INTRODUCTION
Thank you for choosing a Mackie Designs professional compact mixer. The
•Distortion less than 0.0007%, 20Hz to 20kHz
•Now that you have your
HOW TO USE THIS MANUAL
Since many of you folks will want to hook up your
Every feature of the
120 VAC 50/60 Hz 20W | POWER | PHANTOM | MAIN OUT | MAIN INSERT | TAPE | TAPE | SUB OUT |
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| AUX RETURN |
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| AUX SEND |
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| DIRECT OUT |
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(TIP SEND |
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1A/250V | ON | ON |
| RING RETURN) | INPUT | OUTPUT | BAL/UNBAL | BAL/UNBAL |
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| BAL/UNBAL |
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| BAL/UNBAL |
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| BAL/UNBAL | 3 | 1 |
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| L | L |
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| L | 3 | 1 | 4 | 3 | 2 | 1 | 5 | 3 | 1 | 7 | 5 | ||
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| MONO | R |
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| R | 4 | 2 | (MONO) | (MONO) | (MONO) |
| 6 | 4 | 2 | 8 | 6 | 4 | 2 |
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| R | R | R |
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| CAUTION: |
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| INSERT |
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| INSERT | PATCHBAY | INSERT |
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| INSERT | INSERT | ||||||||||||||||||||||||
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| INSERT |
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| LINE | 16 |
| LINE 15 |
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| LINE | 14 | LINE | 13 | LINE | 12 |
| LINE | 11 | LINE 10 |
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| LINE |
| 9 | LINE | 8 |
| LINE | 7 | LINE | 6 |
| LINE 5 |
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| LINE | 4 | LINE | 3 | LINE 2 | LINE | 1 | ||||||||
| MIC 16 |
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| MIC 15 |
| MIC 14 |
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| MIC 13 |
| MIC 12 |
| MIC 11 |
| MIC 10 |
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| MIC 9 |
| MIC 8 |
| MIC 7 |
| MIC 6 |
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| MIC 5 |
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| MIC 4 |
| MIC 3 |
| MIC 2 | MIC 1 | |||||||||||||
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| PRE |
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| XDR | EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. |
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| DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129 |
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TRIM | BV | 1 | TRIM | BV | 2 | TRIM | BV | 3 | TRIM | BV | 4 | TRIM BV | 5 | TRIM BV | 6 | TRIM | BV | 7 | TRIM BV | 8 | TRIM | BV | 9 | TRIM | BV 10 | TRIM BV | 11 | TRIM | BV 12 | TRIM | BV 13 | TRIM | BV | 14 | TRIM | BV | 15 | TRIM | BV 16 |
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| AIN |
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| WITH PREMIUM XDR | MIC PREAMPLIFIERS |
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| LAMP | |
AUX |
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| U |
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1 |
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| SEND 1 | |||||||||||||||||||
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| EFFECTS TO |
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| U |
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| SEND 2 | |||||||||||||||||||
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| CHANNEL STRIPS |
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| AUX |
| S EREO AUX RETURN | |||||||||||||||||||||||||||||
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| SEND |
| U | ASSIGN OPTIONS | ||
3 |
| 5 | 3 |
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| 5 | 3 | 5 | 3 | 5 | 3 |
| 5 | 3 | 5 | 3 |
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| 5 | 3 | 5 | 3 | 5 | 3 | 5 | 3 |
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| 5 | 3 | 5 | 1 | 3 |
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| SOLO |
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| MAIN MIX | ||
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| PHAN OUTPUT | |||||
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| U | TO S BS | 3– | 4 |
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4 |
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| 6 | 4 | 6 | SOLO | 4 |
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| PWR |
| RE URNS | |||
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| ONLY | SOLO | ||
EQ |
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| EQ |
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| EQ |
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| EQ |
| EQ |
| EQ |
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| EQ |
| EQ |
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| EQ |
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| EQ |
| EQ |
| EQ |
| EQ |
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| EQ |
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| EQ |
| SECTION28 | |||||||
| HI |
| HI |
| HI |
| HI | HI | HI |
| HI | HI |
| HI |
| HI | HI | HI | HI |
| HI |
| HI | HI |
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| 10 |
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| MID |
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| MID |
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| MID |
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| MID | CTL ROOM / PHONES | TAPE IN |
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| TAPE |
| TAPE TO |
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| MAIN MIX |
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| SUBS |
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| 4 |
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| LOW |
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| LOW | LOW | SUBS |
| SOLO |
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| 10 | |||||||||||||||||||
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| MAIN MIX |
| MODE |
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| CTL ROOM |
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| SOURCE |
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PAN |
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| PAN |
| PAN |
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| PAN |
| PAN |
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| PAN |
| PAN |
| PAN |
| PAN |
| PAN |
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| PAN |
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| PAN |
| ASSIGN TO MAIN MIX |
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| LEFT | LEFT | LEFT | LEFT |
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| PHONES | ||
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| RIGHT | RIGHT | RIGHT | RIGHT | MAIN | ||||||||||||||||||
MUTE |
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| MUTE |
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| MUTE |
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| MUTE |
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| MUTE |
| MUTE |
| MUTE |
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| MUTE |
| MUTE |
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| MUTE |
| MUTE |
| MUTE | MUTE |
| MUTE |
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| MUTE |
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| MUTE |
| 1 | 2 | 3 | 4 | ||||||
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| MIX | ||||
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| U |
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| SOLO |
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| SOLO |
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| SOLO | SOLO | SOLO |
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| SOLO |
| SOLO |
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| SOLO |
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| SOLO | SOLO |
| SOLO |
| SOLO |
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| SOLO |
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| SOLO |
| SOLO |
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| 5 |
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| 10 |
| 10 | ||||||||||||||||
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| 20 |
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| 30 |
| 30 | ||||||||||||||||
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| 40 |
| 40 |
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| L - R |
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| L - R |
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| L - R |
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| L - R |
| L - R | L - R |
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| L - R |
| L - R |
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| L - R |
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| L - R |
| L - R |
| L - R |
| L - R |
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| L - R |
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| L - R |
| L - R |
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| 50 |
| 50 | |
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| 60 |
| 60 |
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| TRACK |
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| TRACK | TRACK |
| TRACK |
| TRACK |
| TRACK |
| TRACK |
| TRACK |
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1 2 3 4 5 6 7 8
Whenever a specific
Throughout these chapters you’ll find illus- trations, with each feature numbered. If you’re curious about a feature, simply locate it on the appropriate illustration, note the number attached to it, and find that number in the nearby paragraphs or refer to the table of contents.
You’ll also find
You’ll also notice feature numbers just floating in space, like this . These numbers direct you to relevant information. This icon marks infor- mation that is critically important or unique to the 1604-VLZ PRO. For your own good, read them and remember them. They will be on the final test.
This icon will lead you totures and practical tips. While not mandatory, they’ll have some valuable information.
A PLUG FOR THE CONNECTORS SECTION
Appendix is a section on connectors: XLR connectors, balanced connectors, unbalanced connectors, special hybrid connectors.
More resources on our website @ www.mackie.com
THE GLOSSARY: A Haven of
The "Glossary of Terms" is a fairly comprehensive dictionary of
"Arcane Mysteries" discusses some of the down ’n’ dirty practical realities of microphones, fixed installa- tions, grounding, and balanced versus unbalanced lines. It’s a goldmine for the neophyte and even the seasoned pro might learn a thing or two.
4