Ashly PQX-571 manual notches. Note: Very sharp bandwidth lowers the, CW .05 Octave in severe cases

Models: PQX-571 PQX-572

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notches. Note: Very sharp bandwidth lowers the

Operating Manual - PQX 571 and PQX 572 Parametric Equalizer

2.

With the entire PA hooked up and turned on,

6.5

Large Room Equalization

slowly increase the sound level at the mixer un-

 

 

 

 

 

 

 

 

 

 

 

til feedback is heard, then lower the level by about

 

 

 

Large rooms tend to suffer from multiple reflec-

3 dB so that feedback does not continue.

 

tions with long time delays, long reverberation times, and

 

 

 

 

 

 

“ring-modes”, all of which lead to reduced intelligibility

3.

Start with one of the PQX filters by setting

 

and a generally “muddy” sound. As sound travels long

the level at 0, bandwidth set fairly sharp (about

 

distances through the air, high frequencies are attenuated

.3 oct.), and adjust the frequency control to where

 

more than low frequencies. In general, large rooms ben-

you estimate the predominate feedback frequency

 

efit from some low frequency shelf roll-off, high frequency

to occur.

 

shelf boost, and attenuation of ring mode frequencies by

 

 

 

 

 

 

the parametric filters.

4. Push in the filter’s EQ switch and increase its

 

 

 

 

 

 

 

 

 

 

 

level control by about +6 dB. Now “sweep” the

6.6

Small Room Equalization

frequency around where you have estimated the

 

 

 

 

 

 

 

 

 

 

 

feedback frequency until feedback occurs. Once

 

 

 

Small rooms need less equalization than large

you have induced the feedback by boosting its

 

ones. However, with reflective surfaces so close together

frequency, quickly turn down the filter’s level

 

it is more likely to encounter high frequency feedback

control to about -6 dB to suppress or “notch out”

 

problems.

Finding and critically notching out these of-

the feedback frequency.

 

fending “hot spots” is precisely what the PQX equalizer

 

 

 

 

 

 

does best. Use the narrowest possible bandwidth, and as

5.

Again slowly increase the master level at the

 

always, avoid over-equalization.

mixer until feedback is heard. If a new feedback

 

 

 

 

 

 

 

 

 

 

 

frequency is heard, then repeat step 3 to find and

7.

 

THEORY

suppress the new frequency. If the original feed-

 

 

 

 

 

 

 

 

 

 

 

back frequency is still heard, then adjust the first

 

 

 

The heart of the PQX equalizers is a unique

filter’s level even lower. The bandwidth control

 

bandpass filter circuit. Basically a “state-variable” type, this

may be adjusted full clockwise to produce a very

 

filter is trimmed and optimized to provide excellent transient

sharp notch so that a severe feedback frequency

 

response and a wide range of frequency and bandwidth ad-

can be attenuated by as much as 15 dB without

 

justment.

Each filter can be tuned over a 100:1 frequency

degrading the frequency response with noticeable

 

range (about 6.6 octaves) and a 70:1 bandwidth range with

notches. Note: Very sharp bandwidth lowers the

 

no more than a 2 dB amplitude error at center frequency. At

maximum equalizer input level because of the

 

its sharpest setting, the filter has a “Q” of about 35 and gen-

high filter gain necessary to obtain such a nar-

 

erates a response curve with 3 dB points only 1/20 octave

row bandwidth. Only use bandwidth control full

 

apart, making feedback control possible with no audible side

CW (.05 Octave) in severe cases.

 

effects. Each filter is placed in the feedback loop of a sum-

 

 

 

 

 

 

ming amplifier to produce the desired frequency response.

6.

Continue this iterative process of increasing

 

Since a separate summing amplifier is used for each band,

the mixer’s master level and finding, then sup-

 

no interaction between bands occurs.

pressing feedback frequencies until a de-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

sired sound system gain-before-feedback

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

level has been achieved.

 

 

 

+

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-

 

 

 

 

OUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OUTPUT

 

 

6.4

Console Channel Equalization

 

 

BALANCED

 

 

 

 

EQ

 

 

 

 

 

 

INPUT

GAIN

CLIP

 

IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PEAK

 

 

 

 

 

 

 

Many mixing consoles provide only

 

 

 

 

 

DETECTOR

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

simple equalization for individual channels. If

 

 

 

 

 

 

 

 

 

 

 

 

your console has channel inserts, you can patch

 

 

 

 

 

 

 

 

 

 

 

 

your equalizer into a channel that is used for some-

 

 

 

 

 

 

 

 

 

 

 

 

thing important, and use it to tailor the

sound of

 

 

EQ

 

EQ

EQ

 

EQ

 

EQ

 

 

EQ

 

IN

 

IN

IN

 

IN

 

IN

 

EQ

this channel exactly the way you want.

 

IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LOW

 

PAR.

 

PAR.

PAR.

 

PAR.

 

PAR.

 

HIGH

 

 

 

SHELF

 

FILTER

 

FILTER

FILTER

 

FILTER

 

FILTER

 

SHELF

 

 

 

FILTER

 

20-20K

 

20-20K

20-20K

 

20-20K

 

20-20K

 

 

 

 

 

FR

FR

Q

FR

Q

FR

Q

FR

Q

FR

Q

FR

 

 

 

+/-

 

+/-

 

+/-

+/-

 

+/-

 

+/-

 

+/-

 

 

 

 

 

 

 

PQX

Block Diagram

 

 

 

 

7

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Ashly PQX-571 notches. Note: Very sharp bandwidth lowers the, maximum equalizer input level because of the, Block Diagram