Behringer V-AMP2 user manual Amp

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V-AMP 2

amazingly distorted sound even at low volume. The Tweed Champ had a volume control, but no EQ control. If you want to get the most authentic sound out of this amp, keep the sound control on the V-AMP 2 in the mid- range.

CLASSIC CLEAN: Back in the 80s, the Roland JC-120 was the preferred sound of Buzzy Feiten (guitarist with the Dave Weckl Band). The unique quality of this transistor amp’s sound is the way its brilliance cuts through any mix. It is ideal for the New Wave sound of the 80s that is making a come-back today. The JC-120 was also popular among Fender Rhodes pianists, by the way.

BLACK TWIN: This simulation was modeled on a Fender Blackface Twin from the year 1965. In the 60s this amp was used by jazz, country and even rock guitarists. What was unique about it was that it was exceptionally loud and was therefore mainly used for live performances. The secret of the Blackface Twin was that although you could play it extremely loud, the distortion remained relatively low.

BRITISH BLUES: Modeled on the JTM 45, the first Marshall amp ever. This, by the way, was Eric Clapton’s favorite amp when he was with Cream. The JTM 45 was the forerunner of many of Marshall’s later amps with their distinctive, powerful sound. Extreme gain settings produce a highly compressed and really “dirty” sounding distortion. Combined with a 2 x 12" speaker simulation it produces impressive Bluesbreaker sounds.

AND CUSTOM: This simulation is based on a 1965 Marshall JTM 45 Bluesbreaker but has more flexibility of sound control. Turn the GAIN control to the left and this simulation sounds like a Marshall; turn it to the right and it is more reminiscent of the Budda.

BRITISH CLASS A: This simulation is modeled on the Vox AC 30. This amp was originally designed in the 60s when guitarists wanted amps with enhanced brilliance, a feature that Vox successfully implemented by means of “revolutionary” bass and treble controls. Brian May and U2’s The Edge are probably the best- known users of this sound.

NON TOP BOOST: This is a Vox AC 30 as used by Bryan Adams in the recording studio. Unlike the well- known AC 30 with treble boost, the former amp version did not have this feature. This simulation copies the original amp’s “normal” channel.

BRITISH CLASSIC: Based on a 1959 Marshall Plexi 100 Watt, this amp is ideal for producing clean sounds. It was used by Jimi Hendrix, Eric Clapton and Jeff Beck.

CLASSIC 50 W: This is also a Plexi, but we have extensively widened its sound range. The sound controls on the original Marshall Plexi 50 Watt hardly had any effect on the sound if distortion was high.

BRITISH HI GAIN: Compare this model with a Marshall JCM 800. Although the original was renowned mainly for its distorted sounds, this amp also sounds very good with low gain settings. It’s good at reproducing Steve Ray Vaughan’s and Michael Landau’s sounds. In distortion mode it sounds like Gary Moore in his early days, but it’s also good for heavy metal.

BRITISH CLASS A 15 W: Another Vox model, based on the first channel of an AC 15 from 1960. Unlike the

AC 30 this amp had only one 12" speaker, instead of two, and produced a warmer sound. Tip: to make this simulation sound as authentically as possible, leave the BASS and MID controls in mid-travel position and vary the TREBLE control only.

RECTIFIED HI GAIN: This model is based on a 1994 Mesa Boogie Dual Rectifier Trem-O-Verb featuring a modern, high-gain sound that also comes over well in a band context. The tone control is post-gain, which allows you to tailor distorted sounds to great effect. This amp is perfect for heavy metal, but also for Steve Lukather sounds. The best-known user of this amp is Dream Theater‘s guitarist John Petrucci.

RECTIFIED HEAD: This simulation is modeled on a Mesa Boogie Dual Rectifier top. Unlike the Trem-O-Verb, this amp produces a more modern high-gain sound. The tone control is most effective at high gain settings.

