IMPORTANT SAFETY PRECAUTIONS.............. | 2 |
IMPORTANT SAFETY INSTRUCTIONS............. | 3 |
Safety Information.......................................... | 4 |
1 – Introduction............................................... | 6 |
Included items...................................................................... | 6 |
About this manual............................................................... | 6 |
Trademarks............................................................................ | 6 |
Precautions for placement and use.............................. | 6 |
Beware of condensation................................................... | 6 |
Cleaning the unit................................................................. | 6 |
2 – Introducing the TASCAM |
|
Producer..................................................... | 7 |
How to use this manual..................................................... | 7 |
The contents of this manual............................................ | 7 |
TASCAM Vocal Producer Overview............................... | 7 |
8 | |
A little bit about pitch................................................. | 8 |
Some pitch terminology............................................ | 8 |
How | 8 |
How | 9 |
Scales................................................................................. | 9 |
Speed................................................................................ | 9 |
An example..................................................................... | 9 |
Antares Microphone Modeling...................................... | 9 |
About the technology............................................... | 10 |
So what exactly does it do?..................................... | 10 |
Understanding Compression........................................ | 10 |
Threshold and Ratio................................................... | 10 |
Limiting.......................................................................... | 11 |
Dynamic Expansion and Gating............................ | 11 |
Compression and Expansion Combined............ | 11 |
Hard Knee/Soft Knee................................................. | 12 |
Attack and Release Times........................................ | 12 |
What is a | 13 |
Equalization......................................................................... | 13 |
Low Pass - High Pass Filters..................................... | 13 |
Shelving Filters............................................................ | 14 |
Peaking Filter................................................................ | 14 |
Band Pass and Notch Filters.................................... | 14 |
3 – Setting Up the TASCAM Vocal Producer.15 | |
4 – Names and Functions of Parts................ | 16 |
Front panel........................................................................... | 16 |
Rear panel............................................................................ | 18 |
5 – Operation................................................. | 19 |
Live or mixdown?............................................................... | 19 |
Contents | |
Patching the | 19 |
As an insert effect using your mixer’s channel | |
insert jack(s).................................................................. | 19 |
As an insert effect using two mixer channels. | .19 |
With an instrument.................................................... | 20 |
Live, Direct Microphone connection................... | 20 |
AN IMPORTANT NOTE ABOUT MONITORING... | 20 |
Controls and Display Screens........................................ | 20 |
MASTER MODULE....................................................... | 20 |
MICROPHONE MODELER MODULE ..................... | 26 |
28 | |
Why set Scale notes to “Blank”?................................... | 28 |
COMPRESSOR/GATE MODULE .............................. | 29 |
30 | |
EQUALIZER/OUTPUT MODULE ............................. | 31 |
6 – Get Creative.............................................. | 34 |
Using the | 34 |
Using | 34 |
Using the Microphone Modeler Module.................. | 34 |
7 – Appendix.................................................. | 35 |
35 | |
The Presets........................................................................... | 35 |
Realistic Mic Modeling Expectations.......................... | 36 |
8 – Specifications........................................... | 38 |
Dimensional drawing....................................................... | 40 |
Block diagram..................................................................... | 40 |
Level diagram..................................................................... | 41 |
TASCAM