MIC 1

DR MIC P

RE

X

MIC 2

DR MIC P

RE

X

MIC 3

DR

MI

C P

RE

X

 

 

MIC 4

DR

MI

C P

RE

X

 

 

MIC 5

DR

MI

C P

X

 

RE

MIC 6

DR

MI

C P

X

 

RE

LEFT/MONO

RIGHT

ALL BAL/UNBAL

TAPE

TAPE

BAL/UNBAL

 

1

1

INPUT

OUTPUT

L

 

 

 

L

 

 

 

2

2

 

 

R

 

 

 

R

 

 

 

 

BAL

 

 

BAL

 

 

BAL

 

 

BAL

 

 

BAL

 

 

BAL

 

 

OR

 

 

OR

 

 

OR

 

 

OR

 

 

OR

 

 

OR

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

LINE IN 1

LINE IN 2

LINE IN 3

LINE IN 4

LINE IN 5

LINE IN 6

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

-10dBV

 

-10dBV

 

-10dBV

 

-10dBV

 

-10dBV

 

-10dBV

U

IC GAI

U

IC GAI

U

IC GAI

U

IC GAI

U

IC GAI

U

IC GAI

M

N

M

N

M

N

M

N

M

N

M

N

 

0

60

 

0

60

 

0

60

 

0

60

 

0

60

 

0

60

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

 

TRIM

 

TRIM

 

TRIM

 

TRIM

 

TRIM

 

TRIM

STEREO AUX RETURN AUXSEND

 

MAIN OUT

MONO

MONO

MONO

MONO

L

L

L

L

BAL

BAL

BAL

BAL

OR

OR

OR

OR

UNBAL

UNBAL

UNBAL

UNBAL

R

R

R

R

LEVEL

LEVEL

LEVEL

LEVEL

+4

+4

+4

+4

-10

-10

-10

-10

LINE IN 7–8

LINE IN 9–10

LINE IN 11–12

LINE IN 13–14

TAPE IN

These RCA jacks are designed to work with semi-pro as well as pro recorders. To compensate for typically low levels, signals coming in here will be automatically boosted by 6dB.

Connect your tape recorder’s outputs here, using standard hi-fi (RCA) cables. To learn how signals are routed from these inputs, see .

SLEEVE TIP SLEEVE TIP

Use these jacks for convenient tape playback of your mixes. You’ll be able to review a mix, and then rewind and try another pass, without repatching or disturbing the mixer levels. You can also use these jacks with a portable tape or CD player to feed music to a PA system between sets.

WARNING: PushingTAPE in the SOURCE
Outputs? The 1402-VLZ PRO has plenty of

’em: XLR MAIN, 1⁄4" MAIN, TAPE, PHONES, CONTROL ROOM and AUX SENDS. Let’s take a peek.

XLR MAIN OUTPUTS

These low-impedance outputs are fully balanced and capable of driving +4dBu lines with up to 28dB of headroom. This output is 6dB hotter than other outputs. To learn how signals are routed to these outputs: .

To use these outputs, wire the XLR (bal- anced only) connectors like this:

SHIELD 2

HOT

COLD 3 1

SHIELD 1

COLD 3 2

HOT

1SHIELD

3COLD

matrix and ASSIGN TO MAIN MIX can create a feedback path between

TAPE IN and TAPE OUT. Make sure your tape deck is not in record, record-pause or input monitor mode when you engage these switches, or make sure the CTL ROOM / SUBMIX fader is fully down (off).

2

Pin 1 = Ground
Pin 2 = Positive (+ or hot) Pin 3 = Negative (– or cold)

HOT

14