FRONT PANEL

INPUTS -The Shenandoah™ Stereo 60LT is equipped with two types of input jacks. The ¼” input is unbalanced and “line/instrument level” with a useable sensitivity from 50 mV to 1.6 volt. The input impedance is 220 k ohms. The ¼” input will also accept most active balanced line sources, automatically unbalancing them by recognizing the tip portion of the balanced signal. If an instrument offers an unbalanced output it should be connected to the unbalanced input of the Shenandoah amp. Additionally, the precision input scaling preamp contains a 45 Hz, 12 dB/octave high pass filter (more effective and less intrusive than the more common 6 dB filters) and an “RFI” filter (radio frequency interference) to eliminate unwanted noise. The XLR input jack is balanced and “microphone level”, with a useable sensitivity from – 60 dBv to -30 dBv. It is not a line level input. It contains a precision full range differential microphone preamp with phantom power. For use with higher-level sources (such as the balanced line level output from a keyboard or other instruments), a balanced pad network will be necessary to use the balanced input. For instance, a Rapco “Pad Blox”,- 20 or -30 pad or similar product could be used.

COMBINING XLR & ¼” INPUTS -A unique feature of the Shenandoah™ Stereo 60LT is the ability to mix the XLR balanced and ¼” unbalanced inputs on channel 1. In many situations, this effectively makes the amplifier function as a 3 channel amplifier. The most effective way to use this feature is to set the volume on the channel using the XLR microphone input and then adjust the level control on the instrument itself (assuming that it has one) to blend levels between the 2 inputs.

ON-BOARD STUDIO QUALITY STEREO DIGITAL EFFECTS -TheShenandoah™ Stereo 60LT contains a 24-bit, 16 program stereo digital effects processor. We chose to use an industry leader in digital effects processing for realistic, high quality effects algorithms. Level differences are normal when switching between different effects; just adjust the channel send and master level controls accordingly. The effects level control on each channel adjusts the send level to the digital effects processor. The digital effects level in the master section controls the effects return level from the processor. Turning up the channel effects send will yield lusher effects response. Running the channel effects send lower and the master level higher will yield softer effects response.

PROGRAM DESCRIPTION

Name

Description

Hall 1

Bright hall reverb

 

 

Hall 2

Warm hall reverb

Room 1

Hardwood studio reverb

 

 

Room 2

Ambient room reverb

Room 3

Warm room reverb for guitars and rhythm instruments.

Plate 1

Classic plate reverb for lead vocals and instruments.

 

 

Plate 2

Sizzling bright plate reverb for vocals.

 

 

Plate 3

Short “vintage” plate reverb

 

 

Chorus

Stereo chorus (Tonal variations in pitch and volume)

Flange

Stereo flanger for jet wash effects.

Delay 1

125ms slapback delay

 

 

Delay 2

190ms slapback delay

 

 

Chorus/ Plate

Chorus with reverb plate

 

 

Chorus/ Room

Auto-wah guitar effect with reverb

Reverse Scoop

Mid-range scoop tone

Pitch Shift Rotary

Rotary speaker emulation

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Genz-Benz 60LT owner manual Front Panel, Program Description
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60LT specifications

The Genz-Benz 60LT is a distinguished model in the world of guitar amplification, renowned for its powerful sound and cutting-edge features. Tailored to meet the needs of both amateur and professional musicians, this amplifier combines versatility with robust performance, making it a favorite among guitarists of various genres.

One of the standout features of the Genz-Benz 60LT is its lightweight design, allowing musicians to transport it with ease without sacrificing sound quality. Despite its compact form, the amplifier houses a formidable 60 watts of power, capable of delivering clear tones and dynamic soundscapes. This power makes it suitable for both practice sessions at home and live performances in small to medium venues.

The Genz-Benz 60LT boasts a versatile tube preamp circuitry that provides a warm and rich tonal character, ensuring that the amplification complements the nuances of each instrument. With its two-channel design, players can easily switch between clean and overdriven sounds. The clean channel delivers sparkling, bell-like tones, while the overdrive channel produces a robust, saturated sound, perfect for rock, blues, or even jazz.

In terms of technologies, the 60LT is equipped with built-in digital reverb, allowing users to enhance their sound with spatial effects. The reverb control is intuitive, providing musicians with the ability to dial in just the right amount of ambiance to match their playing style. Furthermore, the amplifier includes a 3-band EQ, giving players control over bass, midrange, and treble frequencies, facilitating precise tone shaping.

Another noteworthy characteristic of the Genz-Benz 60LT is its speaker configuration. It features a high-quality custom-designed speaker, ensuring balanced sound across all frequencies. Additionally, the amplifier includes a headphone output for silent practice, allowing musicians to play without disturbing others while still maintaining a rich sound quality.

Durability is also a key factor in the design of the 60LT. The amplifier is built with heavy-duty components and a rugged cabinet, making it reliable for frequent travel and consistent use. This design philosophy has made the Genz-Benz 60LT a prized choice for gigging musicians.

In conclusion, the Genz-Benz 60LT is a powerful, versatile, and reliable amplifier that delivers exceptional sound quality for guitarists looking to enhance their playing experience. With its lightweight design, intuitive features, and robust tonal capabilities, this amplifier stands as a notable option for musicians seeking both performance and portability.
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