2 Description

• C 414 XLS or C 414 XLII

2.1 Packing List

•SA 60 stand adapter

•H 85 shock mount

•PF 80 pop screen

•W 414X foam windscreen

•Original frequency response trace with serial number and production date code

•High quality carrying case

• 2 x C 414 XLS or C 414 XLII

Stero Pairs:

•2 x SA 60 stand adapter

•2 x H 85 shock mounts

•2 x W 414X foam windscreens

•1 x H 50 stereo bar

•Original frequency response trace with serial number and production date code

•High quality carrying case

•Check that the packaging contains all of the components listed for your model. Should anything be missing, please contact your AKG dealer.

• For optional accessories, refer to the current AKG catalog or folder, or visit

2.2 Optional Accessories

www.akg.com. Your dealer will be glad to help.

 

 

 

2.3 C 414 XLS

This large-diaphragm condenser microphone has been designed on the basis of feedback

from sound engineers who have used the C 12, C 12A, C 12B, C 414comb, C 414EB-P 48,

 

C 414B-ULS, C 414B-TL II, and C 414B-XLII microphones in recording studios and on stages

 

around the world for years. Using advanced, reliable components that provide more functions

 

in the same space, the C 414 XLS meets the highest professional standards and will with-

 

stand the tough handling typically encountered in the recording studio and on stage for many

 

years.

 

The electronic circuitry of the microphone has been redesigned to achieve completely lin-

 

ear transfer characteristics of all electrical parameters. Extremely low self-noise and high

 

headroom add up to a dynamic range of approximately 134 dB (A-weighted) that is far su-

 

perior to figures quoted for conventional condenser microphones and other studio equipment.

 

Adual-diaphragm transducer allows you to select one of several polar patterns. The di- aphragm is made of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode even at extremely high sound pressure levels.

The all-metal body adds to the rejection of RF interference so you can use the microphone near transmitter stations, along with wireless microphones or other communications equip- ment.

Unlike earlier versions of the C 414, the C 414 XLS / C 414 XLII provides three separate bidi-

2.3.1 Controls

rectional pushbuttons for selecting the polar pattern, preattenuation pad, and bass cut filter,

 

each with an LED bar indicating the selected setting. The selectors and indicator LEDs are

 

only active as long as power (48 V phantom power) to the microphone is on.

 

• To select the desired value or polar pattern, press the desired arrow on the appropriate

 

selector once or several times.

 

A green LED above the appropriate value or symbol is lit to indicate the selected setting.

 

To select a different setting after having reached the last position available, press the op-

 

posite arrow on the selector. (Pressing the same arrow again will not set the parameter

 

back to its initial position.)

 

C 414 XLS / XLII

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AKG Acoustics C414 XLII, C414 XLS manual Description, XLS or C 414 Xlii, Years, Selector once or several times
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C414 XLII, C414 XLS specifications

The AKG Acoustics C414 is a celebrated series of large-diaphragm condenser microphones, widely recognized in both studio and live sound applications. Among the most popular models within this line are the C414 XLS and C414 XLII, each offering distinct characteristics suited for varying audio needs.

The C414 XLS is designed for versatile recording scenarios. Its frequency response spans from 20 Hz to 20 kHz, providing a clear and accurate representation of audio sources. The XLS features a large diaphragm that helps capture detailed high frequencies while maintaining a rich low-end response. One of its standout features is the switchable polar patterns, offering nine options: omnidirectional, wide cardioid, cardioid, hypercardioid, and bidirectional, along with intermediate settings. This flexibility makes the XLS suitable for diverse recording environments, whether capturing vocals, acoustic instruments, or entire ensembles.

Meanwhile, the C414 XLII is tailored more specifically for vocals and solo instruments. It boasts a slightly modified frequency response that enhances the presence and clarity of the mid and high frequencies, making it a popular choice for studio vocal recording. The XLII is praised for its bright, open sound and ability to deliver a modern, polished quality, effectively capturing the nuances of vocal performances.

Both microphones employ AKG’s renowned advancements in transducer technology. The large, dual-diaphragm design not only contributes to their exceptional audio fidelity but also allows for precise pattern switching without altering frequency characteristics. Additionally, a low self-noise level ensures that even the most subtle sounds are recorded accurately, making them ideal for microphones used in quiet environments.

Another significant feature of the C414 series is the built-in attenuation pad and high-pass filter. The 20 dB pad enables the microphones to handle high sound pressure levels without distortion, providing flexibility when recording loud sources, such as drums or brass instruments. The high-pass filter effectively minimizes low-frequency rumble and handling noise, further enhancing clarity in recordings.

Durability is an essential aspect of the C414 series, as both models are built to withstand the rigors of professional use. With a rugged body design and high-quality components, these microphones deliver consistent performance day in and day out.

In conclusion, the AKG Acoustics C414 XLS and C414 XLII microphones are industry standards, thanks to their versatility, advanced technology, and exceptional sound quality. Whether you are a seasoned professional or an aspiring audio engineer, these microphones are sure to elevate your recordings to new heights.
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