4 Using Your Microphone

Besides offering high headroom, minimum distortion, as well as temperature and humidity

4.1 Introduction

resistant construction, the microphone is suited for a uniquely wide range of applications.

 

The standard version C 414 XLS features a very smooth frequency response and the typi-

(For details on the C 414 XLII

cal sound of AKG large-diaphragm microphones. This sound has hardly changed over the

refer to sectin 2.4.)

many years the C 414 has been in production, and the

 

C 414 has become an "industry standard" against which most competitive or new products

 

are compared.

 

You can use the C 414 XLS for most musical instruments (see also sections 4.5 and 4.6).

 

Selector 1 lets you optimally adjust the microphone's polar pattern to the instrument to be

 

recorded and the recording environment.

 

 

 

4.2 Bass Cut Filters

The switchable bass cut filters at 40 Hz, 80 Hz, and 160 Hz will effectively cancel out any

unwanted noise such as blower noise from air conditioning systems, etc., or low-frequency

 

noise due to floor vibrations, handling noise, etc. without affecting the sound of the recorded

 

voice or instrument on tape.

 

 

 

4.3 Preattenuation Pads

The switchable preattenuation pads allow you to increase the microphone's headroom. Re-

member to check that the equipment connected to the microphone (microphone preamp,

 

mixer input, recorder input) can handle the maximum output level of the microphone with-

 

out causing distortion.

 

 

 

4.4 Stand Mounting

• The supplied H 85 shock mount has a standard 3/8" thread insert so you can mount the

microphone on almost every commercial stand or suspension with a 3/8" thread.

 

• To mount the H 85 on a stand with a 5/8" thread, remove the tread insert and screw the

 

H 85 directly on the stand.

 

• To remove the H 85 from the microphone, rotate the bayonet-type lock at the lower end

 

of the H 85 CCW to the point that the H 85 unlocks.

 

We recommend the C 414 XLS and C 414 XLII for the following recording studio applica- tions:

Sound source

C 414 XLS

C 414 XLII

Lead/solo vocals

•

••

Backing vocals/choir

••

 

Speech

•

••

Acoustic guitar

••

••

Electric guitar

 

•

Electric bass

•

 

Double bass

••

 

Violin

••

•

Cello

••

•

Zither

•

••

Grand piano (classical)

••

 

Upright piano (rock & jazz)

••

••

Organ

••

•

Trumpet

••

••

Trombone

••

•

French horn

••

••

Tuba

••

•

Saxophone

••

••

Flute

••

••

C 414 XLS / XLII

 

 

4.5 Application Areas

Table 2: Recommended applications.

23

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AKG Acoustics C414 XLII, C414 XLS manual Using Your Microphone
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C414 XLII, C414 XLS specifications

The AKG Acoustics C414 is a celebrated series of large-diaphragm condenser microphones, widely recognized in both studio and live sound applications. Among the most popular models within this line are the C414 XLS and C414 XLII, each offering distinct characteristics suited for varying audio needs.

The C414 XLS is designed for versatile recording scenarios. Its frequency response spans from 20 Hz to 20 kHz, providing a clear and accurate representation of audio sources. The XLS features a large diaphragm that helps capture detailed high frequencies while maintaining a rich low-end response. One of its standout features is the switchable polar patterns, offering nine options: omnidirectional, wide cardioid, cardioid, hypercardioid, and bidirectional, along with intermediate settings. This flexibility makes the XLS suitable for diverse recording environments, whether capturing vocals, acoustic instruments, or entire ensembles.

Meanwhile, the C414 XLII is tailored more specifically for vocals and solo instruments. It boasts a slightly modified frequency response that enhances the presence and clarity of the mid and high frequencies, making it a popular choice for studio vocal recording. The XLII is praised for its bright, open sound and ability to deliver a modern, polished quality, effectively capturing the nuances of vocal performances.

Both microphones employ AKG’s renowned advancements in transducer technology. The large, dual-diaphragm design not only contributes to their exceptional audio fidelity but also allows for precise pattern switching without altering frequency characteristics. Additionally, a low self-noise level ensures that even the most subtle sounds are recorded accurately, making them ideal for microphones used in quiet environments.

Another significant feature of the C414 series is the built-in attenuation pad and high-pass filter. The 20 dB pad enables the microphones to handle high sound pressure levels without distortion, providing flexibility when recording loud sources, such as drums or brass instruments. The high-pass filter effectively minimizes low-frequency rumble and handling noise, further enhancing clarity in recordings.

Durability is an essential aspect of the C414 series, as both models are built to withstand the rigors of professional use. With a rugged body design and high-quality components, these microphones deliver consistent performance day in and day out.

In conclusion, the AKG Acoustics C414 XLS and C414 XLII microphones are industry standards, thanks to their versatility, advanced technology, and exceptional sound quality. Whether you are a seasoned professional or an aspiring audio engineer, these microphones are sure to elevate your recordings to new heights.
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