129 grams, the phone was light yet robust. The placement of volume buttons, the power button, and the headphone jack was thoughtfully designed to enhance usability.

Under the hood, the iPhone 6 was powered by the A8 chip, a 64-bit dual-core processor that offered impressive performance and energy efficiency. Coupled with the M8 motion coprocessor, the device could effectively handle demanding apps and services while optimizing battery life, providing users with a smooth experience throughout the day.

The camera capabilities of the iPhone 6 were also advanced for its time. It featured an 8-megapixel rear camera with optical image stabilization and a f/2.2 aperture, allowing for clearer low-light photography. The front-facing camera was improved as well, offering a 1.2-megapixel resolution and support for 720p HD video, making it great for selfies and video calls.

Connectivity options included LTE support, enabling faster download speeds, and Wi-Fi calling, which allowed users to make calls over Wi-Fi networks, enhancing communication in areas with poor cellular coverage. The iPhone 6 also introduced the Apple Pay feature, allowing users to make secure transactions using their devices.

In terms of software, the iPhone 6 originally came with iOS 8, which boasted new features such as HealthKit and HomeKit, further integrating technology into daily life. Regular software updates ensured that users could enjoy the latest features and security enhancements well into the device's lifecycle.

Overall, the iPhone 6 distinguished itself with a combination of innovative design, powerful performance, and a user-friendly experience, solidifying Apple's position in the smartphone market and paving the way for future iterations in the iPhone lineup.
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