| This symbol is intended to |
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| This symbol is | |
CAUTION | ||||||
| alert the user to the pres- | intended to alert the | ||||
| ence of uninsulated “dan- |
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| user to the presence of | |
RISK OF ELECTRIC SHOCK | ||||||
| gerous voltage” within the | important operating | ||||
| product’s enclosure that may be of suf- | DO NOT OPEN | and maintenance (servicing) instruc- | |||
| ficient magnitude to constitute a risk of |
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| tions in the literature accompanying | |
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| electric shock to persons. |
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| the appliance. | |
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IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:
WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement or near a swimming pool, etc). Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.
POWER SOURCES: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance.
GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polar- ization means of an appliance is not defeated.
POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance.
SERVICING: The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.
FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse. Refer to replacement text on the unit for correct fuse type.
SAFETY INSTRUCTIONS (EUROPEAN)
The conductors in the AC power cord are colored in accordance with the following code.
GREEN & |
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U.K. MAIN PLUG WARNING: A molded main plug that has been cut off from the cord is unsafe. NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT MAIN PLUG INTO A POWER SOCKET.
REPLACEMENT PARTS LIST (for circuit cards)
LIMITED WARRANTY |
| CARVIN ENGINEERING DATA SM162 STUDIO MATE 16CH STEREO MIXER | OPERATING MANUAL | ||
Your Carvin product is guaranteed against failure for ONE YEAR unless otherwise stated. Carvin will |
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| ||
service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping |
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| ||
costs are the responsibility of the customer. CARVIN DOES NOT PAY FOR PARTS OR SERVICING OTHER |
| RECEIVING | |||
THAN OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO VERIFY YOUR WARRANTY. |
| INSPECT YOUR MIXER FOR ANY DAMAGE which may have occurred during shipping. | |||
Carvin assumes no responsibility for horn drivers or speakers damaged by this unit. This warranty |
| If any damage is found, please notify the shipping company and CARVIN immediately. | |||
does not cover, and no liability is assumed, for damage due to: natural disasters, accidents, abuse, |
| ||||
| SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to | ||||
loss of parts, lack of reasonable care, incorrect use, or failure to follow instructions. This warranty |
| ||||
| unit, always use the original carton and packing material. This will provide the best pos- | ||||
is in lieu of all other warranties, expressed or implied. No representative or person is authorized to |
| ||||
represent or assume for Carvin any liability in connection with the sale or servicing of Carvin prod- |
| sible protection during shipment. CARVIN and the shipping company are not liable for | |||
ucts. CARVIN SHALL NOT BE LIABLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. |
| any damage caused by improper packing. |
| ||
When RETURNING merchandise to the factory, you may call for a return authorization number. Describe |
| SAVE YOUR INVOICE. It will be required for warranty service if needed in the future. | |||
in writing each problem. If your unit is out of warranty, you will be charged the current FLAT RATE for |
| SHIPMENT SHORTAGE. If you find items missing, they may have been shipped sepa- | |||
parts and labor to bring your unit up to factory specifications. |
| rately. Please allow several days for the rest of your order to arrive before inquiring. | |||
HELP SECTION |
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| |||
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| RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual | |||
1) MIXER WILL NOT TURN ON |
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| for your records. Keep your portion of the card and return the portion with your name | ||
Check the power to the amp. Check for tripped circuit breakers, unplugged extension cords or power- |
| and comments to us. |
| ||
strip switches that may be turned off. Check the fuse. If a dark brownish color or no wire can be |
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| |||
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| |||
seen within the glass tube, then replace. The mixer may be perfectly fine but occasionally a fuse |
| INTERNAL SIGNAL ROUTING WITH NO RF |
| ||
may blow because of high AC voltage surges. After the fuse has been replaced with the proper |
| Your balanced mic or instrument plugs directly into the high quality XLR Nortrics con- | |||
