Sound Performance Lab 2273, 2272 manual Limiter

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Operation

Combining different amounts of clean and tube gain will create various effects. The GainStation 1 operates virtually distortion- free with the tube stage bypassed. The sound is clean and trans- parent with extreme detail and very low noise. The clean stage is ideal for most acoustic instruments, as well as jazz or clas- sical recordings. If you activate the tube stage and increase the gain setting slowly, you will notice that once you reach a certain level, harmonic distortion enters the signal. The sound becomes punchier and „fatter“, and attains more loudness. At this setting the tube stage is still relatively noise-free, and ideal for adding a bit of presence and liveliness to signals that may otherwise sound dull or lifeless. This setting works very well with stringed instruments like acoustic guitars, electric and acoustic basses and violins, since it highlights the harmonics of the strings.

Naturally, these effects become more pronounced as the amount of Tube Gain is increased. The tube can be driven to full satu- ration to produce pronounced distortion, which can be very effective with synthesizers, samplers and drum machines that lack punch. Signals recorded in this fashion will generally cut through a mix with no trouble at all.

Limiter

To achieve the desired results with the integrated limiter, it is important to understand its operation. The threshold value is fixed at 20 dBu. The clean and/or tube gain settings determine the amount of limiting, so that these settings more or less work like a threshold control. When the limiter is activated, it levels everything above 20 dBu. The orange 18 dB LED, which displays this level range, varies in brightness depending on limiting. The actual amount of limiting is displayed by the Limit LED, which becomes brighter as more level reduction is applied.

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GainStation 1

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Contents GainStation User’s Guide GainStation Contents Introduction Input makes all the differenceMain technical features of the GainStation Introduction Before you begin Rear panel/connections Output Rear panel/connections MIC InputHI-Z/LINE Input Analog Outputs 1/2Sample Rate Power24/96 AD Converter optional AD in 1 Mute DIG. OUTSync Input Clean Gain Control elementsTube Gain Output LevelHI Pass PhaseSource Phantom IMPED. ΩLimiter AD OVL POWER-LEDLED Level Display Setting levels on the GainStation OperationLimiter Operation Application examples Vocals/speech Acoustic instruments/orchestraAcoustic guitar with pickup Guitar ampsTube distortions with GainStation Electric BassKeyboards/samplers/drum machines Drums/snare drum Bass drumToms OverheadsTechnology Inside the GainStationTechnology Technology Technology Technical specifications 95.4 dBuInformation on Lundahl input transformers Dimensions/weightOptions Warranty GainStation User’s Guide GainStation 1, Models 2272

2272, 2273 specifications

Sound Performance Lab (SPL) is renowned for its innovative audio equipment, and the SPL 2273 and 2272 are two standout products in their range. These units are designed to offer exceptional sound quality and versatility for both professional and home studio environments.

The SPL 2273 is a powerful channel strip that combines a microphone preamp, a compressor, EQ, and a creative feature set, making it ideal for recording and mixing applications. One of its defining characteristics is the impressive preamp section, which delivers clean, transparent gain and supports various input sources, including dynamic and condenser microphones. The preamp also features a high-pass filter, providing further control over unwanted low-frequency noise.

The 2273 includes an integrated compressor that excels in delivering smooth dynamics control. It offers a straightforward interface with adjustable threshold and ratio settings, giving users the flexibility to craft the ideal sound for their material. Its soft knee compression ensures that the transition into compression is gentle, preserving the musicality of the performance.

On the EQ front, the SPL 2273 boasts a powerful three-band equalizer with fixed frequencies, allowing for precise tonal shaping. This EQ can effectively cut or boost frequencies, enabling users to sculpt their sound with clarity and precision.

The SPL 2272, typically seen as a companion piece, is a versatile two-channel version of the 2273. It shares many of the same high-quality components and technologies but is focused on simplicity and efficiency. With its streamlined interface, users can quickly dial in the desired sound without getting lost in complexity.

Both models leverage SPL's proprietary technologies, including their unique 120V rail design. This approach allows for superior headroom and reduced distortion, ensuring that the audio signal remains clean and free from unwanted artifacts throughout the processing chain.

Together, the SPL 2273 and 2272 empower engineers, producers, and musicians to achieve professional-grade recordings with their comprehensive feature sets. Whether in a high-end studio or a smaller setup, these units deliver exceptional performance that stands out in today's competitive audio landscape. They embody SPL's commitment to quality and innovation, making them must-have tools for any serious audio professional.