EURORACK UB1002FX/UB1202FX

Even though most of the tasks in a studio can nowadays be accomplished using a computer, a mixing console remains an unavoidable piece of equipment that lets you effectively manage audio inputs and outputs: microphone signals need to be pre- amplified prior to being recorded, and the quality of microphone sound is often worked on; recording and playback signals must be routed to the appropriate connectors or integrated into the mix; the volume of headphones and studio monitors needs to be adjusted, and so on. The extensively equipped main section of the UB mixing consoles provides concrete benefits to you.

Wiring:

Connect your sound sources to the microphone/line inputs of the mixing console. Connect the master machine (DAT/minidisk recorder) to the main outputs. Your monitor speakers are connected to the control room outputs; the headphones are connected to the headphone output. Now, connect the CD/tape outputs to the sound card inputs on your DAW (Digital Audio Workstation). Connect the outputs of the sound card in your computer to the CD/tape inputs.

Recording and playback:

Once in the mixing console, the recording signal is pre-amplified, EQ’ed and is then routed to the main bus. Use the LEVEL control to adjust the recording signal level. The overall level of the signal going to the computer is adjusted using the MAIN MIX fader. To make sure that the signal is actually being recorded, use either the phones bus or the control room bus to monitor not the main mix signal (i.e. the output signal of the mixing console, before the recording); instead, monitor the returns of the sound card that is connected to the CD/tape inputs. To this end, press the CD/TAPE TO CTRL switch and adjust the monitoring volume using the PHONES/CONTROL ROOM control. Doing so, you can record additional tracks in addition to a signal already brought in (so- called overdubs). Use the direct monitoring function of your DAW.

+With this application, the CD/TAPE TO MIX switch should not be pressed; otherwise, the playback signal from the sound card output would be routed back to the computer and would be added to the recording. This would not only be undesirable, it would also create a feedback loop.

3.2 Live sound

Fig. 3.2: Live application of the UB1202FX

3. APPLICATIONS

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Behringer UB1002FX manual Live sound, Live application of the UB1202FX

UB1202FX, UB1002FX specifications

Behringer is well-known for producing budget-friendly yet powerful audio equipment, and their UB1002FX and UB1202FX mixers are prime examples of this commitment. Both models cater to musicians, podcasters, and sound engineers looking for compact solutions without compromising on sound quality.

The Behringer UB1002FX is a versatile 10-input mixer equipped with built-in effects. It features two low-noise, high-headroom mic preamps augmenting the audio quality for vocal and instrumental applications. With three-band EQ on each channel, users can sculpt their sound easily, while a 24-bit digital FX processor offers 100 studio-grade effects, including reverb, delay, and chorus, allowing for creative sound experimentation.

This mixer is designed with practical connectivity in mind. It includes stereo inputs, a dedicated tape input and output, as well as auxiliary sends per channel, ideal for routing to external effects devices or monitors. The UB1002FX also boasts a headphone output with a separate level control, providing a useful monitoring option during live performances or recording sessions.

The UB1202FX is a step up, offering 12 inputs and additional features that enhance its functionality. Like the UB1002FX, it features low-noise mic preamps and three-band EQ, but it also includes an advanced four-channel stereo input capability that allows for diverse input sources.

One of the standout features of the UB1202FX is its built-in DSP effects processor, which offers a rich palette of effects meant to cater to a variety of musical styles and applications. The total number of effects onboard allows for a greater scope of creative possibilities during both live performances and studio sessions.

Both mixers are designed with rugged construction, making them reliable even under demanding conditions and frequent use. The user-friendly layout ensures that navigating through channels and effects is intuitive, making it suitable for beginners and experienced engineers alike.

In terms of connectivity, both models feature balanced XLR outputs, enabling professional-grade connections to PA systems or recording interfaces. The compact size of the UB1002FX and UB1202FX makes them ideal for mobile setups or smaller venues, providing portability alongside robust performance.

Overall, the Behringer UB1002FX and UB1202FX mixers offer exceptional value for their price, with features and sound quality that present a compelling option for anyone in need of a reliable audio mixing solution.