Slow Blow value and if the fuse fails again, the mixer will require servicing. |
| nectors (used in hundred thousand dollar consoles) and is then routed into the differen- | |||
2) KEEP YOUR MIXER LOOKING NEW |
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| tial circuits for excellent hum and noise cancellation. As your signal continues within the | ||
Use caution to avoid spilling liquids or allowing any other foreign matter inside the unit. The top |
| console, a | |||
of the mixer can be wiped from time to time with a dry or slightly damp cloth in order to remove |
| traces with a copper shield running over the traces. This eliminates RF interference and | |||
dust and bring back the new look. A suggestion is to cover the mixer when not in use. This can | SM162 | reduces crosstalk substantially. The printed circuit board has 931 | |||
be done with a cloth or a small towel to reduce the amount of dust collection on the mixer. Well | which means that every component is soldered securely in three places (bottom, in hole | ||||
cared for equipment is usually friendlier equipment in the long run. | Congratulations on your purchase of the SM162 16 channel stereo mixer. Your new Studio | and top). This offers unsurpassed component security while reducing circuit resistance | |||
|
| Mate mixer demonstrates CARVIN’s commitment to the pro audio world by offering sophis- | for pure dynamic sound which is unaffected by poor solder connections. | ||
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| ticated signal mixing and processing in a compact easy to use console. The Studio Mate is | MORE HEADROOM |
| |
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| designed to be a powerful tool for the home studio where limited space and high perfor- |
| ||
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| Headroom is very important when designing a | |||
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| mance are the main requirements. Its features make it ideal for mixing to cassette, DAT or | |||
CAUTION | REFER SERVICING TO QUALIFIED SERVICE | room will cause your sound to become distorted and muddy. This can happen when you turn | |||
for hard disk recording with a computer. The Studio Mate is also rugged enough to handle | |||||
the volume too high, if the input signal is too hot or if excess bass or treble is added. With most | |||||
PERSONNEL! THIS UNIT CONTAINS HIGH | many live applications. The SM162’s high quality construction will provide years of trou- | ||||
RISK OF ELECTRIC SHOCK | VOLTAGE INSIDE! | mixers, you have to reduce the input gain to fight headroom problems, but this just increases | |||
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| noise. That’s why we have taken great care in the SM162 to make sure that each gain stage is | |||
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Ref. Des. | DESCRIPTION | Carvin P/N |
A1 | Op Amp NE5532 | |
Op Amp MC4558 | ||
A12 | Op Amp NE5532 | |
Op Amp MC4558 | ||
A201 | Op Amp NE5532 | |
Op Amp MC4558 | ||
Op Amp MC4558 | ||
Op Amp MC4558 | ||
B1- B3 | Jumper .35” | |
C1,C2 | 82PF 500 Volt | |
10µF 50V | ||
C6 | 47µF 63 Volt | |
C7 | 39PF 500V | |
C8 | 0.047µF 100V | |
C9 | 330PF 1000 Volt | |
C10 | 0.0047µF 100 Volt | |
C11 | 10µF 50V | |
C12 | 39PF 500 Volt | |
C13 | 47µF 63 Volt | |
C14, C15 | 1000µF 25V | |
10µF 50V | ||
C23 | 0.047µF 100V | |
C24 | 0.0022µF 100V | |
C25, C26 | 1000µF 25V | |
10µF 50V | ||
C34 | 330PF 1000 Volt | |
C35 | 0.0047µF 100 Volt | |
C36 | 330PF 1000 Volt | |
C37 | 0.0047µF 100 Volt | |
C38, C39 | 39PF 500 Volt | |
10µF 50V | ||
C43 | 0.0022µF 100V | |
C44 | 0.047µF 100V | |
C45 | 0.047µF 100V | |
C60 | 10µF 50V | |
C61 | 39PF 500 Volt | |
C62 | 10µF 50V | |
C63 | 39PF 500 Volt | |
C64 | 10µF 50V | |
C65 | 39PF 500 Volt | |
C67 | 10µF 50V | |
C68 | 39PF 500 Volt | |
C69 | 10µF 50V | |
C70 | 39PF 500 Volt | |
C71 | 10µF 50V | |
C72 | 39PF 500 Volt | |
C74 | 39PF 500 Volt | |
C77 | 39PF 500 Volt | |
C80 | 39PF 500 Volt | |
C83 | 39PF 500 Volt | |
10µF 50V | ||
C104 | 0.047µF 100V | |
C105 | 0.047µF 100V | |
C201 | 82PF 500 Volt | |
C202 | 82PF 500 Volt | |
10µF 50V | ||
C206 | 47µF 63 Volt | |
C207 | 39PF 500V | |
C209 | 330PF 1000 Volt | |
C210 | 0.0047µF 100 Volt | |
C211 | 10µF 50V | |
C212 | 39PF 500 Volt | |
C213 | 47µF 63 Volt | |
10µF 50V | ||
C334 | 330PF 1000 Volt | |
C335 | 0.0047µF 100 Volt | |
C336 | 330PF 1000 Volt | |
C337 | 0.0047µF 100 Volt | |
C338 | 39PF 500 Volt | |
C339 | 39PF 500 Volt | |
C340, C341 | 10µF 50V | |
10µF 50V | ||
C434 | 330PF 1000 Volt | |
C435 | 0.0047µF 100 Volt | |
C436 | 330PF 1000 Volt | |
C437 | 0.0047µF 100 Volt | |
C438 | 39PF 500 Volt | |
C439 | 39PF 500 Volt | |
C440, C441 | 10µF 50V | |
10µF 50V | ||
C534 | 330PF 1000 Volt |
C535 | 0.0047µF 100 Volt | |
C536 | 330PF 1000 Volt | |
C537 | 0.0047µF 100 Volt | |
C538 | 39PF 500 Volt | |
C539 | 39PF 500 Volt | |
C540, C541 | 10µF 50V | |
Green small | ||
D4 | Yellow small | |
D5, D6 | Red small | |
Green small | ||
D11 | 1N1914 HI SPD | |
Green small | ||
D15 | Yellow small | |
D16, D17 | Red small | |
Green small | ||
D22 | 1N1914 HI SPD | |
D23, D24 | Red small | |
