MAIN OUTPUT LEVEL
Engaging this switch pads the balanced XLR MAIN OUTPUTS by 30dB, so you can feed the microphone input of, say, another mixer. Perfect for sending a submix to another mic level input in boardroom or conference room applications.
You can safely plug this output into an input that provides 48V phantom power.
For most music recording and PA applica- tions, unbalanced lines are perfectly acceptable. To use these outputs to drive unbalanced inputs, connect 1⁄4" TS
SLEEVE | SLEEVE TIP |
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Sleeve = Ground | SLEEVE |
1⁄4" MAIN OUTPUTS
These 1⁄4" jacks are balanced outputs capable of delivering 22dBu into a 600 ohm balanced or unbalanced load. (Okay, we admit it, that was a pretty technical sentence. See the Glossary and Connections appendices if you want to decode it.)
To learn how signals are routed to these 1⁄4" outputs: .
To use these outputs to drive balanced in- puts, connect 1⁄4" TRS
TAPE OUTPUT
These unbalanced RCA connections tap the MAIN OUTPUTS to make simultaneous recording and PA work more convenient. Connect these to your recorder’s inputs. To learn how signals are routed to these outputs: .
MONO OUT: If you want to feed a mono signal to your tape deck or other device, simply use an RCA
Tip = + (hot)
Ring = – (cold)
Sleeve = Ground
RING SLEEVE | SLEEVE RING TIP |
| SLEEVE TIP SLEEVE TIP | ||
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TIP
RING
TIP
SLEEVE
120 VAC 50/60 Hz 25W 500mA/250V
CAUTION:
TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE FUSE AND RATING
POWER | PHANTOM |
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ON | ON |
| MONO PLUG |
| STEREO |
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| INSERT ALL THE WAY IN TO | TIP OUT TO EFFECTS DEVICE | |||
| THE "SECOND CLICK" | RING RETURN FROM EFFECTS | |||
| WITH PREMIUM XDRTM MIC PREAMPLIFIERS | DIRECT OUT WITH SIGNAL | FOR USE AS AN EFFECTS LOOP | ||
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| INTERRUPTION TO MASTER | (TIP= SEND, RING = RETURN) | |
| MAIN | MAIN |
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| CONTROL |
| RIGHT | LEFT |
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| ROOM |
| BALANCED | BALANCED |
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| +4 | R | L |
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| OUTPUT |
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| LEVEL |
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| THE FOLLOWING ARE TRADEMARKS OR REG |
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