2 – Introducing the TASCAM
Shelving Filters
Shelving filters are used primarily as “tone controls,” cutting or boosting whole regions of the spectrum. (You can think of them as fancy versions of the traditional “Bass” and “Treble” controls you’d find on home stereos or boom boxes.) A high shelf filter, for instance, acts by raising
or lowering the part of the spectrum above the
The graphs below show the response of the high shelf and low shelf filters at +12 dB gain. Notice that the slope of the
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(dB)12 |
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| HIGH SHELF FILTER |
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| Frequency: 1,000 Hz |
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| Gain: +12 dB |
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| Bandwidth: N/A |
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LOG MAGNITUDE
(dB)12
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| LOW SHELF FILTER |
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| Frequency: 1,000 Hz |
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| Gain: +12 dB |
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Peaking Filter
The peaking filter is the traditional fully parametric EQ. It can be used to subtly accentuate or attenuate a frequency or for much more radical effects.
In the
20 Hz to 20 kHz and can boost or cut the signal at the selected frequency by ± 18 dB. Additionally, you can vary the bandwidth from 0.1 to 4.0 octaves.
The graphs below show the effect of changing the bandwidth control of the peaking filter.
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| PEAKING FILTER |
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| Frequency: 1,000 Hz |
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| Gain: +12 dB | |
MAGNITUDE |
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| Bandwidth: 1.0 octave | |
(dB) 0 |
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| PEAKING FILTER |
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| Frequency: 1,000 Hz |
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| Gain: +12 dB | |
MAGNITUDE |
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| Bandwidth: 0.1 octave | |
(dB) 0 |
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Band Pass and Notch Filters
Band pass and notch filters can be thought of as extreme examples of the peaking filter.
The Band Pass filter sharply attenuates all frequencies except for a band centered around the cutoff frequency. The width of the pass band is set by the bandwidth or “Q” control. The band pass filter is typically used to isolate a particular frequency range in a track or mix.
The Notch Filter passes all frequencies except for a band centered around the cutoff frequency, which is sharply attenuated. The width of the notch is also set by the “Q” control. The notch filter is used to eliminate unwanted sounds appearing at a specific frequency in a track or mix.
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