ProFire 2626

User Guide

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Configure the Master Volume Knob to Control Your Studio Monitors:

Since the studio monitors are connected to analog outputs 5/6, make sure that the “Analog Out 5/6” box is checked under the “Master Volume Knob” section of the Settings tab. Make sure that the “Analog Out 1/2” and “Analog Out 3/4” boxes are unchecked in this menu. This will ensure that the Master Volume knob (8) on the front panel can be used to control the levels of your studio monitors but will not affect the output levels of headphones 1 and 2.

Disabling unused input ports:

Since the optical and coaxial (S/PDIF) inputs are not being used in this scenario, these inputs should be disabled from the Router tab of the Control Panel. Doing so will minimize the amount of FireWire bandwidth and system resources used by ProFire 2626.

Using the DSP Mixer to create Cue Mixes

Once the Mixer, Router, and Settings tabs are configured as described above, you can use the DSP Mixer to create cue mixes for the guitarist/vocalist, percussionist, and the control room monitors:

•The faders along the bottom are used to create the mix heard on the studio monitors in the control room.

•The Aux 1 knobs create the mix heard by the guitarist/vocalist listening to Headphone Output 1.

•The Aux 2 knobs create the mix heard by the percussionist listening to

Headphone Output 2.

TIP: Double-clicking a fader or aux send knob will set it to “unity” gain. This is the gain level at which signals pass through the mixer without being amplified or attenuated.

•If your performers are doing overdub recording (i.e., playing along to previously recorded tracks in your DAW software), the outputs of your software will appear on input channels 17/18 in the DSP Mixer as this is the default configuration.

•The Headphone Level knobs (6) and Master Volume knob (8) on the front panel of ProFire 2626 can be used to adjust the overall level of the headphones and studio monitors, respectively.

▶IMPORTANT: Whenever you are using the ProFire 2626 DSP Mixer for input monitoring, make sure that you are not simultaneously using your DAW application’s input monitoring capabilities. If

both monitoring methods are activated at the same time, “double- monitoring” may take place, which can result in various problems including phasing and distracting slap-back delays.

NOTE: Remember that the DSP Mixer does not affect the signals that are sent to your audio application. DSP Mixer input channels can be set to any level preferred by the cue mix listener without affecting what is recorded into your music software.

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M-Audio 2626 manual Using the DSP Mixer to create Cue Mixes, Disabling unused input ports
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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