ProFire 2626

User Guide

41

Configuring the Mixer, Router, and Settings tabs

Setting up the DSP Mixer:

The default input channel configuration of the DSP Mixer should work well for most recording scenarios (including this one). You can verify and/or change the mixer input assignments by clicking the downward arrow ( ) at the top of each input channel and making your selection from the drop-down menu that appears. The input channels of the DSP Mixer should be assigned as shown in the table below:

DSP Mixer Input Channel

Input Channel Source

 

 

Mixer Input Channel 1

Analog 1

 

 

Mixer Input Channel 2

Analog 2

 

 

Mixer Input Channel 3

Analog 3

 

 

Mixer Input Channel 4

Analog 4

 

 

Mixer Input Channel 5

Analog 5

 

 

Mixer Input Channel 6

Analog 6

 

 

Mixer Input Channel 7

Analog 7

 

 

Mixer Input Channel 8

Analog 8

 

 

(Digital I/O not used in this example)

(Digital I/O not used in this example)

 

 

Mixer Input Channel 17

SW Return 1

 

 

Mixer Input Channel 18

SW Return 2

 

 

Since we will be setting up two headphone mixes, we will need to see the knobs for Aux Send 1 and Aux Send 2.

Use the “-” and “+“ buttons ( ) on the right side of the mixer to hide unnecessary Aux Sends (i.e., Aux Sends 3-8) or to show the first two Aux Sends (in case the Aux Send 2 knobs have been hidden).

If you would like to name your mixer input channels, you can double-click the numbers listed along the bottom of the mixer and enter more useful descriptions for each channel. For example, “1” can be renamed “Guitar”, “2” can be changed to “Vocals”, and so on.

Routing the DSP Mixer outputs:

We will be using the faders and aux send knobs of the DSP Mixer to create customized cue mixes for the guitarist/vocalist, percussionist, and the recording engineer. To make sure all of your outputs are correctly routed, go to the Router tab in the Control Panel:

1.Open the drop-down menu under Analog Out 1/2 and select “Aux Send 1.”

2.Open the drop-down menu under Analog Out 3/4 and select “Aux Send 2.”

3.Open the drop-down menu under Analog Out 5/6 and select “Mixer Out.”

Tip: If the recording engineer wishes to hear the output of the audio application instead of the DSP Mixer, Analog Out 5/6 can be changed from “Mixer Out” to “SW Return 1/2.” In this scenario, your audio application’s mix—including all of its plug-in effects—is heard. This may be the desired monitoring method if the engineer does not require the extremely low latency of the DSP Mixer.

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M-Audio 2626 Configuring the Mixer, Router, and Settings tabs, Setting up the DSP Mixer, Routing the DSP Mixer outputs
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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