1N4003 | ||
D29, D30 | 1N1914 HI SPD | |
F1 | Fuse Clips | |
J1 | 7 Pin Plastic | |
J2 | XLRF Neutrik | |
3 Pin Plastic | ||
J12 | Phone Jack x4 | |
J13 | 7 Pin Plastic | |
J101, J102 | 3 Pin Plastic | |
J201 | 7 Pin Plastic | |
J202 | XLRF Neutrik | |
J203 | 3 Pin Plastic | |
J301, J302 | 3 Pin Plastic | |
J401, J402 | 3 Pin Plastic | |
J501, J502 | 3 Pin Plastic | |
P1 | B50K D Vert 9mm | |
P5, P6 | B50K D Vert 9mm | |
P7 | ||
P8 | B50K D Vrt 12m 35 | |
B100Kx2 D Vrt 12m | ||
P12, P13 | B50K D Vrt 9m 35 | |
P14, P15 | B100Kx2 D Vrt 12m | |
P104, P105 | B50K D Vrt 9m 35 | |
P106 | ||
P107 | B100Kx2 D Vrt 12m | |
P201 | B50K D Vrt 9m 35 | |
P205,P206 | B50K D Vrt 9m 35 | |
P207 | ||
P208 | B50K D Vrt 9m 35 | |
P304, P305 | B50K D Vrt 9m 35 | |
P306 | ||
P307 | B100Kx2 D Vrt 12m | |
P404, P405 | B50K D Vrt 9m 35 | |
P406 | ||
P407 | B100Kx2 D Vrt 12m | |
P504, P505 | B50K D Vrt 9m 35 | |
P506 | ||
P507 | B100Kx2 D Vrt 12m | |
Q1 | 7815 +15V | |
Q2 | 7915 | |
R1, R2 | 5.62K 0.25W | |
R3 | 10K 0.25W | |
R4, R5 | 2.2K 0.25W | |
R6, R7 | 4.7K | |
R8 | 1.5K | |
R9 | 47K | |
R10 | 4.7K 0.25W | |
R11 | 100K 0.25W | |
R12 | 150K 0.25W | |
R13 | 4.7K 0.25W | |
R14 | 470Ω 0.25W | |
R15 | 10K 0.25W | |
R16 | 4.7K 0.25W | |
R17 | 22K | |
R18 | 4.7K 0.25W | |
22K | ||
R22 | Jumper .35” | |
R25, R26 | 22K | |
R27, R28 | 10K | |
R30, R31 | Jumper .35” |
R32 | 4.7K 0.25W | |
R33, R34 | Jumper .35” | |
R35 | 4.7K 0.25W | |
R36 | 100K 0.25W | |
R37 | 150K 0.25W | |
R38 | 4.7K 0.25W | |
R39 | 100K 0.25W | |
R40 | 150K 0.25W | |
R41 | 4.7K 0.25W | |
R42 | 10K | 0.25W |
R43 | 4.7K 0.25W | |
R44 | 10K | 0.25W |
R45 | 4.7K 0.25W | |
R46, R47 | 22K |
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R48, R49 | 10K | 0.25W |
R50, R51 | 22K |
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R53, R54 | 100K |
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R60 | 22K | 0.25W |
R61 | 10K |
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R62 | 22K | 0.25W |
R63 | 10K |
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R64 | 22K | 0.25W |
R65 | 10K |
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R67 | 22K | 0.25W |
R68 | 10K |
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R69 | 22K | 0.25W |
R70 | 10K |
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R71 | 22K | 0.25W |
R72 | 10K |
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R74, R76 | 470Ω | 0.25W |
R80 | 22K | 0.25W |
R81 | 10K | 0.25W |
R83 | 22K | 0.25W |
R84 | 10K | 0.25W |
470Ω |
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R90 | 10K |
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R91 | 22K | 0.25W |
R92 | 100Ω 0.25W | |
R93 | 10K |
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R94 | 22K | 0.25W |
R95 | 100Ω 0.25W | |
R100 | 2.2K 0.25W | |
R101, R102 | Jumper .35” | |
R105, R106 | 2.2K | 0.25W |
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| R107 |
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| 150K 0.25W |
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| R430, R431 Jumper .35” | 16 CHANNEL OVERVIEW |
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| R108 |
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| 3.3K |
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| R432 | 4.7K 0.25W |
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| There are 8 MIC/LINE input channels with XLR and 1/4” LINE inputs and PATCH insert jacks. | headroom “bottle necking” at the summing stages, ensuring clean, pure audio throughout. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R109 |
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| 8.2K 0.25W |
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| R433, R434 Jumper .35” | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R110 |
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| 3.3K |
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| R435 | 4.7K 0.25W | There are also 4 STEREO input channels (8 mono) with two 1/4” LINE inputs each. The XLR |
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| R111 |
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| 8.2K 0.25W |
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| R436 | 100K 0.25W | MICRO TOROID SUPPLY |
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| R112 |
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| 15K |
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| R437 | 150K 0.25W | channels feature input GAIN controls and provide Phantom power for condenser mics. There |
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| R113 |
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| 36K |
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| R438 | 4.7K 0.25W | You won’t find the precision Micro Toroid Supply in any mixer except the SM162 and other | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| are 3 bands of EQ and 2 post fader effect SENDS on each channel. The master section fea- | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R115 |
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| 15K |
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| R439 | 100K 0.25W | CARVIN | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R116 |
