120 VAC 50/60 Hz 20W

POWER

PHANTOM

1A/250V SLO-BLO

ON

ON

 

CAUTION:

 

 

TO REDUCE THE RISK OF

 

 

FIRE REPLACE WITH SAME

 

 

TYPE FUSE AND RATING

 

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

INSERT

INSERT

INSERT

MAIN OUT

MAIN INSERT

TAPE

TAPE

C-R OUT

SUB OUT

 

 

AUX RETURN

 

 

 

AUX SEND

 

 

DIRECT OUT

 

 

BAL/UNBAL

(TIP SEND

INPUT

OUTPUT

BAL/UNBAL

BAL/UNBAL

 

 

BAL/UNBAL

 

 

 

BAL/UNBAL

 

 

BAL/UNBAL

 

 

L

RING RETURN)

 

 

L

3

1

4

3

2

1

5

3

1

7

5

3

1

L

 

 

 

L

 

 

L

 

 

L

L

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONO

 

 

 

 

 

(MONO)

(MONO)

(MONO)

 

 

 

 

 

 

 

 

 

 

R

4

2

 

 

 

 

6

4

2

8

6

4

2

R

R

 

 

R

R

R

 

 

R

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OO

+6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INSERT

INSERT

 

INSERT

INSERT

INSERT

 

INSERT

INSERT

INSERT

 

INSERT

INSERT

 

INSERT

INSERT

 

INSERT

LINE

16

LINE

15

LINE

14

LINE

13

LINE

12

LINE

11

LINE

10

LINE

9

LINE

8

LINE

7

LINE

6

LINE

5

LINE

4

LINE

3

LINE

2

LINE

1

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

UN-

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

BAL

 

MIC 16

DR MIC P

RE

X

MIC 15

DR MIC P

RE

X

MIC 14

DR MIC P

RE

X

MIC 13

DR MIC P

RE

X

MIC 12

DR MIC P

RE

X

MIC 11

DR MIC P

RE

X

MIC 10

DR MIC P

RE

X

MIC 9

DR MIC P

RE

X

MIC 8

DR MIC P

RE

X

MIC 7

DR MIC P

RE

X

MIC 6

DR MIC P

RE

X

MIC 5

DR MIC P

RE

X

MIC 4

DR MIC P

RE

X

MIC 3

DR MIC P

RE

X

MIC 2

DR MIC P

RE

X

MIC 1

DR MIC P

RE

X

XDRTM EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.

DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129

EFFECTS: SERIAL OR PARALLEL?

You’ve heard us carelessly toss around the terms “serial” and “parallel.” Here’s what we mean by them:

“Serial” means that the entire signal leaves the mixer (INSERT send), is routed through the effects device, and returns to the mixer (INSERT return). Examples: compressor, lim- iter, graphic equalizer. Line-level sources can also be patched through a serial effects device before or after the mixer.

“Parallel” means that a portion of the signal in the mixer is tapped off to the device (AUX SEND), processed, and returned to the mixer (AUX RETURN) to be mixed with the original “dry” signal. This way, multiple channels can all make use of the same effects device. Examples: reverb, digital delay.

AUX RETURN INPUTS

This is where you connect the outputs of your parallel effects devices (or extra audio sources). They’ll accept just about any pro or semipro effects device on the market. To learn how signals are routed from these inputs: . To wire your own cables: .

Mono: If you have an effects device with a mono output (one cord), plug that into L input of an AUX RETURN and leave the right input unplugged. That way, the signal will be sent to both sides, magically appearing in the center as a mono signal.

SUB OUTS

These 1/4" jacks are usually patched to the inputs of a multitrack deck, or to secondary amplifiers in a complex installation. To learn how signals are routed to these outputs: .

To wire your own cables: .

Double Busing

How on earth do you get four jacks to feed eight tracks? To feed an 8-track deck with only four SUB OUTS, simply use four Y-cords:

•SUB OUT 1 feeds tracks 1 and 5
•SUB OUT 2 feeds tracks 2 and 6
•SUB OUT 3 feeds tracks 3 and 7
•SUB OUT 4 feeds tracks 4 and 8

Tracks in record mode will accept the signal, and tracks in safe mode will ignore the signal. It’s that easy.

Serial Device (e.g., Compressor)

Insert

Insert

 

 

Send

Return

 

 

 

Signal Processor

 

Processed

Dry Signal

 

 

 

 

 

Signal

Parallel Device (e.g., Reverb)

 

 

 

Aux

Aux

Output

 

Send

Return

Section

 

 

Signal Processor

Wet Signal

 

 

 

 

 

 

Mix

Processed

 

Channel Path

Stage

Signal

 

 

 

Dry Signal(s)

 

Dry Signal(s)

 

13