MIC 1

DR

MI

C P

RE

X

 

 

MIC 2

DR

MI

C P

RE

X

 

 

MIC 3

DR

MI

C P

RE

X

 

 

MIC 4

DR MIC P

RE

X

MIC 5

DR MIC P

RE

X

MIC 6

DR

MI

C P

X

 

RE

LEFT/MONO

RIGHT

ALL BAL/UNBAL

TAPE

TAPE

BAL/UNBAL

 

1

1

INPUT

OUTPUT

L

 

 

 

L

 

 

 

2

2

 

 

R

 

 

 

R

 

 

 

 

BAL

 

 

BAL

 

 

BAL

 

 

BAL

 

 

BAL

 

 

BAL

 

 

OR

 

 

OR

 

 

OR

 

 

OR

 

 

OR

 

 

OR

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

 

 

UNBAL

LINE IN 1

LINE IN 2

LINE IN 3

LINE IN 4

LINE IN 5

LINE IN 6

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

LOW CUT

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

75 Hz

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

 

18dB/OCT

 

-10dBV

 

-10dBV

 

-10dBV

 

-10dBV

 

-10dBV

 

-10dBV

U

IC GAI

U

IC GAI

U

IC GAI

U

IC GAI

U

IC GAI

U

IC GAI

M

N

M

N

M

N

M

N

M

N

M

N

 

0

60

 

0

60

 

0

60

 

0

60

 

0

60

 

0

60

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

+15dB

-45dB

 

TRIM

 

TRIM

 

TRIM

 

TRIM

 

TRIM

 

TRIM

STEREO AUX RETURN AUXSEND

 

MAIN OUT

MONO

MONO

MONO

MONO

L

L

L

L

BAL

BAL

BAL

BAL

OR

OR

OR

OR

UNBAL

UNBAL

UNBAL

UNBAL

R

R

R

R

LEVEL

LEVEL

LEVEL

LEVEL

+4

+4

+4

+4

-10

-10

-10

-10

LINE IN 7–8

LINE IN 9–10

LINE IN 11–12

LINE IN 13–14

PHONES

The 1402-VLZ PRO’s stereo PHONES jack will drive any standard headphone to very loud levels. Walkperson-type phones can also be used with an appropriate adapter. To learn how signals are routed to these outputs: . If you’re wiring your own cable for the PHONES output, follow standard conventions:

RING SLEEVE

SLEEVE RIGHT LEFT

TIP

 

 

RIGHT

 

LEFT

Tip = Left channel

SLEEVE

Ring = Right channel

 

Sleeve = Common ground

 

WARNING: When we saythe headphone amp isloud, we’re not kidding.

It can cause permanent ear damage. Even intermediate levels may be painfully loud with

some earphones. BE CAREFUL!

Always turn the CTL ROOM/SUBMIX fader all the way down before connecting head- phones. Keep it down until you’ve put the phones on. Then turn it up slowly. Why? “Engi- neers who fry their ears find themselves with short careers.”

ALT 3–4 OUTPUT

These 1⁄4" jacks are balanced outputs capable of delivering 22dBu into a balanced or unbalanced load. To learn how signals are routed to these outputs: . To wire your own cables: .

CONTROL ROOM

These 1⁄4" jacks are balanced outputs capable of delivering 22dBu into a 600 ohm balanced or unbalanced load. To learn how signals are routed to these outputs: . To wire your own cables: .

AUX SEND 1&2

These 1⁄4" jacks are also balanced outputs capable of delivering 22dBu into a 600 ohm balanced or unbalanced load. To learn how signals are routed to these outputs:. To wire your own cables: .

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