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| 36K |
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| R440 | 150K 0.25W | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| tures 2 SENDS and 2 stereo RETURNS along with RCA tape IN’s and OUTs that can be used | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R201, R202 5.62K 0.25W |
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| R441 | 4.7K 0.25W | precision 7815 and 7915 voltage regulators which hold voltage tolerances to within .001%. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R203 |
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| 10K 0.25W |
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| R442 | 10K 0.25W | as a separate stereo channel with it’s own level control. A master LEFT/RIGHT level control | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R204, R205 2.2K 0.25W |
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| R443 | 4.7K 0.25W | Now you can go anywhere and never have to worry about the mixer giving you the exact | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R206, R207 4.7K |
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| R444 | 10K 0.25W | also feeds a 1/4” stereo headphone jack with its own level control. The stereo LED VU meter- | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R208 |
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| 1.5K |
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| R445 | 4.7K 0.25W | output and sound you are accustomed to. Another big feature in this power supply is the | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R209 |
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| 47K |
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| R446, R447 22K | ing gives you bright,clear visibility of your output levels. |
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| R210 |
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| 4.7K 0.25W |
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| R448, R449 10K 0.25W |
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| precision wound Toroid transformer (not available from our competition) that gives | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R211 |
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| 100K 0.25W |
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| R450, R451 22K |
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| R212 |
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| 150K 0.25W |
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| R453, R454 100K | “SHELVING” EQ WITH ACTIVE TONE CIRCUITS |
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| unsurpassed rejection of noise and hum. You can place the SM162 over sensitive gear | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R213 |
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| 4.7K 0.25W |
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| R530, R531 Jumper .35” | The SM162 incorporates 3 bands of EQ’s per channel that offer smooth tone curves so | and not be concerned about injecting hum or noise into it like a standard transformer could. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R214 |
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| 470Ω 0.25W |
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| R532 | 4.7K 0.25W | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R215 |
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| 10K 0.25W |
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| R533, R534 Jumper .35” | your adjustments will sound natural and yet be effective. Depth is added to your bass because | CARVIN has spared no expense to achieve studio quality performance. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R216 |
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| 4.7K 0.25W |
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| R535 | 4.7K 0.25W | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R217 |
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| 10K 0.25W |
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| R536 | 100K 0.25W | 80 Hz is chosen for the LOW frequency EQ controls instead of the usual 100 Hz. The HI EQ | PROFESSIONAL HEADPHONES |
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| R218 |
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| 4.7K 0.25W |
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| R537 | 150K 0.25W |
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| controls are set at 11.5k Hz which is slightly higher than the normal 10k Hz treble controls |
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| R219 |
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| 10K 0.25W |
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| R538 | 4.7K 0.25W |
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| The SM162 is designed to be used with professional headphones. The impedance of the head- | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R220, R221 4.7K 0.25W |
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| R539 | 100K 0.25W | giving more | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R330, R331 Jumper .35” |
