Yamaha EMX5014C manuals

Musical Instruments & Equipment > DJ Equipment

When we buy new device such as Yamaha EMX5014C we often through away most of the documentation but the warranty. Very often issues with Yamaha EMX5014C begin only after the warranty period ends and you may want to find how to repair it or just do some service work. Even oftener it is hard to remember what does each function in DJ Equipment Yamaha EMX5014C is responsible for and what options to choose for expected result. Fortunately you can find all manuals for DJ Equipment on our side using links below.

Yamaha EMX5014C Owner Manual

37 pages5.11 Mb

Explanation of Graphical Symbols
2IMPORTANT SAFETY INSTRUCTIONS
- CAUTION
3 PRECAUTIONS
- PLEASE READ CAREFULLY BEFORE PROCEEDING
  - Handling caution
  - Do not open
- CAUTION
  - * Please keep this manual in a safe place for future reference.
- WARNING
- - Power supply/Power cord
  - Water warning If you notice any abnormality
  - Power supply/Power cord Location
  - Connections
  - 4
- 4FCC INFORMATION (U.S.A.)
  - About this Manual
    - Mixer Basics (starts on page 7)
    - Reference (starts on page 19)
      - IMPORTANT NOTICE FOR THE UNITED KINGDOM
    - Connecting the Plug and Cord
      - 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
      - 2. IMPORTANT:
      - 3. NOTE:
  - 5 Mixer Basics
  - Contents
  - Reference
- 6 Features
- - Turning the Unit On and Off
  - Connecting to Power
- Before Turning On the Mixer
Quick Guide
71
- Getting Sound to the Speakers
82
3
4
5
96
7
8 9 10
11
- 10
  - Quick Guide
  - Mixer Basics
- You can use the reverb effect to simulate the sound of a concert hall or jazz club.
101
- To select a reverb effect, turn the dial to any value from 1 to 7.
2
- switch to its ON position ( ).
3 4
- effect depth for each channel.
5
- effect depth.
- Adding Some Reverb
- 42
- 3,5
111
- Using the Compressors to Enhance Vocals
- 12 Making the Most of Your Mixer
  - An Introduction
  - A Place for Everything and Everything in its Place
    - A Plethora of ConnectorsWhat Goes Where?
      - The Venerable RCA Pin Jack
      - The Versatile Phone Jack
      - The Sturdy XLR
  - 13Balanced, UnbalancedWhats the Difference?
  - How Do Balanced Lines Reject Noise?
    - To summarize
    - 14
  - 14A balanced cable has three conductors:
  - Signal Levels and the Decibel
    - 60 dBu
    - + 20 dBu 0 dBu 0.775 V
    - 20 dBu
    - 40 dBu
  - 15Making Better Mixes
    - Approaching the MixWhere Do You Start?
      - Faders Down
      - Example1: Vocal Ballad Backed by Piano Trio
      - Example2: Funky R&B Groove
      - 16
    - 16To EQ or Not to EQ
      - Cut for a Cleaner Mix
      - Boost with Caution
    - 17Ambience
      - Reverb and Delay Time
      - Reverb Tone
      - Reverb Level
    - The Modulation Effects: Phasing, Chorus, and Flanging
      - 18
    - 18Compression
      - Music FirstThen Mix
- 19Front & Rear Panels
  - Controls on Each Channel
    - to 6)
    - 2
    - 218
      - (Channels 1 to 9/10)
    - 9
    - 0
    - A
    - B
    - C
      - trol (Channels 7/8 to 13/14)
    - D
    - E
    - F
    - G
    - H
      - 22
  - 22Digital Effects Section
    - J
    - M
    - N
    - O
    - L
    - K
    - L
    - I
    - J
    - K
    - 23M
    - N
    - O
  - 24Master Section
    - 25Y
    - Z
    - [
    - \
    - ]
    - ^
    - a
    - b
    - c
      - 26
