FROM THE FIELD

ARRI ARRIFLEX D-21 / D-21 HD

Mikael Salomon, ASC -

Director of The Company and The Andromeda Strain

“I'm very pleased with the final look of the six-hour miniseries The Company, which we shot in Canada, Hungary and Puerto Rico under very varied circum- stances.”

“I've had questions from industry professionals asking how much was digital and how much was shot on film. Great surprise when they learn that it was all digital except for a few slo-mo shots - the film intercuts seamlessly with the digital images.”

“Ridley [Scott] asked me to direct another miniseries and we decided - once again - to go with the ARRI digital camera. We're currently shooting in the Vancouver and getting great feedback on dailies.”

“I've been fielding calls from DP's interested in using the ARRI digital camera system. As I tell them, the best recommendation is that I'm using it again!”

The Company; from left to right:

Michael Zimbrich (1st AD), Ben Nott (Cinematographer),

Michael Carella (A Cam OP), Michael Salomon (Director)

Photo: Jan Thijs © Turner Broadcasting 2006

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ARRI ARRIFLEX D-21 HD manual From the Field, Director of The Company and The Andromeda Strain

ARRIFLEX D-21 HD specifications

The ARRI ARRIFLEX D-21 HD is a distinguished digital cinematography camera that has made remarkable strides in the film industry since its introduction. Designed for professional filmmakers, it combines traditional film aesthetics with modern digital technology, making it a compelling choice for various cinematic endeavors.

One of the most notable features of the D-21 is its image quality. The camera is equipped with a Super 35mm-sized sensor, which is pivotal in achieving the characteristic depth of field and wide field of view synonymous with 35mm film. This sensor allows filmmakers to exploit the rich visual language that has been a hallmark of high-end cinema for decades.

To ensure maximum flexibility and integration in post-production, the D-21 captures images in a high-definition format with a resolution of up to 1920 x 1080 pixels. This resolution provides filmmakers with the ability to work with detailed and vibrant footage, making it suitable for various distribution formats, including theatrical releases and broadcasting.

The D-21 is also notable for its superior dynamic range, which extends the capabilities of the camera in capturing details in both highlights and shadows. This feature is particularly beneficial for filmmakers working in challenging lighting scenarios, as it permits greater creative latitude during the shoot and post-processing.

In terms of technology, the D-21 incorporates several advanced features. One such feature is its unique color processing system, which allows for precise control over color grading. Filmmakers can capture the scene with accurate color reproduction, thus minimizing the amount of post-production color correction required.

Moreover, the camera supports a modular design, enabling customization to fit various shooting styles and requirements. This includes interchangeable lenses, allowing filmmakers to utilize different focal lengths and depths of field without restriction.

The ergonomic design of the D-21 makes it user-friendly, accommodating the needs of professional crews during long shooting days. It is compatible with a range of accessories such as matte boxes, follow focus systems, and wireless monitoring solutions.

Overall, the ARRI ARRIFLEX D-21 HD stands as a bridge between traditional film and the digital future. Its combination of superb image quality, advanced technology, and a user-centric design cements its position as a preferred choice for many cinematographers striving for visual excellence in their storytelling.