Operating Manual - PQX 571 and PQX 572 Parametric Equalizer
2. | With the entire PA hooked up and turned on, | 6.5 | Large Room Equalization | ||||||||||||
slowly increase the sound level at the mixer un- |
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til feedback is heard, then lower the level by about |
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| Large rooms tend to suffer from multiple reflec- | |||||||||||
3 dB so that feedback does not continue. |
| tions with long time delays, long reverberation times, and | |||||||||||||
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3. | Start with one of the PQX filters by setting |
| and a generally “muddy” sound. As sound travels long | ||||||||||||
the level at 0, bandwidth set fairly sharp (about |
| distances through the air, high frequencies are attenuated | |||||||||||||
.3 oct.), and adjust the frequency control to where |
| more than low frequencies. In general, large rooms ben- | |||||||||||||
you estimate the predominate feedback frequency |
| efit from some low frequency shelf | |||||||||||||
to occur. |
| shelf boost, and attenuation of ring mode frequencies by | |||||||||||||
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| the parametric filters. | |||||||||
4. Push in the filter’s EQ switch and increase its |
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level control by about +6 dB. Now “sweep” the | 6.6 | Small Room Equalization | |||||||||||||
frequency around where you have estimated the |
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feedback frequency until feedback occurs. Once |
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| Small rooms need less equalization than large | |||||||||||
you have induced the feedback by boosting its |
| ones. However, with reflective surfaces so close together | |||||||||||||
frequency, quickly turn down the filter’s level |
| it is more likely to encounter high frequency feedback | |||||||||||||
control to about |
| problems. | Finding and critically notching out these of- | ||||||||||||
the feedback frequency. |
| fending “hot spots” is precisely what the PQX equalizer | |||||||||||||
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| does best. Use the narrowest possible bandwidth, and as | |||||||||
5. | Again slowly increase the master level at the |
| always, avoid | ||||||||||||
mixer until feedback is heard. If a new feedback |
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frequency is heard, then repeat step 3 to find and | 7. |
| THEORY | ||||||||||||
suppress the new frequency. If the original feed- |
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back frequency is still heard, then adjust the first |
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| The heart of the PQX equalizers is a unique | |||||||||||
filter’s level even lower. The bandwidth control |
| bandpass filter circuit. Basically a | |||||||||||||
may be adjusted full clockwise to produce a very |
| filter is trimmed and optimized to provide excellent transient | |||||||||||||
sharp notch so that a severe feedback frequency |
| response and a wide range of frequency and bandwidth ad- | |||||||||||||
can be attenuated by as much as 15 dB without |
| justment. | Each filter can be tuned over a 100:1 frequency | ||||||||||||
degrading the frequency response with noticeable |
| range (about 6.6 octaves) and a 70:1 bandwidth range with | |||||||||||||
notches. Note: Very sharp bandwidth lowers the |
| no more than a 2 dB amplitude error at center frequency. At | |||||||||||||
maximum equalizer input level because of the |
| its sharpest setting, the filter has a “Q” of about 35 and gen- | |||||||||||||
high filter gain necessary to obtain such a nar- |
| erates a response curve with 3 dB points only 1/20 octave | |||||||||||||
row bandwidth. Only use bandwidth control full |
| apart, making feedback control possible with no audible side | |||||||||||||
CW (.05 Octave) in severe cases. |
| effects. Each filter is placed in the feedback loop of a sum- | |||||||||||||
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| ming amplifier to produce the desired frequency response. | |||||||||
6. | Continue this iterative process of increasing |
| Since a separate summing amplifier is used for each band, | ||||||||||||
the mixer’s master level and finding, then sup- |
| no interaction between bands occurs. | |||||||||||||
pressing feedback frequencies until a de- |
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sired sound system |
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level has been achieved. |
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| - |
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| OUT |
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| OUTPUT |
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6.4 | Console Channel Equalization |
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| BALANCED |
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| EQ |
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| INPUT | GAIN | CLIP |
| IN |
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| PEAK |
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| Many mixing consoles provide only |
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| DETECTOR |
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simple equalization for individual channels. If |
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your console has channel inserts, you can patch |
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your equalizer into a channel that is used for some- |
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thing important, and use it to tailor the | sound of |
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| EQ |
| EQ | EQ |
| EQ |
| EQ |
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EQ |
| IN |
| IN | IN |
| IN |
| IN |
| EQ | |||
this channel exactly the way you want. |
| IN |
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| IN | |||
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| LOW |
| PAR. |
| PAR. | PAR. |
| PAR. |
| PAR. |
| HIGH |
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| SHELF |
| FILTER |
| FILTER | FILTER |
| FILTER |
| FILTER |
| SHELF |
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| FILTER |
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| FR | FR | Q | FR | Q | FR | Q | FR | Q | FR | Q | FR |
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| +/- |
| +/- |
| +/- | +/- |
| +/- |
| +/- |
| +/- |
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| PQX | Block Diagram |
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7