    - 26d
    - e
    - f
    - g
    - d e g
    - f
  - 27Rear Panel
    - jk i
      - 2+ 2-
    - h
    - i
    - j
    - k
    - h
      - 1- 1+
- 28Speaker Connections
  - 2-channel connection
  - 2-channel parallel connection
- 29Rack Mounting
  - Rack Mounting
- 3
  - How to install the rack-mount hardware
- 2
- 30Setup
  - Top panel
    - Power Amp
    - Speakers
    - Recorder
    - Drums
      - 1
      - JOBSTORE
      - SEQ TRANSPORT
        GM
        PLG 1
        SOLO
      - NUMBER
        MUTE
        MUSIC PRODUCTION SYNTHESIZER
        PRE 1PRE 2PRE 3 PRE 4
        PRE 5PRE 6
        6
        5
        4
        3
        2
        1
        OCTAVE
      - DI
  - Rear Panel EMX Installation
    - 5
    - USER 1
    - ABCDEFGH
    - TRACK SELECT
    - SECTION
    - GROUP
      - CATEGORY SEARCH
    - BANK
      - USER 2
      - PLG 2
      - PLG 3
      - REMOTEARPEGGIO ON/OFF ON/OFF
        R-AUDIO G-MIDI
    - EFFECT MODE
    - SEQUENCER
      - MIXINGUTILITY EDIT
      - DEMO
      - KNOB CONTROL FUNCTION
        1
    - CD Player
    - Synthesizer
    - Guitar
    - Bass
    - Microphones Microphones
    - Foot Switch (YAMAHA FC5)
    - NOTE
    - Effect processor (exciter) Subwoofer
    - Effect processor (delay)
    - Headphones
    - Monitor Speakers
    - Intake
    - Exhaust At least 30 cm
- 31 Troubleshooting
  - No effect is applied.
  - No sound.
  - Power doesnt come on.
  - Power suddenly went off.
  - Sound suddenly stopped.
  - Sound is faint, dis- torted, or noisy.
  - An FCL lamp lights up even though there is no howling on the channel.
  - The sound from the speakers seems dull. I want a more forceful sound.
  - I want spoken words to be heard more clearly.
  - I want to output a mon- itor signal through speakers.
- 32 Specications
  - - .
    - *
  - General Specications
  - - Specifications
  - 33
  - Output Characteristics
  - Input Characteristics
  - 34
  - Dimensional Diagrams
    - EMX5014C Owners Manual
    - Specifications
      - REC OUT
      - ST OUT
      - ST SUB OUT
      - L/MONO
      - L(MONO)
      - AUX2 SEND
      - EFFECT SEND
      - PHANTOM
      - ST CH LINE
        B
        CH1-6 A
        CH INPUT
  - 35
  - Block Diagram and Level Diagram
    - INSERT I/O ST CH MIC ST CH LINE
    - L
    - PHONES
    - AUX1 SEND
    - L
    - GEQ ON
    - STANDBY
    - HEAD OFFICE
      - AUSTRALIA
      - OTHER ASIAN COUNTRIES
      - THAILAND
      - TAIWAN
      - SINGAPORE
      - MALAYSIA
      - KOREA
      - INDONESIA
      - INDIA
      - THE PEOPLES REPUBLIC OF CHINA
      - OTHER COUNTRIES
      - TURKEY/CYPRUS
      - OTHER EUROPEAN COUNTRIES
      - RUSSIA
      - NORWAY
      - DENMARK
      - SWEDEN/FINLAND/ICELAND
      - GREECE
      - SPAIN/PORTUGAL
      - ITALY
      - FRANCE
      - MALTA
      - POLAND/LITHUANIA/LATVIA/ESTONIA
      - AUSTRIA/BULGARIA
      - SWITZERLAND/LIECHTENSTEIN
      - GERMANY
      - THE UNITED KINGDAM/IRELAND
      - ARGENTINA
      - BRAZIL
      - MEXICO
      - U.S.A.
      - CANADA
    - - PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
    - - CZECH REPUBLIC/HUNGARY/ ROMANIA/SLOVAKIA/SLOVENIA
    - - THE NETHERLANDS/ BELGIUM/LUXEMBOURG
    - - COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
    - 36NORTH AMERICA
    - CENTRAL & SOUTH AMERICA
    - OCEANIA
    - EUROPE
    - AFRICA MIDDLE EAST
    - ASIA

