ACTIVE 4 BAND EQUALIZATION – Each channel of the Shenandoah 200 contains a separate 4 band (with 2 sweepable mids) active equalizer. These equalizers, similar to those found on professional sound consoles, are very useful tools when used correctly.

LOW FREQUENCY EQ - The corner frequency of the low frequency section is 85 Hz, with a shelving curve type. This frequency is particularly handy when dealing with low frequency feedback from a big dreadnaught guitar, cello or upright bass. With a “boomy” instrument on a small stage, a combination of volume reduction and turning down the low frequency control will generally get good results. The low frequency control is also handy for adding some “bottom” to a baritone sax and “chunk” to many stringed instruments.

HIGH FREQUENCY EQ - The corner frequency of the high frequency section is 8 kHz, shelving curve type. This frequency is especially useful for taming the bright harshness of some mandolins, violins, brass and reeds. It

drums are present.

MIDRANGE EQ - The “sweep mid” section features 2 independent midrange equalizers, peaking curve type, with over 12 dB of cut or boost and a bandwidth approximately 1 octave wide. The center frequencies of these

offending frequencies in the instrument’s pick-up response. Removing only the minimum amount necessary will yield the most acoustically rewarding results. The easiest and most repeatable way to determine the offending frequency range is to boost the mid level somewhat (but not to the point of feedback) and while playing, sweep the frequency

just how quick it can be. You will hear a clear and obvious accentuation of the “ugliness” you wish to remove. Then, reduce the gain control until the sound you desire is attained. The ear is a most sensitive and discriminating piece of test equipment when used in this manner, another good reason to protect them! This is the way many touring sound

in “boost” mode, particularly common when adding higher midrange (bite) to an otherwise dull instrument, or adding low mid “body” to an otherwise thin sound. Spend some time experimenting so that the process becomes creative as well as corrective.

AUXILUARY INPUT LEVEL CONTROL – The Shenandoah™ 200 is equipped with both ¼” and dual RCA aux input jacks and aux level control. These rear panel jacks are internally summed, and feed the stereo mix via the aux level control. Both aux inputs are line level, for use with drum machines, CD, MP3 and tape players.

MASTER VOLUME – The stereo master volume control adjusts the overall volume of the mix of channel 1, channel 2, effects return 1 and effects return 2. Typically, best results are obtained when this control is operated between the 9:00 and 3:00 positions.

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Genz-Benz 200 owner manual

200 specifications

The Genz-Benz 200 is a versatile amplifier that has made a significant mark in the world of guitar amplification. Renowned for its robust performance and exceptional tonal quality, it caters to the needs of both amateur musicians and seasoned professionals. With its compact design, the Genz-Benz 200 provides a perfect balance between portability and power, making it an ideal choice for gigging musicians.

One of the standout features of the Genz-Benz 200 is its power output. Delivering an impressive 200 watts, it ensures that players can project their sound in any venue, from intimate coffee shops to larger auditoriums. Despite its power, the amplifier remains lightweight, which is a considerable advantage for musicians who are frequently on the move.

The Genz-Benz 200 incorporates advanced technologies that enhance its performance. The use of high-grade components ensures durability and reliability, while the thoughtfully engineered circuit design allows for better heat dissipation. This contributes to the amplifier's longevity, ensuring that it can withstand the rigors of live performances and extensive rehearsals.

Moreover, the Genz-Benz 200 features a wide range of tonal options that allow musicians to customize their sound. Equipped with multiple EQ bands, it provides precise control over bass, mid, and treble frequencies, enabling players to sculpt their desired tone. Additionally, the integrated effects loop offers flexibility for those who wish to incorporate additional pedals and effects into their rig.

Another notable aspect is the built-in speaker emulation technology. This allows players to achieve studio-quality sounds even when recording directly or using headphones, eliminating the need for additional mic setup. Such versatility makes the Genz-Benz 200 not only suitable for live performances but also for practice sessions and studio work.

Furthermore, the amplifier's rugged construction ensures it can handle the challenges of touring. With a sturdy chassis and a reliable cabinet design, the Genz-Benz 200 is built to last. This reliability is crucial for musicians who depend on their gear to perform consistently, night after night.

In conclusion, the Genz-Benz 200 stands out as a powerful, portable, and reliable amplifier. With its impressive features, advanced technologies, and customizable tonal characteristics, it is a valuable tool for any guitarist's arsenal, ensuring exceptional performance in a variety of settings.