Roland V-Synth GT manuals
Musical Instruments & Equipment > Electronic Keyboard
When we buy new device such as Roland V-Synth GT we often through away most of the documentation but the warranty.
Very often issues with Roland V-Synth GT begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Electronic Keyboard Roland V-Synth GT is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Electronic Keyboard on our side using links below.
248 pages 9.03 Mb
*04566667-01*As of November 1, 2006 (ROLAND) Information distributor in your country as shown below. 04566667 07-04-1NNORTH AMERICA MIDDLE EAST ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA PHILIPPINES SINGAPORE TAIWAN THAILAND AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU TRINIDAD NORWAY POLAND PORTUGAL ROMANIA RUSSIA SLOVAKIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN IRAN ISRAEL URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CROATIA CZECH REP. DENMARK FINLAND GERMANY GREECE/CYPRUS HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries NOTICE AVIS 2 FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTDECLARATION OF CONFORMITY Compliance Information StatementCAUTION INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. 4 IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS7 IMPORTANT NOTES Additional Precautions Repairs and Data Maintenance Placement Power Supply 8 Before Using USB MemoryHandling CD-ROMs Copyright 9 Contents15 How to Use the Documentation16 Main FeaturesSound creation power driven by dual-core technology New USB connector for backup media portability A powerful user interface thats easier to use than ever AP-Synthesis enables a new dimension of performance expression Vocal Designer function thats highly integrated with the synth sound generator 17 Getting Ready20 Panel Descriptions26 Overview of the V-Synth GT33 Basic Operation of the V-Synth GT39 Patch Mode (Playing in Patch Mode) When you press [PATCH], youll be in Patch mode, and the Patch Play screen will appear. About the Patch Play Screen 40 Selecting a Patch41 Selecting Patches by Keyword Selecting Patches by Category Selecting Patches from the List 42 Registering a Favorite Patch (Patch Palette) Selecting Favorite Patches (Patch Palette) 43 Applying Various Effects to the Sound44 Transpose (Transposing the Keyboard in Semitone Steps) 46 Applying an Effect by Touching Your Finger to the Pad (Time Trip Pad)What is the Time Trip Function? 48 Applying an Effect by Passing Your Hand Over the D BeamThe usable range of the D Beam controller 49 Using the E1E8 Knobs 50 Using the Assignable Controllers Holding an Arpeggio When Using a Hold Pedal 51 Arpeggiator Playing Arpeggios Example Connections 52 V-LINK (Synchronizing Music and Video While You Play the V-Synth GT)53 V-LINK Functions that the V-Synth GT Can Control and MIDI MessagesTo exit V-LINK mode, press [V-LINK] once again so the indicator goes out. V-Synth GT will enter V-LINK mode. Press [V-LINK] so the indicator lights. Enter V-LINK Mode 54 Patch Mode (Editing a Patch)80 Patch Mode (Editing a Tone) Creating a patch from scratch (Pro Edit) Using a template to create a patch intuitively (Sound Shaper II) Creating a ToneFour Tips for Editing Tones 81 Tone MenuTone Write (Saving Tones) 82 Tone Name (Naming a Tone) 83 Tone Category (Assigning the Category of a Tone) 84 Tone Init (Initializing the Tone Settings) 85 Editing a Tone (Pro Edit) StructureSelect the type of structure. 86 Com (Settings Common to the Entire Tone)87 Keyboard 88 Zone Settings (Zone) Splitting the Keyboard to Play Different Sounds (Split) 90 Bender/Octave 91 Matrix Control 94 Tune OSC Type 95 OSC1/OSC2 (Oscillator 1/2)96 OSC Type (Analog OSC)97 Depending on the waveform youre using, the assignment of knobs 5 and 6 will change as follows. 99 OSC Type (PCM OSC) 102 Pitch (common to Analog and PCM) 103 Pulse Width (Analog) 104 Fat (Analog) 105 Detune (Analog, when using Sub OSC) 106 SS Detune (Analog, when SUPER-SAW is selected) 107 Mix (Analog, when SUPER-SAW is selected) 108 Harmonics (Analog, when FBACK-OSC is selected) 109 FBK Amount (Analog, when FBACK-OSC is selected) 110 X-Mod (Analog, when X-MOD-OSC is selected) 111 Time Offset <How the Time parameter is related to playback speed> Time (PCM) 112 Formant (PCM) 113 OSC TVA (common to Analog and PCM) MOD Type 115 MOD117 COSM1/COSM2119 TVA121 Making Envelope Settings 122 Making LFO Settings 123 Apply the LFO gradually after the key is pressed How to Apply the LFO Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Apply the LFO gradually after the key is released 124 AP Syn (AP-Synthesis)Using the MODIFY knob (panel) 125 Phrase Model 127 Modify (when Phrase Model is Violin) 128 Modify (when Phrase Model is Erhu) 129 Modify (when Phrase Model is Sax) 130 Modify (when Phrase Model is Flute) 131 Modify (when Phrase Model is Multifade) 132 Advanced (when Phrase Model is Violin) 133 Advanced (when Phrase Model is Erhu) 134 Advanced (when Phrase Model is Sax) 135 Advanced (when Phrase Model is Flute) 136 Advanced (when Phrase Model is Multifade) 137 Control 1 138 Control 2 Routing 139 Tone-FX (Tone Effect)142 Using Steps to Vary the Sound (Multi Step Modulator)144 Multi Step Modulator Vocal Designer consists of four elements: the mic, OSC1/2 (carrier), the vocoder, and effects. Mic 147 How Vocal Designer is StructuredCarrier Vocoder Effects Connecting a Mic 148 Using Vocal Designer149 Make settings for Vocal Designer 150 Vocal Designer151 Mic Settings152 EQ 153 Suppresses noise when no sound is being input. Noise suppressor: Noise Sup 154 Comp 155 Vocoder156 Stereo/Mono/Enhance 157 Vintage 158 Editing a Tone (SOUND SHAPER II)163 Sample ModeApplications of Each Template What is a Template? (Settings before you sample) Sampling 164 Factory Settings of Each Template 165 Sampling Procedure 168 Sample Name (Naming a Sample) 169 Sample Copy (Copying a Sample) 170 Sample Move (Moving a Sample) 171 Sample Exchange (Exchanging a Sample) 172 Sample Delete (Deleting a Sample) 173 Resampling 174 Sampling General (Setup Settings) 175 Sampling Pre-Effect (Pre-Effect Settings) 176 Metronome (Metronome Settings) 177 Template Name (Naming a Template) Common Procedure for Editing Displaying the Sample Edit Screen 178 Editing a Sample179 Start, End, and Current Settings Functions Common to All Editing Screens 181 (Zero Cross Search) (Zoom) 182 Basic Operation Editing the Specified Region of the Sample 183 Sample Editing Functions 185 Loop Region Settings 186 Original Tempo Setting To Execute the Encode Operation Displaying the Encode Screen 187 Encode (Converting the Sample to V-Synth GT Data)188 Selecting the Encoding Type 189 Automatically Detecting Events 190 Adding an Event Deleting an Event Deleting and Adding Events 191 Saving a Sample192 Checking Sample Information193 System Mode (Settings Common to All Modes)
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