Ashly PQX-572 Mixer, PQX 571 Parametric Equalizer, Compressor - Limiter, Crossover, 400Hz-1KHz

Models: PQX-571 PQX-572

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Mixer

Operating Manual - PQX 571 and PQX 572 Parametric Equalizer

 

Mixer

 

 

PQX 571 Parametric Equalizer

 

 

Compressor - Limiter

 

 

Crossover

 

 

Power Amplifier

 

 

 

Typical Sound System Design

6.

TYPICAL APPLICATIONS

Lower midrange (“warmth” frequencies) -

 

 

400Hz-1KHz

6.1Connecting Into a Sound System

Typically an equalizer is used in a sound system which has a mixer or some other sort of preamplifier. In such cases, the equalizer normally should be connected after the mixer but before any electronic crossovers or limiters. The PQX equalizers are line level devices de- signed to operate at nominal +4 dBu signal levels; there- fore, the equalizer should not be connected directly to microphones, phonograph players or low level musical instruments.

6.2General Tone Control

The parametric equalizer is a very useful device for general tone shaping because the filter’s center fre- quency, bandwidth and level are all continuously vari- able. To use the power of the equalizer effectively, you need to translate your idea of the tone you want to pro- duce into a range of numerical frequencies. This is simple after a little practice. Here are a few references which are useful for starting points:

Very low bass (the “wind” in a kick drum, al- most felt as much as heard -40Hz-80Hz.

The low register of a male voice - 200Hz

The low register of a female voice - 350Hz

Upper midrange (“harshness”, snare drum “bite”, “hot” sound) -2.5KHz-4KHz.

Sibilance (“sss” sounds, cymbal “sizzle”) - 8KHz- 15KHz.

Try using these starting points as a guide when you want more or less of these types of sounds. Adjust by ear from there. It is always a good idea to remember that a little equalization usually works out much better than a lot, and that there are many audio problems which cannot be solved with equalization alone.

6.3Feedback Control

The PQX equalizers are powerful tools when ap- plied to eliminating feedback problems. On a traditional graphic equalizer, the fixed filter center frequencies are insufficient when the frequency of feedback occurs be- tween two slide faders, or is extremely narrow. The con- tinuously variable center frequency and bandwidth of a parametric equalizer allows very sharp notching of feed- back frequencies.

The following procedure outlines how to use a parametric equalizer to suppress feedback frequencies:

1.Start with all the PQX EQ switches out ex- cept the master EQ switch in and the master Level at 0.

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Ashly PQX-572 Mixer, PQX 571 Parametric Equalizer, Compressor - Limiter, Crossover, Power Amplifier, Typical Applications