Behringer UB1002FX, UB1202FX Control Elements And Connectors, Mono channels, Online registration

EURORACK UB1002FX/UB1202FX

1.3.3 Online registration

Please do remember to register your new BEHRINGER equipment right after your purchase by visiting www.behringer.com (alternatively www.behringer.de) and kindly read the terms and conditions of our warranty carefully.

Should your BEHRINGER product malfunction, our goal is to have it repaired as quickly as possible. To arrange for warranty service, please contact the retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (www.behringer.com).

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2.CONTROL ELEMENTS AND CONNECTORS

This chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.

2.1 Mono channels

Fig. 2.1: Connectors and controls on the mono channels

MIC

Each mono input channel offers a balanced microphone input via the XLR connector and also features a switchable +48 V phantom power supply for condenser microphones.

+Please mute your playback system before you activate the phantom power supply to prevent switch-on thumps being directed to your loudspeakers. Please also note the instructions in chapter 2.4 “Main section”.

LINE IN

Each mono input also features a balanced line input on a 1/4" connector. Unbalanced devices (mono connectors) can also be connected to these inputs.

+Please remember that you can only use either the microphone or the line input of a channel at any one time. You can never use both simultaneously!

TRIM

Use the TRIM control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.

The scale has 2 different value ranges: the first value range (+10 to +60 dB) refers to the MIC input and shows the amplification for the signals fed in there.

The second value range (+10 to -40 dBu) refers to the line input and shows its sensitivity. The settings for equipment with standard line-level signals (-10 dBV or +4 dBu) look like this: While the TRIM control is turned all the way down, connect your equipment. Set the TRIM control to the external devices’ standard output level. If that unit has an output signal level display, it should show 0 dB during signal peaks. For +4 dBu, turn up TRIM slightly, for -10 dBV a bit more. Tweaking is done using the CLIP LED.

EQ

All mono input channels include a 3-band equalizer. All bands provide boost or cut of up to 15 dB. In the central position, the equalizer is inactive.

The upper (HIGH) and the lower band (LOW) are shelving filters that increase or decrease all frequencies above or below their cut-off frequency. The cut-off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively. The MID band is configured as a peak filter with a center frequency of

2.5kHz. Unlike shelving filters, the peak filter processes a frequency range that extends upwards and downwards around its middle frequency.

LOW CUT

In addition, the mono channels are equipped with a steep LOW CUT filter (slope at 18 dB/oct., -3 dB at 75 Hz) designed to eliminate unwanted low-frequency signal components. These can be noises created by hand-held microphones, subsonic noise or plosive sounds created by highly sensitive microphones.

FX

FX sends enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the console’s FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the stereo channels. Each FX send is mono and features up to +15 dB gain.

As the name suggests, the FX sends of the EURORACK mixing consoles are intended to drive effects devices (reverb, delay, etc.) and are therefore configured post-fader. This means that the mix between dry signal and effect remains at the level determined by the channel’s aux send, irrespective of the channel fader setting. If this were not the case, the effects signal of the channel would remain audible even when the fader is lowered to zero. With UB mixing consoles, the channel fader is called LEVEL control.

2. CONTROL ELEMENTS AND CONNECTORS 5