![Input (Long) Time Delay For Remote Speakers](/images/new-backgrounds/16434/1643415x1.webp)
Operating Manual - PROTEA SYSTEM II 4.24C Crossover / System Processor
Input (Long) Time Delay For Remote Speakers
Speaker on
Main Stage
Secondary Speaker
200 ft from Main Stage
Same sound arrives at two different times.
Fix by delaying secondary speakers 177mS.
of the venue with direct
Output channels have time delay as
well, but much less than the inputs. This is | Output (Short) Time Delay | ||||||
| For Driver Alignment | ||||||
because output delay is best used to align dis- |
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crete drivers within a speaker cabinet or clus- |
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| Example: | 12 Inches | |
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ter, normally quite close together. For example, |
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a typical three way speaker cluster would have |
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| High - No Delay |
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low end, midrange, and high frequency drivers |
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all located near one another. The different driv- |
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| Midrange Delay |
ers for each frequency band are not necessar- |
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| 12 Inches = 0. 9mS | |
ily the same physical depth with respect to the |
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front of the loudspeaker cluster, so there ex- |
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ists the problem of same signals (at the cross- |
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| Low Delay |
over points) arriving at the cluster "front" at |
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| 8 Inches = 0. 6mS |
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different times, creating undesirable wave in- |
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teraction and frequency cancellation. The so- |
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lution, again, is to slightly delay the signal to |
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| Example: | 8 Inches | ||
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the drivers closest to the cluster front. Using the location of the driver diaphragm farthest
back as a reference point, measure the distance to other drivers in the cluster, and set the output delay for each accordingly, with the driver diaphragm closest to the front getting the longest delay and the driver at the very back getting no output delay. Note: Although delay in the 4.24C is adjusted only by time, the corresponding dis- tance in both feet and meters is always shown as well.
Crossover functions on the Protea 4.24C are available only on the
eight output channels . Every channel's crossover consists of a high pass filter (HPF) and a low pass filter (LPF), along with the frequencies and filter types used. Each output's cross- over section is essentially a bandpass filter, making it necessary for the user to map out ahead of time which outputs frequencies and types accordingly. Note: determines the upper frequency limit.
Crossover LCD Display
Crossover |
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| HPF and LPF | |
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| CROSSOVER 1 | HPF |
| Select |
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| 19.7Hz |
| Slope and | |
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| Response |
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will be used for the various frequency bands, and set the overlapping filter The HPF determines the lower frequendy limit of the signal, while the LPF
The frequency range for the high pass filter (HPF) is from 19.7Hz to 21.9kHz, with an option to turn the filter off at the low end of the frequency selection. The low pass filter (LPF) offers the same frequency range, with the "off" option at the high end of the frequency selection.
There are eleven types of filters available in the crossover section, each suited to a specific preference or purpose. The slope of each filter type is defined by the first characters in the filter type, 12dB, 18dB, 24dB, or 48dB per octave. The steeper the slope, the more abruptly the "edges" of the pass band will drop off. There is no best filter
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