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| R540 | 150K 0.25W | phone set should be between 40 and 100 ohms with a sensitivity of at least or high than 100 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R332 |
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| 4.7K 0.25W |
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| R541 | 4.7K 0.25W | frequency band from 80 Hz down to 20 Hz and from 11.5K Hz up to 20k Hz. The MID EQ | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R333, R334 Jumper .35” |
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| R542 | 10K 0.25W | dBm at 1k Hz with 1mv input. 8 ohm or 500 ohm and higher headsets are not recommended. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R335 |
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| 4.7K 0.25W |
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| R543 | 4.7K 0.25W | controls are a “band pass” type which peak at 2.2k Hz for added presence to your mid range | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R336 |
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| 100K 0.25W |
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| R544 | 10K 0.25W |
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| R337 |
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| 150K 0.25W |
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| R545 | 4.7K 0.25W | tones. Because CARVIN uses “active” tone circuits, you are able to boost or cut your tones | For your records, you may wish to record the following information. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R338 |
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| 4.7K 0.25W |
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| R546, R547 22K | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R339 |
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| 100K 0.25W |
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| R548, R549 10K 0.25W | without any signal loss in your mixer. |
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| Serial No._____________________ Invoice Date_______________ | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| R340 |
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| 150K 0.25W |
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| R550, R551 22K |
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| R341 |
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| 4.7K 0.25W |
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| R553, R554 100K |
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| R342 |
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| 10K 0.25W |
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| S1 | DPDT Push Vert |
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| R343 |
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| 4.7K 0.25W |
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| T1 | Toroid 7VA | STUDIO MATE BLOCK DIAGRAM |
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| R344 |
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| 10K 0.25W |
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| U1,U2 |
| Display LM3915 |
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| R345 |
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| 4.7K 0.25W |
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| Z1 | Zener 6.2V 1N4735A |
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| 1 2 |
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| R346, R347 22K |
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| L R EFF EFF |
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| MODEL SM162 SPECIFICATIONS: |
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| R348, R349 10K 0.25W |
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| R350, R351 22K |
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| CHANNELS | INSERT |
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| Frequency Response: | Mic or Line Inputs: | |||||||||||||||||||||||||||||||||||||||||||
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| R353, R354 100K |
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| THREE BAND |
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| LINE OUT | |||||||||||||||||||||||||||||||||||||||
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| MIC |
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| CHANNEL TONE |
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| PAN |
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| L - R |
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| Total Harmonic Distortion: Less than .009% MIC in - Master out | |||||||||||||||||||||||||||||||
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| CONTROLS |
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| LEFT |
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| METERS |
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| Equivalent Input Noise: | 150 ohm source: | ||||||||||||||
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| EFF 1 |
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| 2 |
