18
19
Connect the enclosed power supply unit via the AC IN socket.
The balanced LINE OUT 1/4" sockets provide the audio signal from the
20
21
You can connect the LINE OUT outputs with balanced or unbalanced jack plugs. The left line output of the
The AUX LEVEL control is used for determining the volume of the signal received at the AUX IN input.
The AUX IN jack socket enables you to feed in additional stereo signals on the
22
23
The PHONES jack allows you to monitor the
When you connect your headphones, the
The INPUT socket is the
2. EXAMPLES OF USE/CONFIGURATIONS
To adapt the
Operating mode | Function | Applications | ||
LINE OUT L | LINE OUT R | |||
|
| |||
| Stereo operation with selected | |||
Studio 1 (S1) | Recording situation: | |||
effects and speaker simulations. | ||||
| line channel on the mixing console). | |||
|
|
| ||
| Left | Right | Recording situation: with the left channel connected to the | |
| recording device. The right channel is used for monitoring | |||
| (dry signal, only | (with modulation, | ||
Studio 2 (S2) | only (with effect). Advantage: while recording, you don't | |||
compressor plus | delay and | |||
| have to specify the effect used during the | |||
| reverb effects). | |||
| can still monitor wet signals. | |||
|
|
| ||
| Stereo operation | |||
Live 1 (L1) | + additional | additional EQ (BASS, MID & TREBLE controls) allows you | ||
(adjustable in | to match the sound to the amplifier used. The additional | |||
| ||||
| CONFIGURATION mode). | EQ does not affect the settings of your presets. | ||
|
|
|
| |
|
|
| Here, too, the | |
| Stereo operation | with a stereo input. The additional EQ (BASS, MID & | ||
| TREBLE controls) allows you to match the sound to the | |||
Live 2 (L2) | + additional | |||
amplifier used. However, since no cabinet simulation is | ||||
| but without cabinet simulation. | |||
| enabled, the speaker sound is determined by the combo/ | |||
|
|
| ||
|
|
| cabinet used. | |
|
|
|
| |
| Left | Right | ||
| + additional | with cabinet and | ||
| to a line input on the monitor amp. The additional EQ | |||
| modulation, delay | |||
| (BASS, MID & TREBLE controls) allows you to match the | |||
Live 3 (L3) | modulation, delay | and reverb effects, | ||
sound optimally to the monitor amp. The right channel (DI | ||||
| and reverb | but without | ||
| Out) is connected to the mixing console or stage box and | |||
| effects, but without | additional | ||
| is used for the FOH mix. | |||
| cabinet simulation. | |||
|
|
Tab. 2.1:
10 | 2. EXAMPLES OF USE/CONFIGURATIONS |