M-Audio 2626 manual Output Source Routing, Active Input Ports

Models: 2626

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Why are hardware inputs and outputs disabled?
When the interface operates at higher sample rates (i.e., 88.2/96 kHz or 176.4/192 kHz), certain hardware input and output ports become disabled due to the design of the S/MUX II and S/MUX IV protocols. When this happens, the Control Panel automatically scales back the number of software return channels to match the number of hardware outputs.
Additionally, you can choose to disable unused hardware input ports and/or software return channels to minimize the amount of system resources used by ProFire 2626. Both of these occurrences may result in Router output sources appearing grayed-out and italicized.

ProFire 2626

User Guide

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Output Source Routing

This section lets you select the audio source for each hardware output pair on the interface.

The Router has four columns of drop down menus: These columns (from left to right) represent the Analog Outputs, the first set of ADAT Outputs, the second set of ADAT outputs, and finally the the coaxial S/PDIF output.

To use the Router, first locate the pair of hardware outputs to which you’d like to send audio. Next, click the downward arrow to open the drop-down menu and select the audio source you’d like to connect to your chosen output. ProFire 2626 will now route that audio source to your selected output.

In the drop-down menu, the analog, ADAT, and S/PDIF inputs correspond to the analog, ADAT and S/PDIF hardware inputs found on the interface. The “SW Return” selections correspond to the outputs

of your audio software, while the “Aux Send” selections correspond to the stereo Auxiliary Send outputs of the DSP Mixer described in the previous section. “Mixer Out” is the master output of the ProFire 2626 DSP Mixer.

Note that if any of the drop-down selections appear grayed-out and italicized, this means that the stream is inactive (see the “Why are hardware inputs and outputs disabled?” box on this page for additional information). Select

a stream that is not italicized or grayed-out from the drop down menu to route an active stream to your chosen output.

Active Input Ports

These checkboxes determine which groups of hardware inputs are currently active on the interface. If a box is checked, its corresponding inputs are active; if a box is left unchecked, the corresponding ports are not active and the audio software will not receive any signal from this input until it is made active again. Be sure to deactivate any ports that are not being used as this will reduce the demands placed on the FireWire bus and decrease

the amount of system resources used by ProFire 2626. Deactivated inputs and outputs will be grayed-out and italicized in the Control Panel.

Note that at least one group of inputs must be active; the Control Panel will not allow you to disable any more than three of the four available check boxes.

Windows users: Note that inputs and outputs will always appear in your audio software, regardless of how these checkboxes are set. However, signals associated with deactivated ports will not be received by the software.

NOTE: Audio signals received at disabled input ports are not transmitted to the computer through the FireWire cable. However, signals present at the hardware inputs are always audible through the DSP Mixer/Router even if its corresponding ports have been disabled in the Router. Furthermore, the interface can still receive digital clocking information through the S/PDIF or ADAT ports even if they have been disabled from this menu.

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M-Audio 2626 manual Output Source Routing, Active Input Ports

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.