Samson MPL 1640 manual Grounding Techniques

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Grounding Techniques

If you’re using the MPL 1640 in a fixed location such as a recording studio, you may want to invest the time and money into creating a star ground network. This is by far the best technique for avoiding grounding problems. It involves using a formidable ground source such as a cold water pipe or a copper spike driven into the earth. A thick grounding cable is connected to that source and is then brought to a central distribution point; from there, individual cables are connected to each piece of equipment. This setup also requires that you lift the ground plug of all three-prong AC connectors, so there is the possibility of danger if it is done incorrectly. We strongly recommend that you contract with a qualified profes- sional to carry out this or any kind of electrical work.

Another, less common problem you may encounter is that of oscillation (a ringing tone), which, apart from being annoying, is potentially dangerous to your speak- ers. This is generally caused either by poor outside wiring or by returning a sig- nal out of phase (most commonly from an outboard signal processor). If audible oscillation occurs, try isolating each input signal (by muting all other inputs or by using the PFL soloing function). If one signal alone is causing the problem, you should be able to eliminate the oscillation by reversing that signal’s phase (many signal processors have a switch that allows you to do this).

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Contents Page Introduction Connecting the MPL 1640Setting Up and Using the MPL 1640 Guided TourMPL 1640 Features IntroductionIntroduction Guided Tour Overview SamsonGuided Tour Channel Guided Tour Channel Guided Tour Main Section MPLGuided Tour Main Section Guided Tour Rear Panel MPLGuided Tour Rear Panel Connecting The MPL Sleeve TIP Ring TIP + Ground RingSleeve TIP Ring TIP Return Ground Ring Send Setting Up and Using the MPL Setting the Correct Gain StructureSetting Up and Using the MPL PM EST Grounding Techniques Grounding Techniques Using Bus 3/4 Using Pan Using Equalization Using the Auxiliary Sends and Returns Using Channel Inserts Using PFL Solo Changing the MPL 1640 from Rack-mount to Tabletop Application 1 Using the MPL 1640 as a main live mixer ApplicationsApplication 2 Using the MPL 1640 as an onstage monitor mixer Application 3 Using the MPL 1640 as a keyboard submixer Application 4 Using the MPL 1640 as a recording mixer Compressor / Limiter DATAppendix a Changing the MPL 1640 Voltage Appendix B Block Diagram ReturnSpecifications Frequency ResponseMaximum Input Level ±3 dB