ARRIFLEX D-21 / D-21 HD

The Film Style Digital Cameras

The ARRIFLEX D-21 and D-21 HD combine leading edge digital technology with film camera features that have been refined over ARRI’s 90-year history. They allow directors and cinematographers to shoot in the same way as they would with 35 mm film, while taking advantage of the immediacy and economy of digital acquisition.

As the top of the line digital cameras from ARRI, the market leader in professional imaging, they are equipped with a number of unique features: an optical viewfinder, the MscopeTM anamorphic output, a 4:3 format sensor, simple operation and an unequalled film-like image quality. In addition, the D-21 is the only camera capable of simultaneously outputting raw data and HD.

The bright optical viewfinder has zero delay, works without power and shows an image area outside the primary image. Through ARRI Imaging Technology (AIT), both cameras produces brilliant images with a cinematic look and feel, a high dynamic range, high contrast and the most film-like motion and color reproduction of any digital motion picture camera.

The cameras’ single, Super 35-sized CMOS sensor exhibits the same cinematic depth of field as 35 mm film. The industry standard PL lens mount accepts the same vast variety of prime, zoom and specialty film lenses used on 35 mm film cameras. Since both cameras are the only digital high-end cameras with a 4:3 aspect ratio sensor, they easily accommodate all im- age formats, including anamorphic 2.40:1. The anamorphic image can be recorded in the new and innovative MscopeTM mode, utilizing a standard HD workflow, or, on the D-21, also in Data Mode.

Further film style features include variable frame rates from 1 to 60 fps (D-21)/1-30 fps (D-21 HD), exposure compensated speed ramps, compat- ibility with ARRI film style accessories, simple to use controls and the robust construction and ergonomic design for which ARRI cameras are famous.

The ARRIRAW format enables the D-21 to output raw uncompressed data. Alternatively, both D-21 and D-21 HD can output an uncompressed HD signal that works perfectly in the established HD infrastructure. With such flexibility, both ARRIFLEX D-21 and D-21 HD easily adapt to a variety of production requirements and budgets.

2

Page 1 Page 3
Page 2
Image 2
ARRI ARRIFLEX D-21 HD manual Arriflex D-21 / D-21 HD, Film Style Digital Cameras
Page 1 Page 3

ARRIFLEX D-21 HD specifications

The ARRI ARRIFLEX D-21 HD is a distinguished digital cinematography camera that has made remarkable strides in the film industry since its introduction. Designed for professional filmmakers, it combines traditional film aesthetics with modern digital technology, making it a compelling choice for various cinematic endeavors.

One of the most notable features of the D-21 is its image quality. The camera is equipped with a Super 35mm-sized sensor, which is pivotal in achieving the characteristic depth of field and wide field of view synonymous with 35mm film. This sensor allows filmmakers to exploit the rich visual language that has been a hallmark of high-end cinema for decades.

To ensure maximum flexibility and integration in post-production, the D-21 captures images in a high-definition format with a resolution of up to 1920 x 1080 pixels. This resolution provides filmmakers with the ability to work with detailed and vibrant footage, making it suitable for various distribution formats, including theatrical releases and broadcasting.

The D-21 is also notable for its superior dynamic range, which extends the capabilities of the camera in capturing details in both highlights and shadows. This feature is particularly beneficial for filmmakers working in challenging lighting scenarios, as it permits greater creative latitude during the shoot and post-processing.

In terms of technology, the D-21 incorporates several advanced features. One such feature is its unique color processing system, which allows for precise control over color grading. Filmmakers can capture the scene with accurate color reproduction, thus minimizing the amount of post-production color correction required.

Moreover, the camera supports a modular design, enabling customization to fit various shooting styles and requirements. This includes interchangeable lenses, allowing filmmakers to utilize different focal lengths and depths of field without restriction.

The ergonomic design of the D-21 makes it user-friendly, accommodating the needs of professional crews during long shooting days. It is compatible with a range of accessories such as matte boxes, follow focus systems, and wireless monitoring solutions.

Overall, the ARRI ARRIFLEX D-21 HD stands as a bridge between traditional film and the digital future. Its combination of superb image quality, advanced technology, and a user-centric design cements its position as a preferred choice for many cinematographers striving for visual excellence in their storytelling.
Top Page Image Contents