CONTENTS
3 | |
INSTANT MIXING ............................................ | 3 |
HOOKUP DIAGRAMS ....................................... | 6 |
CONVERTING TO RACKMOUNT MODE .............. | 9 |
PATCHBAY DESCRIPTION ............................... | 10 |
10 | |
MIC/LINE INPUTS ON EVERY CHANNEL .... | 10 |
MIC INPUTS ............................................ | 10 |
PHANTOM POWER .................................. | 10 |
LINE INPUTS ........................................... | 11 |
TRIM ...................................................... | 11 |
INSERT ................................................... | 11 |
DIRECT OUT ............................................ | 11 |
SPLIT MONITORING ................................ | 12 |
AUX SEND OUTPUTS ............................... | 12 |
EFFECTS: SERIAL OR PARALLEL? ............... | 13 |
AUX RETURN INPUTS .............................. | 13 |
SUB OUTS ............................................... | 13 |
14 | |
PHONES OUTPUT .................................... | 14 |
TAPE OUTPUT ......................................... | 14 |
TAPE INPUT ............................................ | 14 |
MAIN INSERT .......................................... | 15 |
MAIN OUTS ............................................ | 15 |
MONO OUTPUT ....................................... | 15 |
MONO LEVEL .......................................... | 15 |
POWER CONNECTION .............................. | 15 |
FUSE ....................................................... | 15 |
POWER SWITCH ...................................... | 16 |
POWER LED ............................................ | 16 |
PHANTOM SWITCH ................................. | 16 |
PHANTOM LED ........................................ | 16 |
BNC LAMP SOCKET ................................. | 16 |
CHANNEL STRIP DESCRIPTION ....................... | 17 |
“U” LIKE UNITY GAIN ............................. | 17 |
FADER ..................................................... | 17 |
ASSIGN | 17 |
SOLO ...................................................... | 18 |
18 | |
OL (MUTE) LED ........................................ | 18 |
MUTE ..................................................... | 19 |
PAN ........................................................ | 19 |
19 | |
LOW CUT ................................................ | 20 |
AUX ....................................................... | 20 |
PRE ........................................................ | 21 |
5/6 SHIFT .............................................. | 21 |
OUTPUT SECTION DESCRIPTION ..................... | 22 |
MAIN MIX FADER .................................... | 22 |
VLZ MIX ARCHITECTURE ......................... | 22 |
SUB FADERS ............................................ | 22 |
ASSIGN TO MAIN MIX ............................. | 22 |
TAPE IN (LEVEL) ...................................... | 23 |
TAPE TO MAIN MIX ................................. | 23 |
SOURCE .................................................. | 23 |
CTL ROOM/PHONES ............................... | 23 |
MODE (NORMAL (AFL)/LEVEL SET (PFL)) ... | 24 |
LEVEL SET LED ......................................... | 24 |
SOLO (LEVEL) .......................................... | 24 |
RUDE SOLO LIGHT ................................... | 24 |
METERS .................................................. | 25 |
AUX TALK ............................................... | 25 |
AUX SEND (MASTER) ............................... | 25 |
AUX SENDS SOLO ................................... | 26 |
AUX RETURNS (LEVEL) ............................ | 26 |
EFFECTS TO MONITOR ............................. | 26 |
MAIN MIX TO SUBS (AUX RET 3) ............. | 26 |
26 | |
27 | |
RETURNS SOLO ....................................... | 27 |
MODIFICATIONS .......................................... | 27 |
28 | |
GAIN STRUCTURE DIAGRAM .......................... | 29 |
SPECIFICATIONS ............................................ | 30 |
SERVICE INFO ............................................... | 31 |
APPENDIX A: CONNECTIONS ................................. | 32 |
TRACK SHEET ....................................................... | 36 |
COLOPHON .......................................................... | 38 |
39 |
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