ProFire 2626 | User Guide | 35 |
Scenario 3: ProFire 2626 Slaved to S/PDIF Input
You may need to use a
In Figure 3 below, the CD player is configured as the clock master, with ProFire 2626 and other devices configured as slaves.
Slave (ADAT A)
In A | Out A | Slave |
In B | Out B |
12V DC
3.5A
— +
MIDI | In A | Out A | 7 | 5 | 3 | 1 |
S/PDIF
Word Clock
8
| In BOut B 8 | 6 | 4 | 2 |
MIDI | Optical |
| Line Outputs |
|
|
|
|
|
S/PDIF
Word Clock
S/PDIF
(RCA)
7 | 6 | 5 | 4 | 3 | 2 | 1 |
|
|
| Mic/Line Inputs |
|
|
|
Master (CD Player) | Slave (ADAT B) |
The previous three examples have covered some of the most common clocking methods and are intended to help you understand the basic principles of digital clocking. Note that there are many other ways in which proper clocking can be established between digital audio devices and this chapter cannot cover every conceivable scenario. If your studio uses more advanced clocking devices such as a “house” master clock, please refer to that device’s user guide to learn more about how it can be configured to work with ProFire 2626.