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| 5.2 Speaker descriptions |
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The sound of any guitar combo depends largely on the type |
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| AMERICAN BLUES |
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and combination of speakers used. In the past 50 years there |
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| MODERN CLASS A |
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has been widespread experimentation to find out what type of |
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| TWEED COMBO |
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speaker is best suited to any one specific guitar sound and in |
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| CLASSIC CLEAN |
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what way the sound is modified when a certain speaker is |
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| BRIT. BLUES |
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combined with others. |
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| BRIT. CLASS A |
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+ When you select an amp simulation, an appropriate |
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| BRIT. CLASSIC |
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| speaker simulation is activated automatically (see |
| BRIT. HI GAIN |
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| tab. 5.2). Otherwise, the authenticity of the sound |
| RECTIFIED HI GAIN |
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| could | be affected by an unsuitable cabinet— |
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| especially if you are using headphones. Naturally, |
| FUZZ BOX |
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| you can combine the amp simulations with other |
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| cabinets according to taste. |
| DRIVE |
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The character of a loudspeaker is a combination of its power |
| CRUNCH |
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| CLEAN |
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rating, impedance, sound pressure and size, as well as the |
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| TUBEPREAMP |
| 01$2.,*3(+45$%&/,6+($) |
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material it is made of. 8", 10" and 12" speakers have established |
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themselves as the best sizes for electric guitar amplification. |
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The | following table shows a listof all |
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| AND DELUXE |
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| CUSTOM CLASS A |
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| BYPASS (NO SPEAKER SIMULATION) |
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| SMALL COMBO |
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| 1 |
| 1 x 8" VINTAGE TWEED |
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| BLACK TWIN |
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| 2 |
| 4 x 10" VINTAGE BASS |
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| AND CUSTOM |
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| 3 |
| 4 x 10" |
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| NON TOP BOOST |
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| 4 |
| 1 x 12" MID COMBO |
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| CLASSIC 50 W |
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| 5 |
| 1 x 12" BLACKFACE |
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| BRIT. CLASS A 15 W |
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| 6 |
| 1 x 12" BRIT ’60 |
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| RECTIFIED HEAD |
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| 7 |
| 1 x 12" DELUXE ’52 |
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| SAVAGE BEAST |
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| 8 |
| 2 x 12" TWIN COMBO |
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| CUSTOM HI GAIN |
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| 9 |
| 2 x 12" US CLASS A |
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| ULTIMATE PLUS |
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| 10 |
| 2 x 12" |
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| CALIF. DRIVE |
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| 11 |
| 2 x 12" BRIT ’67 |
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| CUSTOM DRIVE |
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| 12 |
| 4 x 12" VINTAGE 30 |
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| CALIF. CLEAN |
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| 13 |
| 4 x 12" STANDARD ’78 |
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| CUSTOM CLEAN |
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| 14 |
| 4 x 12" OFF AXIS |
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| 7" |
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| 15 |
| 4 x 12" |
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| Table 5.2: Loudspeaker/amp simulation default settings | |||||
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5. AMP/SPEAKER SIMULATION | 13 |