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| 6 |
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| LINE | PAD |
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| MAIN LEFT |
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| TAPE OUT | Output Noise: | |||||||||||||||||||||
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| LEVEL |
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| line pad |
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| EFF 2 | SUMMING AMP |
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| (All Levels Minimum) | |||||||||||||||||||||||||||||||||||||||
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| HI |
| MID | LOW |
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| AND LEVEL |
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| TAPE OUT |
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| Output Headroom: | +20dB 1/4” unbalanced | ||||||
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| RIGHT | ||||||||
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| CHANNELS |
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| THREE BAND |
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| LINE OUT | Maximum Gain: | Mic in to Master Line Out: 70dB | ||||||||||||||||||
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| LEFT |
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| CHANNEL TONE |
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| Crosstalk: | Adjacent ch’s: | ||||||||||
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| PAN |
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| EFF 1 |
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| Common Mode Rejection: | ||||||||||||
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| HI | MID | LOW |
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| LEVEL |
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| MAIN RIGHT |
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| Phantom Power: | All XLR Mic in channels | ||||||||||||||||||||||
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| THREE BAND |
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| SUMMING AMP |
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| CHANNEL TONE |
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| EFF 2 |
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| AND LEVEL |
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| Channel EQ.: | 3 band active,LOW: 100Hz ±12dB | ||||||||||||||||||||||||||||||
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| IN |
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| 1 |
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| HEADPHONE |
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| MID: 2.2KHz ±12dB | ||||||
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| HI | MID | LOW |
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| LEVEL |
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| LEVEL |
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| HI: 11.5KHz ±12dB | ||||||||||||||||||
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| Color Knob Code |
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| HEADPHONE | Mic Input: | Balanced XLR input: | ||||||||||||||||
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| last 2 numbers |
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| TAPE IN |
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| OUTPUT | Line Input: | Unbalanced 1/4” Phone Jack | ||||||||||||||||||||
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| Blue | 20 |
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| Power Consumption: | 10VA | ||||||||||||||||
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| Red | 25 |
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| EFFECTS | ||||||||||||||
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| Grey | 28 |
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| RIGHT |
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| SEND 1 | Size and Weight: | (8 lbs) 2.5”H x 16.2”W x10.2”D | |||||||||||||||
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| SEND 1 |
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| OUTPUT |
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| SUMMING AMP |
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# | DESCRIPTION | CARVIN # | QTY |
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| SEND 1 |
| |
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| LEVEL |
| |||||
1. | PCB Assembly | 15 | LEFT |
|
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| ||
2. | Front Panel Metal | 1 | EFFECTS RETURNS |
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| EFFECTS | ||
ONE AND TWO |
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| ||||||
3. | Knob 10 D shaft (COLOR) |
| SEND 2 |
| SEND 2 | |||
4. | AC Receptical | 1 | RIGHT | SUMMING AMP |
| OUTPUT | ||
SEND 2 | 12340 World Trade Drive, San Diego, CA 92128 | |||||||
5. | Power Switch | 1 | RETURN |
| ||||
6. | Internal Fuse (see fuse chart) | 1 | LEVEL |
| LEVEL | (619) | ||
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| www.carvin.com |