![Front Panel Controls and Indicators](/images/new-backgrounds/136920/1369203x1.webp)
Front Panel Controls and Indicators | Rear Panel Controls and Connections |
Mounting and Connection
Mount the
Adapter Controls and Connectors
1. Power
Install a fresh 9 volt alkaline battery in the adapter if you wish to use phantom power (battery is not required to pass the audio signal). Turn on the unit to activate the phantom power supplies. The Power LED should light to indicate good battery power. Turn off the power when not in use to conserve battery power
2. Phantom Power
If your condenser microphone requires 48 volts phantom power to operate, first connect the microphone to the adapter. Activate the PWR ON switch and then the PH ON switch for the channel it is connected to. The LED beside the corresponding channel trim control should light to indicate that 48 volt power is present. Do not plug dynamic microphones, unbalanced devices, wireless receivers or feeds from mixing boards into the adapter with the phantom power activated as it may damage the connecting device.
3. Trim Controls
You can use the automatic gain control (AGC) in the camera to adjust the optimum audio levels for recording. The
You can also switch the AGC off for manual control over the audio levels. Initially set the camera gain to about 30 to 50% of maximum. If necessary, adjust either the left or right trim control to balance both inputs so they are of equal amplitude. Then set the desired recording level with the manual level control on the camcorder. As above, you may have to adjust the trim controls when using sensitive microphones or recording very loud sounds.
As a guide, the recording levels should be no higher than
4. MONO / STEREO Switch
The MONO setting mixes both channels together and sends the audio to both the right and left channels which is ideal when only one microphone is being used. Stereo keeps both channels separated when two microphones are connected to the adapter for two discreet audio channels. When in MONO mode, be sure to keep the trim control on the unused channel fully clockwise to reduce the loading effect on the working channel.
5. XLR Inputs
The two XLR inputs can accept balanced or unbalanced connections. To convert the input to unbalanced, simply ground pin 1 to 3 on the XLR input cable. We recommend the use of sensitive condenser type microphones for the best results. Dynamic microphones usually do not have sufficient output levels and may result in an excessive amount of hiss from the high level of amplification necessary by the camera’s audio preamplifiers. Microphones with a sensitivity rating of greater than
6. Output Cable
The attached shielded cable terminates in a gold plated, stereo mini plug connector. Plug this into the microphone jack on your camcorder
Bottom Dip Switches
7. MIC / LINE Switches
To connect a microphone to either channel of the
8. Ground Lift Switch
To eliminate any noises caused by ground loops, you may have to adjust the setting of the ground switch. Set SW2 dip switch on the