MPS-1 Finished Rear Panel Layout
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Note: Before connecting any components to the
1 Unbalanced RCA Inputs |
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| 3 Speaker Output Terminals | ||
The | The speaker output terminals for each am- | |||||||
available for each amplifier channel mod- | plifier channel are located just below the | |||||||
ule. Connect this to the corresponding RCA | balanced XLR input jack. The top post of | |||||||
jack on your preamplifier to provide signal | each binding post pair is the positive out- | |||||||
to the amplifier channel. See page 21 for a | put, and connects to the positive (red) post | |||||||
connection diagram. |
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| of your speaker. The bottom post of each | ||
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| pair is the negative, and connects to the |
2 Balanced XLR Inputs |
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| negative (black) post of your speaker. The | ||
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| posts can accept bare wire, spade terminals, | |||
The | and dual or single banana connectors. | |||||||
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available for each amplifier channel mod- |
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ule. Connect this to the corresponding | Spade connections or banana plugs ensure | |||||||
XLR jack on your preamplifier to provide | a simple, solid fit in the terminal whereas | |||||||
signal to the amplifier channel. If you have | bare wire may be awkward when the ter- | |||||||
a choice, use the balanced XLR connections | minal is screwed down to compress the | |||||||
whenever possible. Balanced connections | wire into place. Keep in mind that if you | |||||||
offer superior noise immunity over unbal- | use “dual banana” plugs and “stack” them, | |||||||
anced RCA connections. |
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| you will be creating a parallel connection. | ||
On the balanced XLR connector, the wiring | For more details on series and parallel con- | |||||||
is as follows: |
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| Pin #3 | nections, see pages | ||||
Pin #1 = Ground |
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Pin #2 = Signal + | Pin #1 |
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Pin #3 = Signal - |
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See page 22 for a connection diagram.
Page 13