Mackie 1604-VLZ PRO OUTPUT SECTION DESCRIPTION, MAIN MIX FADER, SUBGROUP FADERS, ASSIGN TO MAIN MIX, VLZ MIX, ARCHITECTURE

OUTPUT SECTION DESCRIPTION

1604-VLZPRO	12V
16-CHANNEL MIC/LINE MIXER	0.5A

WITH PREMIUM XDRTM MIC PREAMPLIFIERS

LAMP

You’ve just learned about the input channels and how the signals get in and out. The signals come in via MIC and LINE input

At Mackie, audio quality is much more important than the price of wall warts. All of our mixers now employ VLZ and built-in power supplies that deliver more than enough cur-

UU

11

OO +10 OO +20

UU

22

OO +10 OO +20

AUX

SENDU

1 3

SOLO

OO +20

U

1TO AUX SEND 1

OO +15 EFFECTS TO

UMONITORS

2TO AUX SEND 2

OO	+15
ASSIGN OPTIONS
MAIN MIX	1–2
TO SUBS	3–4

jacks, are manipulated by the channels, and then sent to the output section. In the output section, things get a bit more complicated, so put on your thinking caps.

MAIN MIX FADER

rent, resulting in sonic specifications that rival consoles upwards of $50,000!

SUBGROUP FADERS

As you might expect, these faders control the levels of signals sent to the SUB OUTS. All channels that are assigned to subgroups, not muted

2

U

and not turned fully down will appear at the

SOLO 4

PHAN PWR OO +20

C-R / PHNS	RETURNS
ONLY	SOLO

This fader controls the levels of signals sent to the MAIN

SUB OUTS. Unlike the MAIN OUT, the subgroup signals do not pass through an insert jack

STEREO AUX RETURN

OO MAX

CTL ROOM / PHONES

TAPE

SUBS 1–2

SUBS 3–4

MAIN MIX

CTL ROOM

SOURCE

U

OO +20

TAPE IN

TAPE TO

MAIN MIX

OO MAX

SOLO

MODE

NORMAL (AFL) LEVEL SET (PFL)

LEFT RIGHT

	0 dB=0 dBu
	28
	10
	7
	4
	2
	0
	2
	4
LEVEL	7
SET
	10
	20

30

RUDE

SOLO

LIGHT

OUT 1/4" TRS jacks and TAPE OUTPUT RCA jacks . All channels and AUX RETURNs that are assigned to the MAIN MIX, not muted and not turned fully down will appear at the MAIN OUT. Before the main mix gets to this fader, the signals pass through the

MAIN INSERT .The MAIN MIX signals are

on their way to the subgroup faders. That’s no problem — should you want to send these signals through a serial effects processor, simply patch from the SUB OUTS to the effect’s input, and from the effect’s output to whatever the final destination is, usually a multitrack recorder.

The subgroup signals is off when its fader is fully down, the “U” marking is unity gain, and fully up provides 10dB additional gain. Remember that if you’re treating two subgroups as a stereo pair, subgroup 1 and 2 for example,

ASSIGN TO MAIN MIX

LEFT LEFT LEFT LEFT

							PHONES
RIGHT	RIGHT	RIGHT	RIGHT				MAIN
1	2	3	4
								MIX
						dB					dB
					10					10
					5					5
						U					U
					5					5
					10					10
				20					20
					30					30

40 40 50 50 60 60

OO OO

off with the fader fully down, the “U” marking is unity gain, and fully up provides 10dB additional gain. This additional gain will typically never be needed, but once again, it’s nice to know it’s there. The fader itself is a stereo version of the channel and subgroup faders — same supersmooth custom taper, same dead silence when turned fully down. This is the fader to pull down at the end of the song when you want “The Great Fade-Out.”

make sure that both subgroup faders “ride” together, to maintain the left/right balance.

ASSIGN TO MAIN MIX

One popular use of the subgroups is to use them as master faders for a group of channels on their way to the MAIN MIX. Let’s say you’ve got a drum kit hogging up seven channels and you’re going to want to fade them out at a different rate than the other channels. You don’t want to try that with seven hands or seven fingers, so just un-assign these channels from L–R, reassign them to subgroup 1–2, engage the ASSIGN TO MAIN MIX, LEFT on subgroup 1 and the ASSIGN TO MAIN MIX, RIGHT on subgroup 2. Now you can ride the entire stereo drum mix

VLZ MIX

ARCHITECTURE

When designing a mixing

circuit, the lowest noise and best crosstalk specs are

achieved by using Very Low Impedance (VLZ). To implement VLZ in a mixer, the power supply must be able to deliver plenty of current to the circuitry. That’s why those “wall wart” mixers are often noisy — they can’t power a VLZ circuit.

with two faders — 1 and 2.

If you engage just one ASSIGN TO MAIN MIX switch per subgroup (LEFT or RIGHT), the signal sent to the MAIN MIX will be the same level as the SUB OUTS. If you want the subgroup to appear in the center of the main mix, engage both the ASSIGN TO MAIN MIX, LEFT and ASSIGN TO MAIN MIX, RIGHT switches. The signal will be sent to both sides, and will be attenuated just enough to preserve constant loudness , just like the channel PAN knobs when set center.

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