Sound Performance Lab 2273, 2272 manual Introduction, Input makes all the difference

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Introduction

Input makes all the difference.

Modern audio production relies increasingly on digital systems for recording and mixing processes (DAW‘s, digital consoles etc.). The advantages of digital audio are manifold and include affordable storage, comfortable editing, recall capabilities and automation. On the downside, digital systems still do not offer the same audio qualities and sound characteristics of high-end analog equipment. Especially digital equalizers and other aspects of the mixing domain cannot compete with the open, transparent sound of the best analog gear. So today more than ever, your input signal has to sound as good as possible—the quality of your original tracks will largely define the end result. Lifeless or dynamically lacking signals are often over-processed with EQ, compression and other effects in an attempt to compensate—often an extremely tedious process in the digital domain that doesn‘t always produce the desired results.

Attacking this problem on the preamplification front, with the goal of noticeably improving a signal and sending it along its path with a healthy foundation, requires a great deal of thought and engineering effort. To this end, the GainStation 1 employs technologies that not only satisfy test equipment, but also—and most importantly—the user. Components and circuits were care- fully chosen and designed on the basis of extensive measure- ments and listening tests. In short, developing the GainStation 1 was a major undertaking that required immense amounts of time and experience.

Another important goal in designing the GainStation 1 was that the case itself should optimally adapt itself to modern produc- tion environments. It was to be as compact as possible, allo- wing easy transport and ergonomic placement in virtually any situation. A free-standing case which does not need to be rack- mounted has several advantages: not only are the inputs and outputs always easily accessible, but the unit can also easily be placed on top of an amp, outboard rack or even some keyboards, on your desk next to your laptop, or in direct proximity to a microphone to allow for maximum operational comfort and minimum cable lengths.

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GainStation 1

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Contents GainStation User’s Guide GainStation Contents Introduction Input makes all the differenceMain technical features of the GainStation Introduction Before you begin Rear panel/connections Output Rear panel/connections MIC InputHI-Z/LINE Input Analog Outputs 1/224/96 AD Converter optional PowerSample Rate AD in 1 Mute DIG. OUTSync Input Clean Gain Control elementsTube Gain Output LevelSource PhaseHI Pass Phantom IMPED. ΩLimiter LED Level Display POWER-LEDAD OVL Setting levels on the GainStation OperationLimiter Operation Application examples Vocals/speech Acoustic instruments/orchestraAcoustic guitar with pickup Guitar ampsKeyboards/samplers/drum machines Electric BassTube distortions with GainStation Drums/snare drum Bass drumToms OverheadsTechnology Inside the GainStationTechnology Technology Technology Technical specifications 95.4 dBuOptions Dimensions/weightInformation on Lundahl input transformers Warranty GainStation User’s Guide GainStation 1, Models 2272

2272, 2273 specifications

Sound Performance Lab (SPL) is renowned for its innovative audio equipment, and the SPL 2273 and 2272 are two standout products in their range. These units are designed to offer exceptional sound quality and versatility for both professional and home studio environments.

The SPL 2273 is a powerful channel strip that combines a microphone preamp, a compressor, EQ, and a creative feature set, making it ideal for recording and mixing applications. One of its defining characteristics is the impressive preamp section, which delivers clean, transparent gain and supports various input sources, including dynamic and condenser microphones. The preamp also features a high-pass filter, providing further control over unwanted low-frequency noise.

The 2273 includes an integrated compressor that excels in delivering smooth dynamics control. It offers a straightforward interface with adjustable threshold and ratio settings, giving users the flexibility to craft the ideal sound for their material. Its soft knee compression ensures that the transition into compression is gentle, preserving the musicality of the performance.

On the EQ front, the SPL 2273 boasts a powerful three-band equalizer with fixed frequencies, allowing for precise tonal shaping. This EQ can effectively cut or boost frequencies, enabling users to sculpt their sound with clarity and precision.

The SPL 2272, typically seen as a companion piece, is a versatile two-channel version of the 2273. It shares many of the same high-quality components and technologies but is focused on simplicity and efficiency. With its streamlined interface, users can quickly dial in the desired sound without getting lost in complexity.

Both models leverage SPL's proprietary technologies, including their unique 120V rail design. This approach allows for superior headroom and reduced distortion, ensuring that the audio signal remains clean and free from unwanted artifacts throughout the processing chain.

Together, the SPL 2273 and 2272 empower engineers, producers, and musicians to achieve professional-grade recordings with their comprehensive feature sets. Whether in a high-end studio or a smaller setup, these units deliver exceptional performance that stands out in today's competitive audio landscape. They embody SPL's commitment to quality and innovation, making them must-have tools for any serious audio professional.