MscopeTM – A New and Unique Output Format

A new and unique feature of both D-21 and D-21 HD is the patented MscopeTM process, which combines for the first time the use of anamorphic lenses with the economy of HD acquisition.

Filmmakers and audiences alike have grown up with the uniquely cinematic ana- morphic look and associate it with the emotional impact of big-screen movies. The sheer width and clarity of the format, its shallow depth of field, the way it handles out of focus backgrounds and flares, all of these have been burned into the subconscious of cinema-goers for over half a century.

Both D-21 and D-21 HD are uniquely positioned to allow the use of anamorphic lenses through their 4:3 format sensor, which captures the whole image projected by anamorphic lenses. Most other digital cameras with their 16:9 sensors are less than ideal for anamorphic lenses; the MscopeTM frames contain approximately 80% more scanning lines than equivalent 2.40:1 scope images derived from ordinary 16:9 HD.

TRUE ANAMORPHIC IN HD

The anamorphically squeezed image as it appears on the D-21 or D-21 HD 4:3 sensor (2880 x 2160 pixels)

After post production the image has been downscaled and cropped to cover a 2.40:1 area (1920 x 800 pixels for HD distribution or 1728 x 1440 for ARRILASER film recording)

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ARRI ARRIFLEX D-21 HD manual True Anamorphic in HD, MscopeTM a New and Unique Output Format
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ARRIFLEX D-21 HD specifications

The ARRI ARRIFLEX D-21 HD is a distinguished digital cinematography camera that has made remarkable strides in the film industry since its introduction. Designed for professional filmmakers, it combines traditional film aesthetics with modern digital technology, making it a compelling choice for various cinematic endeavors.

One of the most notable features of the D-21 is its image quality. The camera is equipped with a Super 35mm-sized sensor, which is pivotal in achieving the characteristic depth of field and wide field of view synonymous with 35mm film. This sensor allows filmmakers to exploit the rich visual language that has been a hallmark of high-end cinema for decades.

To ensure maximum flexibility and integration in post-production, the D-21 captures images in a high-definition format with a resolution of up to 1920 x 1080 pixels. This resolution provides filmmakers with the ability to work with detailed and vibrant footage, making it suitable for various distribution formats, including theatrical releases and broadcasting.

The D-21 is also notable for its superior dynamic range, which extends the capabilities of the camera in capturing details in both highlights and shadows. This feature is particularly beneficial for filmmakers working in challenging lighting scenarios, as it permits greater creative latitude during the shoot and post-processing.

In terms of technology, the D-21 incorporates several advanced features. One such feature is its unique color processing system, which allows for precise control over color grading. Filmmakers can capture the scene with accurate color reproduction, thus minimizing the amount of post-production color correction required.

Moreover, the camera supports a modular design, enabling customization to fit various shooting styles and requirements. This includes interchangeable lenses, allowing filmmakers to utilize different focal lengths and depths of field without restriction.

The ergonomic design of the D-21 makes it user-friendly, accommodating the needs of professional crews during long shooting days. It is compatible with a range of accessories such as matte boxes, follow focus systems, and wireless monitoring solutions.

Overall, the ARRI ARRIFLEX D-21 HD stands as a bridge between traditional film and the digital future. Its combination of superb image quality, advanced technology, and a user-centric design cements its position as a preferred choice for many cinematographers striving for visual excellence in their storytelling.
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