Behringer V-AMP2 user manual AMP/SPEAKER Simulation, Restoring all factory-programmed presets

V-AMP 2

preset the temporary edited version is discarded. However, after editing you can also hold down the two arrow keys until “Pr” appears in the display, which brings back the factory preset that was originally stored there. However you then have to save it again by holding down the corresponding preset button for approx. two seconds.

3.5 Restoring all factory-programmed presets

All factory-programmed presets can be restored in the following way: Hold down buttons D and E and then switch on the V-AMP 2. “CL” appears in the display. Now release the two buttons and press the two arrow keys simultaneously. This erases all the edited presets you have stored and restores the factory- programmed presets.

4. AMP/SPEAKER SIMULATION

The very heart of your V-AMP 2 is its amp/speaker simulation. The 32 simulation models can make work in a home recording studio very much easier because it isn’t necessary to mike up the guitar amp. The V-AMP 2 makes it child’s play for you to choose one of the legendary guitar amps, be it for Brit Pop, Blues, Heavy Metal or whatever. In addition, you can tailor the sound of the respective amp to suit your ideas and then connect it virtually to one of 15 speaker simulations (cabinets). And on top of all that, you can even choose digital effect and reverb types for your virtual amp. See chapter 3 “V-AMP 2 PRESETS” for more details.

When you switch on the V-AMP 2 it automatically loads the last preset selected. The LED ring around the AMPS control shows what amp has been selected. The corresponding LED lights up. To select another amp simply turn the control. Use the VOLUME, BASS, MID, TREBLE and GAIN controls to modify the basic sound of the amp. Hold down the TAP button and turn the TREBLE control to raise or lower an additional high-frequency PRESENCE filter (see ).

As a rule, you will want to select an amp first, then a cabinet and finally an effect. See chapter 3 for how to store your modifications. To give you a better overview of the extensive range of amp simulations on the V-AMP 2, we have compiled the following descriptions of the different types of amp.

When you select an amp simulation, an appropriate speaker simulation is activated automatically (see tab. 8.2 in the appendix). Otherwise the authenticity of the sound could be affected by an unsuitable cabinet—especially if you are using headphones. Naturally you can combine the amp simulations with other cabinets according to taste.

4.1 Amp descriptions

AMERICAN BLUES: This virtual amp is modelled on the Fender Bassman 4 x 10 Combo. Originally designed as a bass amp it soon became a standard amp of blues legends such as Steve Ray Vaughan or Billy Gibbons due to its characteristic distortion. As you would expect, it packs a solid punch in the bass range, but is still flexible enough in the mid and treble ranges.

AND DELUXE: A synthesis of a 1960 Fender Blackface Deluxe and a 50s Fender Bassman. The result is a crystal-clear sound that still simlates the edge of the vintage amps. The V-AMP 2 sound control gives you even greater scope than the EQ controls on the originals.

MODERN CLASS A: This amp is characterized by its slight distortion and sounds almost like hi-fi. It is modelled on the Matchless Chieftain, a very expensive, hand-made amp.

CUSTOM CLASS A: The model for this simulation was the Budda Twinmaster. This Class-A amp was renowned for its warm sound combined with irresistible tube distortion. Although the original amp did not have a mid control, we have given the V-AMP 2 the capability of suiting the mid range to your taste.

TWEED COMBO: This was Jeff Beck’s favorite when he recorded the albums Blow by Blow and Wired. This amp was not actually designed for heavy distortion, but due to its low power it is ideal for uncompromising overdrive sound.

SMALL COMBO: This model is based on the 1960 Tweed Champ. The main attraction of this amp simulation is when the DRIVE function is used a lot. Although this amp was actually designed for beginners on the guitar, it soon became a favorite amp of many guitar afficionados. The reason for that was that it produced an

4. AMP/SPEAKER SIMULATION 15