Appendix C

Appendix

376

Input

Signal

Level

 

TYPE IV™

 

Over

+12

Region

+8

 

+4

0 dB FS

0

 

-4 dB

-4

A/D Converter

Linear Region

Noise Floor

Figure 2 - Input Signal Levels Mapped to Type IV Over Region

Fig. 2 illustrates the mapping function in a different way. Input levels are shown on the left of the graph, while con- verted levels are shown on the right. Notice the mapping of large signal excursions to the 4 dB “Type IV™ Over Region.” One might question the validity of such an approach—trying to represent a lot of signal information within a small- er “space.” The reason why this is not only valid but makes a whole lot of sense is that the digital codes in a converter

are linear, or evenly-spaced, meaning that each consecutive code represents the same change in voltage of the input sig- nal. This implies that half of the digital codes are used to represent input signals whose voltage level is below 1/2 of the full-scale A/D input voltage, while the other half of the codes are used to represent signals above 1/2 of the full-scale A/D input voltage. This seems reasonable until you realize that 1/2 of the full-scale input is only 6 dB below full-scale! So half of the codes are used to represent only the top 6 dB of signal information, while the other half are used to rep- resent the remaining 80 to 110 dB of signal information, depending on the quality of the converter. It seems not only reasonable, but also desirable, to utilize the increased signal resolution afforded by this density of digital codes to rep- resent more input dynamic range in this region.

Another advantage of the logarithmic mapping of our dbx Type IV™ Conversion System is that it preserves the high- frequency detail of the signal in the overload region. Figs. 3a through 3d illustrate what happens when you overload an A/D converter without Type IV™. Fig. 3a shows an input signal having both low-frequency and high-frequency com- ponents. When the signal overloads, or clips, (Fig. 3b) at the A/D converter, a disproportionate amount of high-frequency signal information is lost compared with the low-frequency information. The low and high-frequency components of the signal are separated in Fig. 3c to illustrate this more clearly. As you can see, the low frequency signal simply gets dis- torted but maintains most of its signal characteristics, while sections of the high-frequency signal are completely lost! With dbx Type IV™, its mapping preserves high-frequency signal information, as illustrated in Fig. 3d, since the signal is confined within the Type IV™ Over Region and never clips. The dashed line indicates the original input signal level. Below the Over Region no mapping occurs, while above this, mapping keeps all peaks of the signal below the A/D clip level, thus preserving the high-frequency content of the signal.

®

24

376 User Manual

 

 

Page 32
Image 32
dbx Pro 376 user manual Appendix C

376 specifications

The dbx Pro 376 is a highly regarded unit in the realm of audio processing, combining advanced technologies and user-friendly features to enhance sound quality and versatility in various professional settings. As a dual-channel microphone preamp, the Pro 376 is designed to deliver exceptional audio fidelity, making it an ideal choice for recording studios, live sound applications, and broadcast environments.

One of the standout features of the dbx Pro 376 is its high-performance microphone preamplifiers. These preamps are equipped with Ultra-Dynamic Range technology, which provides a broad dynamic range and low noise floor. This ensures that every subtle nuance of the audio signal is captured accurately, resulting in clear and detailed recordings. Furthermore, each channel boasts switchable phantom power, allowing for compatibility with a wide array of condenser microphones.

The Pro 376 also includes dbx's proprietary DriveReduction technology. This innovative processing feature allows users to apply a transparent form of compression that maintains the integrity of the original sound while controlling dynamics. By providing versatility in managing signal levels, DriveReduction becomes an invaluable tool in both live and studio settings.

Another essential aspect of this unit is its bandwidth-efficient, 3-band equalizer with a dedicated low-cut filter. The EQ section permits precision tuning of frequencies, enabling audio engineers to shape the sound to fit specific artistic visions. It offers both musicality and functionality, ensuring that the end product meets professional standards.

Durability is also a hallmark of the dbx Pro 376. Built with rugged metal housing, it’s designed to withstand the rigors of the road, making it a reliable choice for touring musicians and sound professionals. Its intuitive front-panel controls allow for easy operation, while its compact design ensures it fits seamlessly into any audio rack setup.

The dbx Pro 376 incorporates balanced XLR inputs and outputs, ensuring minimal signal loss and optimal compatibility with other audio equipment. The unit is also versatile enough to function in various setups, be it for recording, live performances, or broadcast.

In summary, the dbx Pro 376 stands out with its premium microphone preamps, innovative processing technologies, user-friendly interface, and robust build quality. These features combine to make it an essential tool for any audio professional seeking to elevate their sound production capabilities. Whether in a studio or on stage, the Pro 376 delivers impressive results, bringing audio vision to life.