Sound Performance Lab 2273, 2272 manual Control elements, Clean Gain, Tube Gain, Output Level

Page 14

Control elements

 

 

 

 

N

G

 

 

 

A

 

E

 

AI

L

 

21 22

24 N

C

19

 

 

 

26

18

 

 

 

29

16

 

 

 

 

32

15

 

 

 

 

35

14

 

 

 

 

38

13

 

 

 

 

41

12

 

 

 

 

46

11

 

 

 

54

 

10

 

63

 

 

 

 

dB

 

 

Mic: +7dB

 

w/transformer

 

 

E G

 

 

B

AI

U

 

16

18 20

N

T

12

9

 

 

21

 

 

 

22

7.5

 

 

 

23

6

 

 

 

24

4

 

 

 

24.5

2.5

 

 

 

25

1

 

 

 

25.5

T

 

 

 

25.8

u

 

 

 

F

 

 

 

 

e b

 

 

26

t e

+

 

O

 

dB

 

ff

 

 

 

 

 

 

 

 

T

L

 

 

 

 

 

 

U

 

 

 

 

P

 

 

E

 

 

T

 

 

-9

 

V

U

 

-10

-8

 

E

 

 

-6

L

O

-12

 

 

 

-5

-14

 

 

 

 

 

 

-16

 

 

 

 

 

 

 

-2.5

-18

 

 

 

 

 

 

 

0

-20

 

 

 

 

 

 

 

2

-22

 

 

 

 

 

 

 

3.5

-24

 

 

 

 

 

 

 

5

-25

 

 

 

 

 

6

5.5

 

-26

 

dB

 

 

 

 

 

 

 

 

 

 

CLEAN GAIN

This potentiometer controls the amount of preamplification provided by the class A solid-state stage. A range of up to +63 dB is provided. For more information, please see „Setting levels on the GainStation 1“ on page 19.

IMPORTANT NOTE: If a Lundahl input transformer is installed, add 7 dB to the printed values.

TUBE GAIN

This potentiometer controls the amount of preamplification provided by the tube stage. This stage follows the clean (solid- state) stage, so that the gain values of the two stages are addi- tive. Setting Clean Gain at 20 dB and Tube Gain at 15 dB results in 35 dB of total preamplification.

Turning the Tube Gain control fully counter-clockwise causes the tube stage to be deactivated and bypassed via a relay.

TIP: For optimal signal-noise ratios at high preamplification values, the majority of preamplification should be achieved via the solid-state stage, adding just enough of the tube stage for the desired sound. Due to the nature of tubes and tube circuitry, the tube stage is somewhat noisier than the solid-state stage.

OUTPUT LEVEL

This potentiometer adapts the output level to devices following in the chain or to the converter. At 0 dB the output level is equal to the internal level indicated by the LED display. The OUTPUT LEVEL control allows an additional 6 dB of amplification or 26 dB of reduction.The output level control is post-limiter to allow maximum levels to the internal or external converter.

IMPORTANT NOTE: If the internal level is noticeably above +18 dB (the orange +18 dB LED is brightly illuminated) and the output level is set to +6 dB, the output level at the analog outputs can be up to +34 dBu. Please ensure that all other equipment can handle these levels to prevent possible damage.

14

GainStation 1

Image 14
Contents GainStation User’s Guide GainStation Contents Introduction Input makes all the differenceMain technical features of the GainStation Introduction Before you begin Rear panel/connections Output HI-Z/LINE Input Rear panel/connectionsMIC Input Analog Outputs 1/2Sample Rate Power24/96 AD Converter optional AD in 1 Mute DIG. OUTSync Input Tube Gain Clean GainControl elements Output LevelHI Pass PhaseSource Phantom IMPED. ΩLimiter AD OVL POWER-LEDLED Level Display Setting levels on the GainStation OperationLimiter Operation Application examples Acoustic guitar with pickup Vocals/speechAcoustic instruments/orchestra Guitar ampsTube distortions with GainStation Electric BassKeyboards/samplers/drum machines Toms Drums/snare drumBass drum OverheadsTechnology Inside the GainStationTechnology Technology Technology Technical specifications 95.4 dBuInformation on Lundahl input transformers Dimensions/weightOptions Warranty GainStation User’s Guide GainStation 1, Models 2272

2272, 2273 specifications

Sound Performance Lab (SPL) is renowned for its innovative audio equipment, and the SPL 2273 and 2272 are two standout products in their range. These units are designed to offer exceptional sound quality and versatility for both professional and home studio environments.

The SPL 2273 is a powerful channel strip that combines a microphone preamp, a compressor, EQ, and a creative feature set, making it ideal for recording and mixing applications. One of its defining characteristics is the impressive preamp section, which delivers clean, transparent gain and supports various input sources, including dynamic and condenser microphones. The preamp also features a high-pass filter, providing further control over unwanted low-frequency noise.

The 2273 includes an integrated compressor that excels in delivering smooth dynamics control. It offers a straightforward interface with adjustable threshold and ratio settings, giving users the flexibility to craft the ideal sound for their material. Its soft knee compression ensures that the transition into compression is gentle, preserving the musicality of the performance.

On the EQ front, the SPL 2273 boasts a powerful three-band equalizer with fixed frequencies, allowing for precise tonal shaping. This EQ can effectively cut or boost frequencies, enabling users to sculpt their sound with clarity and precision.

The SPL 2272, typically seen as a companion piece, is a versatile two-channel version of the 2273. It shares many of the same high-quality components and technologies but is focused on simplicity and efficiency. With its streamlined interface, users can quickly dial in the desired sound without getting lost in complexity.

Both models leverage SPL's proprietary technologies, including their unique 120V rail design. This approach allows for superior headroom and reduced distortion, ensuring that the audio signal remains clean and free from unwanted artifacts throughout the processing chain.

Together, the SPL 2273 and 2272 empower engineers, producers, and musicians to achieve professional-grade recordings with their comprehensive feature sets. Whether in a high-end studio or a smaller setup, these units deliver exceptional performance that stands out in today's competitive audio landscape. They embody SPL's commitment to quality and innovation, making them must-have tools for any serious audio professional.