Application examples

Next to the obvious recording or sound reinforcement appli- cations, the GainStation 1 is also extremely interesting as an instrument preamp for musicians. Bassists can go through it directly into a power amp, resulting in a sound that is hard to achieve with standard bass preamps, with unparalleled punch, detail and dynamic. (An electric bass was used exten- sively during development as a „test generator“.) Using the FET limiter results in an extremely compact bass sound, which can usually get by without additional compression. On stage, the GainStation signal can be fed directly to the FOH console. Be sure that the console has a pad activated to prevent clipping.

The GainStation 1 is a much better choice for acoustic guitar than standard DI boxes, which rarely have high enough imped- ance to effectively amplify low-level pickup signals. With the GainStation 1, guitars sound much more transparent and dynamic—subtle string transients and harmonics are repro- duced with amazing detail to create a harmonious, colorful sound.

Keyboardists also benefit from the GainStation 1‘s excellent sonic characteristics. On stage, the keyboard signal often runs through a DI and then through endless lengths of cable. By using the GS1 as a preamp and connecting its output directly to the stage box, the FOH console receives a much healthier signal, so it—and the engineer—can do their work effectively. Due to its compact format, the GainStation 1 can almost always be placed in an ergonomic position without being in the way.

The following section, while not attempting to represent a complete guide or answer all questions, provides several oper- ational tips for various instruments.

22	GainStation 1

2272, 2273 specifications

Sound Performance Lab (SPL) is renowned for its innovative audio equipment, and the SPL 2273 and 2272 are two standout products in their range. These units are designed to offer exceptional sound quality and versatility for both professional and home studio environments.

The SPL 2273 is a powerful channel strip that combines a microphone preamp, a compressor, EQ, and a creative feature set, making it ideal for recording and mixing applications. One of its defining characteristics is the impressive preamp section, which delivers clean, transparent gain and supports various input sources, including dynamic and condenser microphones. The preamp also features a high-pass filter, providing further control over unwanted low-frequency noise.

The 2273 includes an integrated compressor that excels in delivering smooth dynamics control. It offers a straightforward interface with adjustable threshold and ratio settings, giving users the flexibility to craft the ideal sound for their material. Its soft knee compression ensures that the transition into compression is gentle, preserving the musicality of the performance.

On the EQ front, the SPL 2273 boasts a powerful three-band equalizer with fixed frequencies, allowing for precise tonal shaping. This EQ can effectively cut or boost frequencies, enabling users to sculpt their sound with clarity and precision.

The SPL 2272, typically seen as a companion piece, is a versatile two-channel version of the 2273. It shares many of the same high-quality components and technologies but is focused on simplicity and efficiency. With its streamlined interface, users can quickly dial in the desired sound without getting lost in complexity.

Both models leverage SPL's proprietary technologies, including their unique 120V rail design. This approach allows for superior headroom and reduced distortion, ensuring that the audio signal remains clean and free from unwanted artifacts throughout the processing chain.

Together, the SPL 2273 and 2272 empower engineers, producers, and musicians to achieve professional-grade recordings with their comprehensive feature sets. Whether in a high-end studio or a smaller setup, these units deliver exceptional performance that stands out in today's competitive audio landscape. They embody SPL's commitment to quality and innovation, making them must-have tools for any serious audio professional.