37 pages5.12 Mb

Explanation of Graphical Symbols
2IMPORTANT SAFETY INSTRUCTIONS
- CAUTION
3PRECAUTIONS
- PLEASE READ CAREFULLY BEFORE PROCEEDING
  - Do not open
  - * Please keep this manual in a safe place for future reference.
- WARNING
- CAUTION
  - Power supply/Power cord
  - Water warning If you notice any abnormality
  - Power supply/Power cord Location Connections Handling caution
  - 4
- 4FCC INFORMATION (U.S.A.)
  - About this Manual
    - Mixer Basics (starts on page 7)
    - Reference (starts on page 19)
      - IMPORTANT NOTICE FOR THE UNITED KINGDOM
    - Connecting the Plug and Cord
      - 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
      - 2. IMPORTANT:
      - 3. NOTE:
  - 5 Mixer Basics
  - Contents
  - Reference
- 6Features
- Before Turning On the Mixer
  - Connecting to Power
    - 1 2 3
  - Turning the Unit On and Off
Quick Guide
71
- Getting Sound to the Speakers
82
3
4
5
96
7
8 9 10
11
- 10
  - Quick Guide
  - Mixer Basics
- You can use the reverb effect to simulate the sound of a concert hall or jazz club.
101
- To select a reverb effect, turn the dial to any value from 1 to 7.
2
- switch to its ON position ( ).
3 4
- effect depth for each channel.
5
- effect depth.
- Adding Some Reverb
- 42
- 3,5
111
- Using the Compressors to Enhance Vocals
- 12 Making the Most of Your Mixer
  - An Introduction
  - A Place for Everything and Everything in its Place
    - A Plethora of ConnectorsWhat Goes Where?
      - The Venerable RCA Pin Jack
      - The Versatile Phone Jack
      - The Sturdy XLR
  - 13Balanced, UnbalancedWhats the Difference?
  - How Do Balanced Lines Reject Noise?
    - To summarize
    - 14
  - 14A balanced cable has three conductors:
  - Signal Levels and the Decibel
    - 60 dBu
    - + 20 dBu 0 dBu 0.775 V
    - 20 dBu
    - 40 dBu
  - 15Making Better Mixes
    - Approaching the MixWhere Do You Start?
      - Faders Down
      - Example1: Vocal Ballad Backed by Piano Trio
      - Example2: Funky R&B Groove
      - 16
    - 16To EQ or Not to EQ
      - Cut for a Cleaner Mix
      - Boost with Caution
    - 17Ambience
      - Reverb and Delay Time
      - Reverb Tone
      - Reverb Level
    - The Modulation Effects: Phasing, Chorus, and Flanging
      - 18
    - 18Compression
      - Music FirstThen Mix
- 19Front & Rear Panels
  - Controls on Each Channel
    - to 6)
    - 2
    - 1 2
    - 218
      - (Channels 1 to 9/10)
    - 9
    - 0
    - A
    - B
    - C
      - trol (Channels 7/8 to 13/14)
    - D
    - E
    - F
    - G
    - H
      - 22
  - 22Digital Effects Section
    - J
    - M
    - N
    - O
    - L
    - K
    - L
    - I
    - J
    - K
    - 23M
    - N
    - O
  - 24Master Section
    - 25Y
    - Z
    - [
    - \
    - ]
    - ^
    - a
    - b
    - c
      - 26
    - 26d
    - e
    - f
    - g
    - d e g
    - f
  - 27Rear Panel
    - jk i
      - 2+ 2-
    - h
    - i
    - j
    - k
    - h
      - 1- 1+
- 28Speaker Connections
  - 2-channel connection
  - 2-channel parallel connection
- 29Rack Mounting
  - Rack Mounting
- 3
  - How to install the rack-mount hardware
- 2
- 30Setup
  - Top panel
    - Power Amp
    - Speakers
    - Recorder
    - Drums
      - 1
      - JOBSTORE
      - SEQ TRANSPORT
        GM
        PLG 1
        SOLO
      - NUMBER
        MUTE
        MUSIC PRODUCTION SYNTHESIZER
        PRE 1PRE 2PRE 3 PRE 4
        PRE 5PRE 6
        6
        5
        4
        3
        2
        1
        OCTAVE
      - DI
  - Rear Panel EMX Installation
    - 5
    - USER 1
    - ABCDEFGH
    - TRACK SELECT
    - SECTION
    - GROUP
      - CATEGORY SEARCH
    - BANK
      - USER 2
      - PLG 2
      - PLG 3
      - REMOTEARPEGGIO ON/OFF ON/OFF
        R-AUDIO G-MIDI
    - EFFECT MODE
    - SEQUENCER
      - MIXINGUTILITY EDIT
      - DEMO
      - KNOB CONTROL FUNCTION
        1
    - CD Player
    - Synthesizer
    - Guitar
    - Bass
    - Microphones Microphones
    - Foot Switch (YAMAHA FC5)
    - NOTE
    - Effect processor (exciter) Subwoofer
    - Effect processor (delay)
    - Headphones
    - Monitor Speakers
    - Intake
    - Exhaust At least 30 cm
- 31Troubleshooting
- 32Specications
  - General Specications
    - *
    - Specifications
  - 33Input Characteristics
  - Output Characteristics
  - 34Dimensional Diagrams
    - Specifications
  - 35Block Diagram and Level Diagram
    - REC OUT
    - ST OUT
    - ST SUB OUT
    - L/MONO
    - L(MONO)
    - AUX2 SEND
    - EFFECT SEND
    - PHANTOM
    - ST CH LINE
      - B
        CH1-6 A
      - CH INPUT
    - INSERT I/O ST CH MIC ST CH LINE
    - L
    - PHONES
    - AUX1 SEND
    - L
    - GEQ ON
    - STANDBY
    - CANADA
    - U.S.A.
    - MEXICO
    - BRAZIL
    - ARGENTINA
    - PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
    - THE UNITED KINGDOM
    - GERMANY
    - SWITZERLAND/LIECHTENSTEIN
    - AUSTRIA
    - CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
    - POLAND
    - THE NETHERLANDS/ BELGIUM/LUXEMBOURG
    - FRANCE
    - ITALY
    - SPAIN/PORTUGAL
    - SWEDEN
    - DENMARK
    - NORWAY
    - OTHER EUROPEAN COUNTRIES
    - TURKEY/CYPRUS
    - OTHER COUNTRIES
    - THE PEOPLES REPUBLIC OF CHINA
    - INDONESIA
    - KOREA
    - MALAYSIA
    - SINGAPORE
    - TAIWAN
    - THAILAND
    - OTHER ASIAN COUNTRIES
    - AUSTRALIA
    - COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
    - 36NORTH AMERICA
    - CENTRAL & SOUTH AMERICA
    - EUROPE AFRICA MIDDLE EAST
    - ASIA
    - OCEANIA
      - HEAD OFFICE

Also you can find more Yamaha manuals or manuals for other Musical Instruments & Equipment.