Chapter 6: External Triggering

Note: Note Chase will not follow any trigger that has been set to Unassigned. To view an Unassigned trigger’s VU-style bar graph meter in order to adjust gain (page 44), use the [VALUE] knob to select the corresponding trigger input (page 43).

CROSSTALK

If several pads are mounted on one stand or rack it is possible to experience interaction or “crosstalk” problems. Adjustment of the Xtalk parameter makes it possible to resolve these problems.

Note: In configurations where some pads are individually mounted, the default setting of 30 may be sufficient, making it unnecessary to adjust this parameter. In that case, skip this section and go on to the next section, “Decay”.

With the Xtalk parameter selected (flashing), turn the [VALUE] knob to select the desired level of crosstalk suppression necessary to stop the problem pad from triggering (00 is minimum, 99 maximum). This level will depend entirely on your current pad or drum configuration.

Remember: When experiencing an interaction problem, the trigger that needs adjustment is the pad that is false triggering, not the pad being struck. One easy way to remedy an interaction problem is to “silence” the pad(s) which are not “false triggering”.

Example: Suppose you hit the snare pad and the tom 1 pad triggers.

➀First, press [MIX] and reduce the volume of the snare pad to 00. Now when you hit the snare pad you won’t hear it, but you’ll hear the tom 1 pad false triggering.

➁Next, press the [EXT TRIG] button twice (which gets you to the Xtalk parameter on page 2) and select the tom 1 trigger to edit.

➂Press the [] button once to select the Xtalk parameter. While you hit the snare pad (false triggering the tom pad) gradually raise the crosstalk level of the tom 1 pad. Continue to raise the level until the tom pad stops triggering when you apply hard hits to the snare pad. By using this technique, you have isolated the problem drum, and made it easy to “dial in” the proper Xtalk value without the sound from the other drum becoming distracting or confusing.

➃Finally, press [MIX] again and reset the volume of the snare pad to it’s original level.

Note: Always increase the Xtalk value in small amounts for two reasons. The values are very sensitive, so an increase of as little as 2 or 3 can make a difference in suppression. Also, an unnecessarily high Xtalk setting actually suppresses the sensitivity of the trigger input, resulting in the occasional loss of softer hits.

If a situation where a high Xtalk setting is necessary to stop false triggering, but pad sensitivity loss is noticeable, try this combination. Start by slightly lowering the Gain setting for the pad. This should make it possible to lower the Xtalk value, which will allow the pad sensitivity to increase. With some experimentation and time, you should be able to find the right combination.

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DM5 Reference Manual

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Alesis DM5 manual Crosstalk
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DM5 specifications

The Alesis DM5 is a renowned drum machine and percussion synthesizer that has garnered acclaim for its versatile features and high-quality sound. Embracing both the beginner and professional musician, the DM5 serves as an ideal platform for creating drum tracks, enhancing live performances, and adding depth to music productions.

At the heart of the DM5 is its comprehensive sound engine, which boasts a library of over 1,000 pre-recorded samples. These samples encompass a diverse range of instruments, from acoustic drums to electronic beats, allowing users to explore various music genres seamlessly. The DM5 features 25 of the most popular drum and percussion sounds that can be played via a MIDI controller or the built-in pads. This wide selection provides musicians with the flexibility to craft unique rhythms and textures.

An essential aspect of the DM5 is its user-friendly interface. The backlit LCD screen enables easy navigation through the vast array of features and settings. Users can quickly select sounds, adjust parameters, and create grooves with intuitive controls. The built-in sequencer is another standout feature, allowing musicians to record and edit patterns with precision. It supports up to 99 preset songs, enabling easy recall of favorite patterns for live gigs.

The DM5 also includes MIDI capabilities, facilitating seamless integration with other music production equipment. Users can connect external MIDI devices, triggering sounds directly from their keyboards or controllers. This interconnectedness promotes a fluid workflow in studio and live environments.

Furthermore, the DM5 offers a variety of built-in effects, such as delay and reverb, which enhance the overall sound. These effects provide additional depth and richness to drum tracks, ensuring that the final output remains polished and dynamic. The unit also supports audio outputs for connecting to mixers or amplifiers, making it suitable for both studio recordings and live performances.

In summary, the Alesis DM5 stands out as a powerful drum machine and percussion synthesizer. With its extensive sound library, user-friendly interface, integrated sequencer, MIDI capabilities, and built-in effects, it provides musicians with the tools to create and perform with ease. Whether in a home studio or on stage, the DM5 remains a versatile choice for anyone looking to explore the world of drum programming and music production.
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