Samson manual Application 4 Using the MPL 1640 as a recording mixer, Compressor / Limiter DAT

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Applications

Application 4 - Using the MPL 1640 as a recording mixer

You can also use the MPL 1640 as a recording mixer when making simple recordings (for example, when recording a rehearsal or practice session direct to open-reel two-track, cassette, or DAT recorder). Microphones and line level signals are connected to various channel inputs. Signal processors are connected to Aux sends and returns and to channel inserts as required. A submix from Aux send 1 is connected to the input of a headphone amplifier driving cue headphones so that performers can receive a headphone mix independent of the main control room mix. Finally, the Main Mix outputs are connected to the inputs of a two-track or DAT recorder, with the outputs of the two-track or DAT recorder connected to channels 15 and 16. These two channels are routed to Bus 3/4 (by pressing in their Bus switches), and the Bus 3/4 outputs are connected to a power amplifier driving the control room speakers. The Main Mix inserts are connected to a dynamics processor (compressor/limiter) in order to automatically limit the mixed signal going to tape, while the Bus 3/4 inserts are connected to a graphic equalizer in order to “tune” the control room so as to provide accurate frequency response. In this setup, the Main L/R faders control the signal level going to tape, while the Bus 3/4 level knob controls the playback volume (you’ll want to set the tape recorder to monitor input signal while recording). One significant advantage of using this kind of setup is that it allows you to continuously monitor the signal arriving at the two-track tape recorder, as opposed to simply monitoring the signals arriving at the MPL 1640 inputs.

STEREO AMPLIFIER

SAMSON

SERVO - 240

GRAPHIC EQUALIZER

E62

 

1/3 OCTAVE DUAL 31 BAND GRAPHIC EQUALIZER

 

SAMSON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

COMPRESSOR / LIMITER

DAT

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

!

SERIAL

NUMBER

ASSEMBLED IN R.O.K.

AVIS:

RISQUE DE CHOC ELECTRIQUE

NE PAS OUVRIR.

DO NOT EXPOSE THIS EQUIPMENT

TO RAIN OR MOISTURE.

XLR

1GND

2+

3-

SAMSON

16 CHANNEL

 

MPL 1640 AUDIO MIXER

SAMSON TECHNOLOGIES CORP., NEW YORK, U.S.A.

TIP RING SLEEVE

TIP +

RING -

SLEEVE GND

PHANTOM

MAIN MIX OUT

 

 

 

 

 

 

CH 10

 

CH 9

 

CH 8

 

CH 7

 

CH 6

 

CH 5

 

CH 4

 

CH 3

CH 2

CH 1

 

(BALANCED 600+ 4dB)

CH 16

CH 15

CH 14

CH 13

CH 12

CH 11

 

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

2

 

 

 

 

 

 

 

 

3

 

3

 

3

 

3

 

3

 

3

 

3

 

3

 

3

POFF

O

W

E

ON

 

 

MIC INPUT

 

 

(BALANCED - 50dB TO + 4dB)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BUSS INSERT

 

AUX OUT

 

 

 

 

 

 

 

 

LINE INPUT

(BALANCED 10 K- 40dB TO + 4dB)

 

 

 

 

 

 

(UNBAL.2K

+4dB)

 

 

 

 

 

 

 

 

 

 

 

 

OFF

R

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3L - 4R(UNBAL.2K+4dB)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAIN MIX

3L - 4R

AUX 3

AUX 2

 

AUX 1

CH 16

CH 15

CH 14

CH 13

CH 12

CH 11

CH 10

CH 9

CH 8

CH 7

CH 6

CH 5

CH 4

CH 3

CH 2

CH 1

 

 

115

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

~115V /230V

 

 

 

R

AUX 3

L

R AUX 2

L

R

AUX 1 L

 

 

 

 

CHANNEL INSERT

(TIP RETURN - RING SEND)

 

 

 

 

50/60Hz 42W

 

 

 

 

 

 

AUX RETURN (UNBAL.2K+ 4dB)

 

 

 

 

 

 

 

 

 

 

 

 

 

SIGNAL PROCESSOR

SIGNAL PROCESSOR

MIDI TONE GENERATOR

Q5

Q5 HEADPHONE AMPLIFIER

27

Image 29
Contents Page Setting Up and Using the MPL 1640 Connecting the MPL 1640Introduction Guided TourIntroduction MPL 1640 FeaturesIntroduction Samson Guided Tour OverviewGuided Tour Channel Guided Tour Channel MPL Guided Tour Main SectionGuided Tour Main Section MPL Guided Tour Rear PanelGuided Tour Rear Panel Sleeve TIP Ring TIP + Ground Ring Connecting The MPLSleeve TIP Ring TIP Return Ground Ring Send Setting the Correct Gain Structure Setting Up and Using the MPLSetting Up and Using the MPL PM EST Grounding Techniques Grounding Techniques Using Bus 3/4 Using Pan Using Equalization Using the Auxiliary Sends and Returns Using Channel Inserts Using PFL Solo Changing the MPL 1640 from Rack-mount to Tabletop Applications Application 1 Using the MPL 1640 as a main live mixerApplication 2 Using the MPL 1640 as an onstage monitor mixer Application 3 Using the MPL 1640 as a keyboard submixer Compressor / Limiter DAT Application 4 Using the MPL 1640 as a recording mixerAppendix a Changing the MPL 1640 Voltage Return Appendix B Block DiagramFrequency Response SpecificationsMaximum Input Level ±3 dB