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Micro Dynamic Capability: This describes the ability of a system to resolve the lowest level material with as much articulation and imaging as it does at the louder levels. The most difficult areas for loudspeaker systems to reproduce well are the extremes, i.e. the
from ppp to p (pianissimo to piano), and the last part of the macro-
dynamics f to fff (forte to triple forte).
Imaging and Soundstaging: A reference system must be able to recreate a deep, tall and wide soundstage with accurate imaging when reproducing recordings that contain such information. The effect is that of being able to clearly distinguish the specific locations (left/right, forward/back, height) at which the instruments are playing, and to be able to hear their performance from the perspective of the venue in which it was recorded.
These concepts can be understood in a basic sense by examining the temporal coherence of a loudspeaker system. If each frequency of the audio spectrum arrives at the listener at the same time, spatial cues emanating from a performance are reproduced, i.e. sound waves bounced from the walls, floor and ceiling of the venue, attenuated in amplitude and displaced in time, can be resolved in space by two stereo channels. If a reference system can slice time “thinly enough”, and have excellent
Low Harmonic and Intermodulation Distortion: The greatest sound pressure peaks should create almost no distortion whatever. Many loudspeakers begin to experience signal compression at loud levels. When this happens, music becomes distorted as sounds compress. Reference systems cannot exhibit these symptoms. Just as live music sounds relaxed at the loudest levels, so must the reference system.
Please read this Owners Manual and
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