MODERN HI GAIN: Here, too, the tone control is post-gain, allowing the extremely distorted sound to cut through the mix. The MODERN HI GAIN sound is ideal for playing Grunge, but is also used by guitarists such as Steve Vai and Joe Satriani. Steve Lukather, Nuno Bettencourt, Steve Vai, among others, have popularized the Soldano sound. If you’re playing a Gibson Les Paul, MODERN HI GAIN sounds best when you turn down the volume control on the guitar a little.

SAVAGE BEAST: Engl is well-known for amps that can make themselves heard. The Savage 120 in particular has built up a large following among guitarists. For some time now Ritchie Blackmore has been an major endorser of this German company, and Randy Hanson, the best Hendrix since Jimi, also swears by this amp.

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4. AMP/SPEAKER SIMULATION

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Contents AMP Safety Instructions Foreword AMP Table of Contents Introduction New functions of the V-AMPBefore you begin Control elementsSerial number User interfaceMaster control determines the overall volume of the V-AMP Connections on the V-AMP 2 side panel Connections on the V-AMP 2 side panelExamples of USE/CONFIGURATIONS Line OUT L Line OUT RSelecting Configuration modes For this application please select Configuration mode S1Recording For this application please select Configuration mode S2Live set-up with an external guitar amp AMP 2 Presets Calling up presetsEditing presets Storing presetsAMP/SPEAKER Simulation Restoring all factory-programmed presetsAmp descriptions AMP Speaker descriptions Cabinets Effects ProcessorEffect Reverb and delay algorithms Effect descriptionsModulation effects Combinations of effect algorithms multi-effects programsSpecial effects Separate reverb effectReverb Reverb Type Quality Setting reference pitch a Tuning your guitarTuner Installation Audio connectionsMidi connections Sending/receiving MIDI-Sysex dataMidi implementation Midi Implementation Chart AppendixDefault cabinets/amp models 1st level name Default cabinet simulation 2nd level nameSpecifications Audio InputsWarranty § 1 Warranty CARD/ONLINE Registration § 2 Warranty

V-AMP2 specifications

The Behringer V-AMP2 is a versatile and powerful multi-effects unit designed for guitarists who seek a wide range of sound options without compromising on quality. This innovative device has gained popularity for its robust features and user-friendly interface, making it suitable for both beginners and experienced musicians alike.

One of the standout features of the V-AMP2 is its extensive array of presets. With 32 factory presets and the ability to store an additional 32 user-defined settings, guitarists can easily explore different tonal landscapes. The unit simulates 32 classic amplifiers and cabinets, allowing players to emulate the characteristics of legendary gear. Whether you prefer cleans, overdrives, or high-gain distortion, the V-AMP2 has your needs covered.

In terms of effects, the V-AMP2 offers an impressive selection, including reverb, delay, chorus, flanger, and more. The effect parameters are easily adjustable, giving users the ability to fine-tune their sound to perfection. The intuitive interface features a large LCD display, making it simple to navigate through the various settings and options.

The V-AMP2 employs advanced 24-bit digital signal processing (DSP), ensuring high-quality sound reproduction with minimal latency. Its onboard USB connectivity facilitates direct recording to a computer, allowing musicians to capture their ideas seamlessly. This feature is particularly useful for those looking to integrate the V-AMP2 into their home recording setup.

Another notable characteristic is the built-in tuner, which simplifies the setup process before performances or recording sessions. The unit also includes a headphone output, enabling silent practice without disturbing others. Additionally, the V-AMP2 can be used as a direct input for live performances, making it a practical tool for gigging musicians.

The V-AMP2 is compact and lightweight, making it an ideal choice for musicians on the go. With its sturdy build quality, it can withstand the rigors of touring and frequent use. Overall, the Behringer V-AMP2 stands out as a reliable and flexible solution for guitarists who require a comprehensive range of sounds and effects in a compact package. Whether for practice, recording, or live performances, the V-AMP2 is designed to deliver exceptional versatility and performance.
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