
32. Internal TALKBACK MIC
This is where the
33. TALKBACK LEVEL
Use this knob to control the level of the talkback signal being routed to the PHONES or AUX
37. TALKBACK Switch | Owners’ | |
| ||
This is a momentary switch, meaning it’s only active |
| |
when you hold the switch down. As long as you hold |
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this switch down, the talkback signal is routed to the |
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outputs determined by the destination switches (35/36). |
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Release the switch, and the talkback circuit is turned off. | Manual | |
MAIN MIX and POWER LED | ||
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These are a few more important features that |
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shouldn’t be overlooked. |
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You should start with the TALKBACK LEVEL control turned down, and then slowly turn it up until you get confirmation from whoever is listening to headphones or monitors that they can hear you. Once you have set the level, you can leave it there for the duration of the
38.MAIN MIX Fader
The MAIN MIX
AUX MASTERS AUX RETURNS
PRE |
| 1 |
| 1 |
| +15 |
| +10 | |
POST | OO | OO |
session (or the gig).
34. EXTERNAL MIC Switch
If you are in a noisy environment, the
fader controls the output level just before the MAIN OUTPUTS (1/4" and XLR) (42/48) and the TAPE OUTPUTS (43). When MAIN MIX is selected
for the CONTROL ROOM/PHONES
PRE
POST
PRE
POST
PRE
POST
OO
OO
OO
2
+15
3
FX
+15 | TO |
| MON |
4
+15
OO
OO
OO
2
+10
3
+10
4
+10
If you are using an external mic, you must push in the EXTERNAL MIC switch. The indicating LED lets you know when the switch is pushed. When the switch is out, the
35. TALKBACK to PHONES
Push in the CR/PHONES switch to route the talkback signal to the PHONES (24) output. Use this to communicate with the talent in the studio through the headphones during a recording session. When the talkback circuit is activated (by pushing the TALKBACK (37) switch) and the CR/PHONES switch is in, the CONTROL ROOM outputs are attenuated by 20 dB to allow the engineer’s voice to come through loud and clear.
36. TALKBACK to AUX 1-2
This switch routes the talkback signal to the AUX 1 and 2 outputs (50). Use this to communicate with the musicians
By the way, it is okay to have both destination switches pushed in at the same time. The talkback signal will be routed to both destinations. But if you don’t have either of the destination switches pushed in, the talkback signal won’t go anywhere. You might as well be talking to a brick wall.
SOURCE (20), the MAIN MIX fader
(38)also controls the main mix level in the CONTROL ROOM and PHONES outputs (40/24).
When the fader is fully down, the MAIN MIX is off.
The “U” marking indicates unity gain, and fully up provides 10 dB of additional gain. Typically, this fader is set near the “U” label and left alone, but it can
be used for song
This LED performs one function
TALK
BACKMIC
POWER
TALKBACK | MAIN | ||
MIX | |||
|
| ||
|
| dB | |
|
| 10 | |
OO | MAX | 5 | |
LEVEL | |||
| |||
|
| U | |
|
| 5 | |
EXTERNAL | 10 | ||
| |||
MIC | 20 | ||
|
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DESTINATION | 30 | ||
|
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|
| 40 | |
CR/ | AUX | 50 | |
60 | |||
PHONES | OO |
TALKBACK
Owner’s Manual | 17 |