![A Note About Input Signal Levels:](/images/new-backgrounds/16434/1643425x1.webp)
Operating Manual - PROTEA SYSTEM II 4.24C Crossover / System Processor
A Note About Input Signal Levels:
There are no analog gain trim adjustments on the Protea 4.24C, therefore all the processing (including gain) is done in the digital domain. As a consequence of this design philosophy, it is important to feed the Protea processor with the proper nominal signal level to achieve good signal to noise performance as well as headroom before clipping. The Protea 4.24C is designed to clip at signal levels above +20dBu = 7.75Vrms which places the noise floor lower than
5.2 MIDI Connections
The Protea family of products include five additional audio processors, the 4.24G Graphic Equalizer/Processor, 2.24S and 4.24S Graphic Equalizer slaves, and 2.24P and 4.24P Parametric Equalizer Slaves. For simultaneous system control of several Protea products which include the 4.24C, it is necessary to use MIDI cables to communicate program changes from the 4.24C to or from other Protea products. The most common instance of Protea MIDI control would be the use of Protea System Software, where a PC connects to one Protea product (through the
MIDI
31 524
Pin # Function
1NC
2Out & Thru - Ground, In - NC
3NC
4Data +5V
5 Data Signal
MIDI channel assignment within the 4.24C is done in the Util menu, and should match the MIDI channel selected within the crossover section of Protea System Software. Note: If the 4.24C is connected to the PC
5.3 RS-232 Data Connections
Protea System Software for Windows communicates to the Protea 4.24C via the front panel
The 4.24C also has an
D-Sub 9 Pin Female
5 4 3 2 1
9 8 7 6
Pin #
1Not Connected
2Transmitted Data
3 Received Data
4 Data Terminal Ready (tied to pin 6)
5Ground
6Data Set Ready (tied to pin 4)
7 Not Connected
8 Not Connected
9 Not Connected
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Ashly Audio Inc. | D igital Audio Products |
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4. 24C |
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