ARRI ARRIFLEX D-21 HD Mikael Salomon, ASC - Director of The Company and The Andromeda Strain

ARRI | ARRIFLEX D-21 / D-21 HD

“I'm very pleased with the nal look of the six-hour miniseries The Company,

which we shot in Canada, Hungary and Puerto Rico under very varied circum-

stances.”

“I've had questions from industry professionals asking how much was digital

and how much was shot on lm. Great surprise when they learn that it was

all digital except for a few slo-mo shots - the lm intercuts seamlessly with the

digital images.”

“Ridley [Scott] asked me to direct another miniseries and we decided - once

again - to go with the ARRI digital camera. We're currently shooting in the

Vancouver and getting great feedback on dailies.”

“I've been elding calls from DP's interested in using the ARRI digital camera

system. As I tell them, the best recommendation is that I'm using it again!”

The Company; from left to right:

Michael Zimbrich (1st AD), Ben Nott (Cinematographer),

Michael Carella (A Cam OP), Michael Salomon (Director)

FROM THE FIELD