ARRI ARRIFLEX D-21 / D-21 HD

Divergent Technical Data

ARRIFLEX D-21

ARRIFLEX D-21 HD

Camera type

35 format digital film style camera with an optical viewfinder

35 format film style HD camera with an optical viewfinder

 

 

 

 

 

 

 

 

 

 

HD-SDI connections

2x dual link HD-SDI out

 

 

1x dual link HD-SDI out

 

 

 

 

 

 

 

 

 

 

 

 

Mode

Setting

 

Camera fps

Mode

Setting

 

Camera fps

 

 

 

 

 

 

 

 

 

 

 

 

HD422 (16:9)

 

1 - 60

 

 

HD422 (16:9)

 

1 - 30

 

HD Mode

 

 

 

 

HD Mode

 

 

 

 

HD444 (16:9)

 

1 - 30

 

HD444 (16:9)

 

1 - 30

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MscopeTM

MscopeTM HD422 (4:3)

 

1 - 25

 

MscopeTM

MscopeTM HD422 (4:3)

 

1 - 25

 

 

 

 

 

 

 

 

 

 

 

 

ARRIRAW (16:9)

 

1 - 30

 

 

 

 

 

Frame rate

Data Mode

 

 

 

 

 

 

 

 

ARRIRAW (4:3)

 

1 - 25

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frame rates other than the standard HD video frame rates of 23.976 PsF,

Frame rates other than the standard HD video frame rates of 23.976 PsF,

 

24 PsF, 25 PsF, 29.97 PsF, 30 PsF, 48 PsF, 50 PsF, 59.94 PsF and 60 PsF

24 PsF, 25 PsF, 29.97 PsF and 30 PsF can be achieved with a recorder

 

can be achieved with a recorder that can interpret the Variframe Flag.

that can interpret the Variframe Flag.

 

 

 

 

 

 

 

 

All frame rates are crystal controlled and can be set with 0.001 fps precision.

 

 

 

 

 

Exposure compensated speed ramps are supported by the electronic mirror shutter.

 

 

 

 

 

 

Aperture

23.760 x 13.365 mm/0.9354” x 0.5262” in HD Mode

23.760 x 13.365 mm/0.9354” x 0.5262” in HD Mode

23.760 x 17.820 mm/0.9354” x 0.7016” max. in Data Mode & MscopeTM

23.760 x 17.820 mm/0.9354” x 0.7016” in MscopeTM

 

 

 

 

 

 

 

 

HD Mode – HD-SDI (SMPTE 292M):

 

 

HD Mode – HD-SDI (SMPTE 292M):

 

 

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25, 29.97, 30 PsF

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25, 29.97, 30 PsF

 

HD Mode – dual link HD-SDI (SMPTE 372M):

 

 

HD Mode – Dual link HD-SDI (SMPTE 372M):*

 

- 1920 x 1080 4:4:4 RGB 10 bit @ 23.976, 24, 25, 29.97, 30 PsF

- 1920 x 1080 4:4:4 RGB 10 bit @ 23.976, 24, 25, 29.97, 30 PsF

 

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 48, 50, 59.94, 60PsF

* available with software packet 1.16

 

Signal output

 

 

 

 

 

 

 

 

 

MscopeTM – dual link HD-SDI (SMPTE 372M):

 

 

MscopeTM – dual link HD-SDI (SMPTE 372M):

 

 

 

 

 

 

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25 PsF

- 1920 x 1080 4:2:2 YCbCr 10 bit @ 23.976, 24, 25 PsF

Data Mode – ARRIRAW T-Link(ARRIRAW transmission protocol mapped into RGBA dual link HD-SDI stream according to SMPTE 372M):

-2880 x 2160 RAW 12 bit Bayer data @ 23.976p, 24p, 25p

-2880 x 1620 RAW 12 bit Bayer data @ 29.97p, 30p

Body only:

8.6 kg/19.0 lbs

Body only:

8.5 kg/18.8 lbs

Weight (without lens)

 

 

 

Body and viewfinder:

10.9 kg/24.0 lbs

Body and viewfinder:

10.8 kg/23.8 lbs

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ARRI ARRIFLEX D-21 HD manual Divergent Technical Data, Arriflex D-21 Arriflex D-21 HD

ARRIFLEX D-21 HD specifications

The ARRI ARRIFLEX D-21 HD is a distinguished digital cinematography camera that has made remarkable strides in the film industry since its introduction. Designed for professional filmmakers, it combines traditional film aesthetics with modern digital technology, making it a compelling choice for various cinematic endeavors.

One of the most notable features of the D-21 is its image quality. The camera is equipped with a Super 35mm-sized sensor, which is pivotal in achieving the characteristic depth of field and wide field of view synonymous with 35mm film. This sensor allows filmmakers to exploit the rich visual language that has been a hallmark of high-end cinema for decades.

To ensure maximum flexibility and integration in post-production, the D-21 captures images in a high-definition format with a resolution of up to 1920 x 1080 pixels. This resolution provides filmmakers with the ability to work with detailed and vibrant footage, making it suitable for various distribution formats, including theatrical releases and broadcasting.

The D-21 is also notable for its superior dynamic range, which extends the capabilities of the camera in capturing details in both highlights and shadows. This feature is particularly beneficial for filmmakers working in challenging lighting scenarios, as it permits greater creative latitude during the shoot and post-processing.

In terms of technology, the D-21 incorporates several advanced features. One such feature is its unique color processing system, which allows for precise control over color grading. Filmmakers can capture the scene with accurate color reproduction, thus minimizing the amount of post-production color correction required.

Moreover, the camera supports a modular design, enabling customization to fit various shooting styles and requirements. This includes interchangeable lenses, allowing filmmakers to utilize different focal lengths and depths of field without restriction.

The ergonomic design of the D-21 makes it user-friendly, accommodating the needs of professional crews during long shooting days. It is compatible with a range of accessories such as matte boxes, follow focus systems, and wireless monitoring solutions.

Overall, the ARRI ARRIFLEX D-21 HD stands as a bridge between traditional film and the digital future. Its combination of superb image quality, advanced technology, and a user-centric design cements its position as a preferred choice for many cinematographers striving for visual excellence in their storytelling.